PURCHASE
■ I
THE AP READERS'POLL
IN AP 22 SEPTEMBER WE ASKED...
Given enough resolution, would you favour a digital
zoom over an optical one?
the photokina show, which was held in
Hasselblad has never been a mass-market
Cologne, Germany, a few weeks ago, I sat down with company, so we would expect something nicely
AP'S technical and news teams to discuss what new made with a price tag, but we honestly had not
products we expected to be announced Photokina
expected the Lunar (see News, page 5), On
is a massive show. The Japanese manufacturers take the face of it, taking a Sony N EX-7
it very seriously and it is generally a launch pad for a and jazzing it up is an OK idea, even
host of really important products.
Among other brands, we discussed Hasselblad.
With several price cuts in recent years, we haif-
expected a lower end camera that would, perhaps,
make a medium-format system accessible once
more to the serious amateur. And, given that the
medium-format market is still rel atively small, we
discussed the possibility of the company branching
out into DSLRs, or even the compact system area.
NEWS, VIEWS & REVIEWS
5 NEWS
Hasselblad outlines CSC and DSLR plans; Olympus and
Sony confirm tie-up; Fujifilm investigates full-frame
sensor; Leica unveils first M rangefinder with live view;
Canon reveals new PowerSfiot flagship
12 REVIEW
The latest books,
and websites
90 THE FINAL FRAME
it means not really bringing anything
new to the market. But turning an
existing camera into something
designed to be a luxury item and
charging more than £3,000 for
the standard version is hardly
constructive - and actually
slightly annoying Whatever
is the point 7
P45
Nikon's
D6D0
full-frame
DSLR on
test
Damien Dem older
TESTS & TECHNICAL
10 CANON EOS 6D
VOU ANSWERED...
A Yes. quality wilt ultimately be better
8 Yes. it will be more convenient
C No, an optical zoom will aLways be better
B%
6 %
67%
D No, I prefer the way images from optical zooms look 19%
THIS WEEK WE ASK...
Do you think the Hasselblad Lunar is going to be worthwhile?
VOTE ONLINE www.a mate urptiatograpfier.co.uk
58 DEPTH OF FIELD
Professor Bob Newman looks at the mathematics of a visual
tool that is tricky to control, but the mastery of which is key
to creative photography
YOUR WORDS & PICTURES
14 LETTERS
AP readers speak out on the week's issues
15 BACKCH AT
AP reader Dave Swann believes that £1.000 for a set of
The aesthetics of cameras transcend mere functionality, says Does a 20,2-million-pixel, full-frame sensor, built-in GPS and wedding shots is an expensive outlay for any couple
TECHNIQUE
16 PHOTO INSIGHT
Roger Hieks, which is why we should care what they Look like Wi-Fi capability make the Canon EDS 60 the ideal enthusiast-
level DSLR? Richard Sibley takes a first look
41 TESTBENCH
SanOisk Cruzer fit USB flash drive and Gary Fong Lightsphere
Coloured Dome Kit
42 ASK AP
Our experts answer your questions
image of a gate taken in the early morning light
21 MASTERCLASS
Annabel Williams takes two AP readers out onto the streets
30 READER SPOTLIGHT
Another selection of superb reader images
36 APPRAISAL
Damien Demolder examines your images, offering
words of wisdom and constructive advice
of London to show them how to use the urban environment 45 NIKON D600
to achieve successful portrait shots. Tom Doyle reports
Nikon's new D600 offers an appealing upgrade path for
FEATURES
26 GARDENS OF EDEN
What makes a
f consisner users. Mat Gallagher puts it to the test to fi nd out successf uL image of a
just how good this full-frame, entry-level model really is
53 ADOBE
PHOTOSHOP
ELEMENTS 11
Tim Coleman looks at the latest
incarnation of the increasingly
advanced, yet consumer-friendly, Adobe
Photoshop Elements editing software
garden? Philip Smith
who runs the
International Garden
Photographer of the
Year competition,
explains what the
judges Look for and
why our gardens are
so important. He
talks to Jon Severs
HOW TO HAVE YOUR PICTURES PUBLISHED IN READER SPOTLIGHT Send in a selection of up to ten images They can be either a selection of different images or atl have the same theme.
Digital files sent on CD should be saved in a Photoshop-compatible format, such as JPEG or TIFF, with a contact sheet and submission form. Visit www,
We cannot publish images without the necessary technical details. Each RGB image should be a minimum of 2480 pixels along its longest length. Transparencies and prints are also accepted. We
recommend thal transparencies are sent without glass mounts and posted via Special Delivery. For transparencies, prints or discs to be returned you musl include an SAE with sufficient postage.
2 HOWTO CONTACT US Amateur Photographer. IRC Media, Blue Fin Building, 110 Southwark Street, London SE1 DSD AP Editorial Telephone: 0203148 4138 Fax 0203 14B 8123
| Email amateurphotographerfoC:jpemedia.com AP Advertising Telephone: 8203 148 2516 Email mark_rankine<3)ipcmedia.com AP Subscriptions Telephone: IB44 848 0643
i Email ipcsubs@quadrantsubs.com AP test reports Telephone: 01707 273 773 www.testreports.co.uk/photography/ap
subscribe 0844848 0848
13 October 2012 www.am ate u rpbotographerco.u k
mtfJL in HU aHdVdOOLGH-J NjM
cliftoncameras.co.uk
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GUI4AA
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548 128
OPEN IMG HOURS
MON - SAT 10AM - 5 30PM
News Analysis Comment PhotoDiary
would be good or
bad for our business
HASSELBL AD is to
an
-C-
format compact system camera (CSC)
aimed at enthusiasts, as it agrees a 'long¬
term partnership' with Sony.
This is a camera for both serious
photographers and enthusiasts who
aspire to shooting with a Hasselblad,' said
Hasselblad's new-business development
manager Luca Alessandrini.
Furthermore, a full-frame DSLR from
Hasselblad is set to follow in the 'middle
of 2013’, revealed CEO Dr Larry Hansen,
speaking at last month's photokina trade
show in Germany,
The Swedish firm has developed
a working prototype of the Lunar, a
24.3-million-pixel CSC borrowing its
electronics from the Sony NEX-7.
be compatible with E-mount lenses,
and A-mount lenses via an adapter.
The Lunar will cost around €5,000 and
is due out in the first three months of next
year, said Hansen, who haiied the Sony
The Lunar CSC uses wood found
in the steering wheels of Maserati
supercars, said Hasselblad chairman
and CEO Dr Larry Hansen
corrosion, said Alessandrini.
'We've developed this model in the
traditional way, using handmade wooden
prototypes to ensure superior ergonomics
and functionality,' he added.
Alessandrini said this is a deliberate move
and stable grip. Features will also
include 10 -frames- pe r-second
shooting, a full HD movie option,
built-in flash and a Sony
hot shoe.
The firm is also planning
to launch a fixed-lens
compact camera within
12 months, and to work
with Sony 'to achieve
technical and engineering
breakthroughs'.
'Our expectation is to
aunch a camera in every
sector of the photographic
market This is only the start,’
said Hansen.
Hansen told AP that the firm has no
plan for a full-frame CSC, or to join forces
with Fuji film, with which Hasselblad already
has a collaboration regarding its existing
professional lenses
There will be three levels of Lunar: a
alliance as a 'new dawn' for Hasselblad.
The Lunar will feature an APS-C-sized
sensor, a 2,4-mi 11 ion-dot OLED electronic
viewfinder, Bin (921,000-dot) LCD screen
and a top ISO of 16,000.
Billed as vintage and high-tech', the
Lunar is designed in Italy, using carbon fibre
from the aerospace industry and controls
honed from titanium.
The body itself will be built from high-
grade' aluminium designed to resist
away from the magnesium alloy found in
many Japanese-built CSCs.
In an interview with AP, he said that
Hasselblad is well placed to move quickly
as the electronics are already available, but
admitted there is still much work to do on
the camera before launch,
Hansen told AP that the camera will
be made 'deliberately' larger than other
mirrorless models, to accommodate bigger
tenses and allow for a more comfortable
standard €5,000 version that will sport a
leather and wooden grip’; a pricier version
with the option of dozens of different
handgrips; and a'
that will include one with a 'python leather’
finish, and another with 'antique gold plating
Shigeki Ishizuka, president of Sony's
Digital Imaging Business Group said: ‘We
believe we can further enhance our digital
imaging development and manufacturing
expertise through this partnership,,,'
SONY is set to invest around £400m in
Olympus in a capital alliance that
the companies collaborate on fixed-lens
compact cameras. The tie-up will make
Sony Olympus's largest shareholder.
Initial indications suggest the firms will
not work together on interchangeable-lens
cameras, An Olympus spokesman told AP
'We will study the concrete possibility, for
pornt-and-shoot cameras, that Olympus
supply camera lenses and lens barrels
to Sony and that Sony will supply image
sensors to Olympus/
Olympus president Hiroyuki Sasa added
'In the field of digital cameras, we will seek
to achieve collaboration in a manner that
further improves the competitiveness of
the two companies.’
Meanwhile, Sony will take a 51% share
in a new medical company to be set up in
December.
• Three former
Olympus executives,
including ex-president
Tsuyoshi Kikukawa.
have pleaded guilty to
charges in connection
with a Cl.lbn
accounting cover-up.
Kikukawa, along with
former executive
vice-president Hisashi
Mori and Hldeo
Yamada, a former
auditor, were arrested
in February and couLd
face up to 10 years in
jail. Michael Woodford,
a Briton, was sacked
from his position as
CEO last October after
probing suspicious
deals. Olympus
declined to comment.
Leica admits it
faces a challenge if it
wants to build video
functionality into its
professional S- series
medium-format
cameras. Although it
is keen on the idea
moviemakers, Leica
UK's managing
director David Bell
added: l am told it is
very difficult to make
a medium-format
CMOS/
Do you have
a story?
Contact ChrisCheesman
Tel: 0203148 4129
Fax: 0203148 8130
amateurphotographer
(ffiiptined ia.com
subscribe 0844 848 0848
13 October 2012
www.am ate u rphotographer.co. u k
A week of photographic opportunity
Wednesday 10 October
EXHIBITION Prix Pictet: Power (shortlisted entries from the Prix Pictet
competition), until 28 October at Saatdii Gallery, London SW3 4SQ. Visit
www.saatchi-gallery.co uk DON’T MISS Red Squirrel Walks at Browrsea
Island. PooLe harbour, Dorset BH13 7EE. Tel: 01202 707 744. Visit www.
nationaltrust.org.uk.
Thursday 11 October
EXHIBITION Neil Libbert: Photojournalist, until 71 April 2D 13 at the
National Portrait Gallery, London WC2H DUE. Tel: 0207 306 0055.
Visit www.npg.org.
uk. EXHIBITION
International
Images for Science
Ian RPS touring
exhibition!, until
1 November at
Rothes Nalls,
Glenrothes,
KY7 5NX Tel:
01592 611 101 _
Friday 12 October
EXHIBITION In the Moment by sports photographer Tom Jenkins, until
12 October at University Gallery, Northumbria University, Newcastle upon
Tyne NE18ST. Tel: 0191 227 4424. Visit www.universitygaLlery.co.uk.
EXHIBITION Elliott Erwitl - photos from the 50-year career of
the Magnum Photos photographer, until 12 October at Chris Beetles
Fine Photographs. London W1B4DE. Tel: 0207 434 4319.
Visit www.c h risbeet Lesfineph otog rap h s.co m.
Saturday 13 October
EXHIBITION Astronomy Photographer
of the Year, until February 2013 at Royal
Observatory Greenwich, London SE10
9NF. Tel: 0208 058 4422. Visit www.
rmg.co uk/astrophoto. EXHIBITION
Circumstance - photos by New York
photographers BJ and Richeille
Formento, until 31 October
at Society Club, London W1F OJF.
Tel: 0207 437 1433. Visit
t hesoc i etyclu b soh o. wordp re ss.c o m.
Sunday 14 October
EXHIBITION Vagabonds of the Western World, a retrospective of rock
band Thin Lizzy by Denis Of Reg an, until 25 November at Proud Camden,
London NW1 BAH. Tel: 0207 482 3BA7.Visitwww.proudcamden.com.
EXHIBITION Burn My Eye. features 11 photographers, until 28 October at
Third Floor Gallery. Cardiff CF10 5AD. Visitwww.thirdfloorgallery.com.
Monday 15 October
EXHIBITION Cecil Beaton: Theatre of War. until 1 January 2013 at
Imperial War Museum. London SE16HZ. Tel: 0207 416 5DD0. Visit www.
iwm.org.uk. EXHIBITION Marilyn Monroe: A British Love Affair, until
24 March 2013 at the National Portrait Gallery, London WC2H OHE.
Tel: 0207 3DA 0055. Visitwww.npg.org.uk,
Tuesday 16 October latest ap on sale
EXHIBITION British Wildlife Photography Eriiiitinn. untd U February
2013 at Horniman Museum & Gardens, London SE23 3PQ. Tel: 0208 699
1B72, Visitwww.horniman.ac.uk. EXHIBITION One Good Thing About
Music by David Corio, until 28 October at Photochats, London E9 AOf.
TeL: 07921 816 754.Visitwww.cbatspalace.com.
Fujifilm's X-series designer, Masazumi Imai (left), with product planning unit
operations manager Hiroshi Kawahara (centre) and his colleague Makoto Ooishi
FUJI FILM technicians are seriously
investigating the possible launch of a full-
frame compact system camera (CSC) and
are focusing on the sensor and processor
that would be required.
Hiroshi Kawahara, operations manager at
Fuji's product planning unit, said engineers
are looking into the viability of a camera
with a 35mm-slze imaging sensor,
'However, we are just focusing on the
sensor and processor/ he said during a
meeting with AP at photokina.
'A product mode! I have no idea [about]
just now.'
Fuji stresses the current XF lens range is
not compatible with a full-frame sensor.
Kawahara added: 'None of the lenses
are compatible with a full-frame format
because the covering circle would not be
large enough.'
Non-compatibility with existing lenses
risks alienating current users, according to
the company. So, if Fuji introduces a
frame sensor it would have to remake the
lens mount.
have no idea if it would be good or bad
for our Fujifilm business and customers
- the X-Pro user would be opposed to a
full-frame body because their lenses would
not be [compatible!/ added Kawahara.
This seems key to whether Fuji
commit to full-frame.
Officials say they have not set a time frame
on when they will make a corporate decision
on a full-frame model. However, it is clear
that Fuji sees a demand for the format.
The company says it is considering all
options for its future cameras, not just
interchangeable-lens models.
Giving initial reaction to the recently
announced Sony Cyber-shot RX1 full-
frame, fixed-lens compact, Fuji's X-series
designer, Masazumi Imai, told AP: 1 think
many customers want a bigger sensor with
a first-rate design.
'Sony's answer is the RX1. Of course,
like that kind of camera, but it is completely
different to our series because the design
is m ore modern/
A large CSC body would fit in with
Fuji's acceptance that smaller and smaller
cameras are not necessarily where
demand lies, particularly in countries
such as the United States where sales
are low compared to Japan and the UK,
for example.
'In Japan especially, everybody wants
a small [CSC], 1 said Makoto Ooishi, a
colleague of Kawahara at Fuji's Tokyo-
based planning division.
'Some people say the XF1 [fixed-lens
compact] is too big, especially in japan.'
Fuji says Die company has to strike a
global balance on size, as it is not feasible
to make different-sized cameras to suit
customers in different countries
Bosses agree that the size of CSCs
works against the popularity of the product
in the USA, for example.
Meanwhile, Fujifilm did not rule out the
possibility of developing a camera featuring
a sensor larger than 35mm.
However, Kawahara questioned who
would buy such a camera, given the high
price Fuji would need to charge for a, model
That also lacks mass-market appeal.
• See next week's issue for more from
this photokina interview
www.amateurphotographer.co.uk B October 2012
subscribe 0844 848 0848
• in AP 29 September,
we published the
results of round 1
of our Amateur
Photographer of the
Year competition, plus
the leader board. Due
to an inputting error,
Andrew Blake's 24
points we re omitted
from his score of 108 in
the table. We would
tike to clarify that
AndrewBlake has 132
points and is in third
position after round 7,
We apologise to Andrew
for this error. The top
ten photographers after
round 7 of APOY are as
follows:!. Dan Oeakin
??9pts, 2. Charles
Spencer 160pts,
3. Andrew Blake
132pts. 4. Adrian
Sadlierl29pts.li.Alf
Bailey 121 pts, 6. Nino
Cannizzaro 115pt$.
7. Stephen Birch
103pts,B.Ben
Ghibaldan 102pts.
9. Diogo Ferreira
lOlpts, 10. Richard
Craze 99pt$,
A man whose
boyhood portrait had
lain forgotten inside a
vintage camera for
around half a century
has been traced after
a chance find. The
mystery image was
among six black &
white photographs
unearthed hy Emma
jacks, a photographer
who had bought a
1950s Rex box camera
at a charity shop in
Essex. A neighbour
of the boy's family
spotted the pictures
in a local paper.
Do you have
a story?
Contact Chris Cheesman
Tel: 0203148 4129
Fax: 02031485130
amateurphotographer
(2'ipcnnedia.conn
LEICA is set to release the Leica M, a
24-million-pixel, full-frame rangefinder
camera with live view, HD video and an
optional EVF.
And, for the first time in a Leica M model,
the Leica M
be compatible with Leica
R lenses, via a new adapter said to provide
access to 20 dedicated lens profiles. The
move followed repeated calls from R-leris
users, said Leica CEO Alfred Schopf
The Leica M will go on sale in early 2013,
priced £5,100, when it will be available in a
black paint or silver chrome finish.
It boasts a new imaging sensor, the
24-million-pixel Leica Max CMOS, made in
conjunction with CMOSIS, a Belgium-based
sensor supplier.
'Thanks to the live view function,
photographers now have access to entirely
new opportunities that, in combination
with the outstanding performance of Leica
M and R lenses, go far beyond the classic
capabilities of rangefinder photography,' the
920,0OO-dot, 'scratch-resistant' monitor.
Leica says the new M can shoot at three
frames per second and has an equivalent
ISO range of 200-6400,
It is housed in a magnesium-alloy body,
with brass top and bottom plates, and
includes rubber seals to help protect it
Leica will also launch a handgrip with
built-in GPS (Multifunctional Handgrip-M
priced £630) to help steady the camera,
particularly when shooting with heavier R
lenses. A standard handgrip will cost £209.
R lenses are quite huge You need a very
robust and stable bayonet,' Schopf told AP
The M bayonet was stable and robust but
not for the R lenses... our engineers said it
might cause some problems so therefore
we avoided that lwith the new handgrip!.'
Leica claims that the R-Adapter M allows
'almost all' Leica R lenses to be used with
the new Leica M. It is due to cost £215.
A £150 microphone adapter set will also
be available.
The Leica M uses a battery twice the
thickness used in previous models,
Leica says there is still a lot of work to do
on the Leica M before launch, allowing time
to carry out fine-tuning and 'debugging',
for example.
# Leica has dropped the number suffix
for all future M and S-series models 'to
emphasise the long-term significance and
enduring value of respective systems'
firm said in a statement
The live view zoom enables up to 10x
magnification, while a focus peaking
function aims to help fine-tune focusing.
The optional electronic viewfinder
(EVF2 Electronic Visoflex) boasts a screen
resolution of 1.4 million dots and a 90
angle of rotation.
'When mounted on the camera, it
displays all significant exposure parameters
and allows precise subject assessment, 1
adds the firm. 'This is particularly useful
when shooting in brightly lit surroundings.'
Borrowing the Maestro image
processor from the medium-format
S system, the Leica M sports a Bin,
THE M’S sensor and processor are
said to use less power than in the M9,
which is necessary because of the
power-hungry live view function. Asked
how the sensor has been improved,
head of product management Stefan
Daniel told AP: 'There is quite a big
distance between the pixel itself and
the microlens. So the trick here was
to shorten this distance to get a better
acceptance angle for the incident light.
'Also, the conductors that take away
power from the photo diodes are much
flatter, much smaller, and they give
more room for a bigger active area of
the pixel,’
The sensor has a pixel pitch of six
microns.
CANOH is poised to launch the
PowerShot G15.
The PowerShot G15 sports an f/1.8 5x
lens, designed to deliver the 35mm viewing
angle equivalent of a 28-140mm lens.
Due out in late October, priced £549,99.
the G15 houses a 12.1-
1/1,7m-type CMOS imaging sensor, a top
equivalent ISO of 12,800 and a maximum
burst rate of 10 frames per second.
The 11-elements-in-nine-groupszoom
uses a new 'highly refractive’ glass and
coating said to cut ghosting and flare.
Canon claims that the G15 has an AF
speed of 0.17secs, the fastest so far for
a Canon compact.
Lens-shift-type image stabilisation is
claimed to be the equivalent of 4 stops,
Also featured is a Bin, 922,OOO-dot
PureCoior IIG LCD screen, full HD movie
option (with HDMI output) and a Digic 5
processor.
Raw file shooting is passible and the
camera is compatible with Speed I lie flash.
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13 October 2012 wwwarn ateu rphotographer.co.u k
Long before the padded bliss of the
ubiquitous photo backpack, camera straps
were causing some discomfort this week
in 1896. ‘It is very frequently necessary to
carry apparatus eg, bag containing camera,
slides etc, by means of a strap passing over
one shoulder. In the course of time the
pressure along the line of the strap is apt
to become irksome,’ warned the journal.
So The AP Notebook carried a guide on
how to make them less painful. Referring
to an accompanying sketch, AP advised
those affected to thread the strap through
a larger piece of leather to prevent it cutting
into the body. ‘Pay the sadler a visit and get
him to cut you a bit of stiff but thin leather
of oval shape, say 8 or loin long and 3 or
4in wide...’
• Sigma has
redesigned its
120-3Q0mm f/2.8 DG
OS HSM sports tens,
it has new weather
seating and is built to
be compatible with the
new Sigma USB Dock
(see Hews, AP b
October], allowing
users to customise
David Bailey has
in a hid to
become
<s on a
to find and
used by people every
day are becoming more
and more advanced.
This technology can
but it
gives us the
be better
photographers../
Digital camera inventor Steve
J Sasson with the world's
‘first digital camera'
THE KODAK man credited
as the inventor of the digital
camera has won an award
from the Royal Photographic
Society !RP5).
The news came just months
after cash-strapped Kodak
announced it was axing digital
camera production.
Steve J Sasson was
presented with the RPSs
Progress Medal at a ceremony
held in London.
Sasson developed the
digital camera while working
at Eastman Kodak in 1975.
The Progress Medal
recognises work that has
brought aboul an ‘important
advance in the scientific or
technological development of
photography or imaging/
Also receiving an RPS award
this year was rock musician
Brian May, who won the Sax by
Award for his achievements in
3D imaging.
New York photographer Joel
Meyerowitz - who documented
the immediate aftermath of
the 9/11 attac ks on the city -
was presented with this year's
Centenary Medal.
For the full list of this year's
winners, visit www.rps.org/
annua I-awards.
5C CAMERA CLUB
I he 5C Camera Club is a new camera and video dub in the Peterborough area.
Centre, Celia Road, Woodston, Peterborough PE 2 9JA. Tel; 07790 889 640.
The season kicked off with a presentation by new member Ken Geddes LRPS.
Meetings take place on Mondays at 7,30pm in the United Reformed Church Hal.
Kents Bank Road. Grange Over Sands, Lancashire LA11 7EY. Tel: 01539 535 942.
Visit www.gra ng ephotog raphicsociely.co.u k.
amateur photographer
THE CLOSURE of high -street photographic chain Jacobs is set
to cost lens-maker Sigma £ lm a year in lost UK business
Sigma Imaging UK general manager Graham Armitage revealed
the extent of lost trade during comments on the impact of the UK's
ongoing recession on Sens sales.
Lamenting the loss of Jacobs, a 19-store business that shut down
in the summer after 73 years, Armitage said: 'Jacobs was our third
more importantly,
largest customer,
'That's £1m a year disappeared and,
19 good shops with 19 sets of
to the product and servicing your (AP]
Armitage pointed out that Jacobs'
demise of independent UK camera chain
last year, and Photo Optix, which called in administrators in 2008
'It's amazing how many retailers we are losing on the high street
This is not temporary, they are not coming back/ he warned.
Armitage was speaking to AP at the photokina 2012 trade show
in Cologne, Germany,
w w w.annateurphotog raphe r.co.u k
13 October 2012
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) STEVE K Ear
We don 1 ! make tripods. We make tripod systems.
lJ
f u
■ X
■
photographers who may already own a
Caron EOS DSLR with a smaller APS-C
sensor, but want an affordable way to
upgrade to gain the advantages of a
full-frame DSLR.
However, the larger sensor isn't the only
interesting characteristic of the EOS 6D, as
it is also the first DSLR to carry both built-in
Wi-Fi and GPS connections. I was fortunate
to get my hands on the camera at the
photokina trade show in Cologne, Germany.
1
20.2-mjlUon-
pixeL full-frame
CMOS sensor
Built-in Wi-Fi
and GPS
connectivity
11-point AF, with
centre AF able to
ISO 50-102,400
SENSOR AND PROCESSING
The benefit of switching to a larger sensor
is, of course, improved image quality.
Larger photosites mean better dynamic
range than that produced by smaller
sensors with the same resolution, while
image noise can also be reduced,
the Canon EOS
5D Mark III, which is popular with both
enthusiast and professional photographers
Canon claims that the sensor has a 'high
dynamic range and low noise at high ISO
settings, with a low power consumption'
Obviously, we will have to wait until we
are able to test the camera fully to see
whether these claims are true.
Using a Digic 5+ processor in
combination with the sensor means an
ISO range of 100-25,600 is possible,
which car be extended to run from ISO
50-102,400 All the data produced by
the sensor goes through a 14-bit signal
conversion, which should help produce
natural-looking colours and - importantly
for landscape photographers - smooth
gradients in skies.
number of different functions. The most
obvious is the transfer of image data to
computers, smartphones, tablets and other
Canon cameras and printers, images car
a (so be uploaded to various online storage
solutions and social networks, such as
The Canon’s iMage Gateway, YouTube,
Face-book and Twitter, with no doubt
more to follow,
While the Wi-Fi connectivity is simple to
use, it is quite a long-winded process going
through the specific menus, particularly if it
is the first time you are pairing the camera
with a device. This isn't a specific problem
related to the 6D, as nearly all Wi-Fi-
enabled cameras I have used so far tend to
suffer from this, although the dedicated Wi¬
Fi mode on the recent Samsung cameras
does make it slightly faster to use.
w ww.amateurphotog rapherco.u k
13 October 2012
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‘The robustness of the camera and button
layout make the EOS 6D feel more like a
smaller version of the EOS 5D Mark III'
The Canon EOS Remote software
can be used to control the EOS 6D via
downloadable applications for both Android
and Apple iOS devices. This shows the
camera's live view screen and allows the
shutter to be fired. When the dedicated
EOS Remote PC software is used, most of
the camera's shooting settings, including
AF adjustment, can be changed, allowing
almost full wireless control and tethering
of the EOS 6D, I’m looking forward to
testing all of the Wi-Fi options when we
conduct a full test of the camera. It will be
Interesting to see how useful the various
features are in a DSLR compared to, say,
a compact camera.
BUILD AND HANDUNG
While much of the talk surrounding the
Canon EOS 6D will concern the sensor,
Wi-Fi and GPS features, the camera's
build and handling will obviously be a
major consideration for potential
camera is
the same size as an EOS 60D, and weighs
around 770g. Unlike the Canon EOS 60D,
the Sin screen is fixed and isn't articulated
The body is 'part-magnesium' with the
top-plate and back being made of the
metal, much like the Nikon D600.
However, the robustness of the camera
and button layout make the EOS 60
feel more like a smaller version of the
Canon EOS SD Mark III. Canon users
find the new model very straightforward
and easy to use
OTHER FEATURES
With a paltry 11 points, the AF system is
one area that, on paper at least, looks to
be the weakest point of the Canon EOS
6D. However, it does have a new pixel
configuration, with the centre point being
more sensitive, allowing the camera to
focus as low as -3EV to help with extreme
low-light focusing, This AF point is an
improvement, over the excellent -2EV of
the Nikon 04, whose low-light capabilities
left me very impressed. So the EOS 6D's
central AF point has the potential to be one
Left: A Canon
representative
with the Canon
EOS 6D at the
photokina show
Below: As well as
USB, cable release
and HDMI sockets,
the EOS 6D also
has an external
mic input
of, if not the best in low light.
In comparison, the rival Nikon D600 has
a total of 39 AF points, seven of which can
focus at f/8. While many photographers
won't need a huge number of AF points,
even by most people's standards the 11
AF points of the EOS 6D may be seen as
lacking in number. I will reserve judgement
on the EOS 6D's AF until I have had the
chance to use one properly, but my initia
feeling is that it is somewhat limited, apart
from the ultra-sensitive central AF point
Obviously, the EOS 60 isn't designed
for high-speed sports photography, and
the AF reflects this, but the shooting rate
is a reasonable 4.5fps. This is Ifps slower
than the Nikon D600’s 5.5fps, but for
the type of photographers both cameras
are targeting this shouldn't make a major
difference in practice AP
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13 October 2012 w ww arn ate u rphotographer.co. u k
K[\{ ::r.M
Neil Libbert:
Photoj ou rn al ist
TEN FAMOUS portraits from esteemed
photojournalist Neil Libberl are exhibited
at the National Portrait Gallery to celebrate
his 55-year career Naturally, the big draws
are Libbert's images that once adorned the
front page of The Guardian, one of which is
of an 88-year-old Winston Churchill shortly
after the news broke that he would be
down as a Member of Parliament.
Others include a compel I ingly candid snap
of actress Jayne Mansfield, union leader
Ted Hill, actress
Labour general secretary Morgan Phillips at
the opening of the Trades Union Congress
in Blackpool in 1959. However, it's some
of the quieter images that really arrest the
attention. A19-year-old George Best driving
a car on a day off, when he was famous
for his footballing talent rather than his
lifestyle, provides a playful glimpse of youth
and potential, and the capture of writer
The English Cathedral
one's feelings on the
morality of the modern paparazzi, one
cannot deny that there is an enormous
market for what they deliver. This collection
of frequently fascinating snaps by Paris-
term) Bruno Mouron and Pascal Rostain
is a testa merit to al most half a century of
whetting the public's appetite for celebrity,
more focused on portraying emotion than
pointing at scandal, and ail the better for it.
Harold Pinter in the midst of rehearsals is
as moodily atmospheric as any of his plays.
The consistency of these images provides an
excellent reminder that, for a photojournalist,
being in the right place at the right time is
more a matter of skill than luck.
4nr ■
E
A THOROUGH documentation of some unique and enduring
architecture, this collection is the result of J a ki nd of reflective
pilgrimage 1 by Peter Marlow in which he travelled to and
photographed all of England's 42 Anglican cathedrals.
Marlow tries to portray the cathedrals in a consistent manner. All
shots are interiors from the same perspective looking down the
aisle towards the rear of the main chamber. White the uniformity
may turn off some people, it's a stylistic choice _
that maximises the opportunity to compare the
architecture and design of the cathedrals, to note
their broad similarities and subtle differences. This
is a worthy and noble project.
What is really fascinating about these
b&w images is how time and culture have
marched on. In many photos from the
1960s and earlier, the subjects look amused
and faintly bewildered by the attention - a
far cry from the harassed models splashed
across gossip magazine pages today
However, not all of it is quite so charming: a
shot of an uncomfortable-seeming Prince
William stands out as a little awkward in
www.eyec u r i ous.com
*CURIOUS’ is an apt term for this enjoyable oddity from author
Marc Feustel. Although his main passion is Japanese photography, the
blog as a whole is a more general exploration of whatever in the world
of photography has caught his eye The homepage is a very standard
layout, with most recent posts at the top and a list of categories to the
right, some of which are updated much more f requently than others.
Still, Feustel’s perspective on photography is always insightful, and the
site is worth a visit even if it's a little rough around the edges.
www.amateurphotographer.co.uk B October 2012
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i
r
A round-up of the latest
photography books on the market
FOCUS ON: DIGITAL
PHOTOGRAPHY BASICS t
f Wignall. £12.99 Prolific
I M
photography author Jeff Wignall
adds to the compact Focus On
series with this guide to getting
started with digital photography.
When the title says 'basics’,
it means it, as no term is left
unexplained and Wignall takes his
time with all the core concepts.
This book is a solid jumping-off
point for beginners. • NIGHT &
LOW LIGHT PHOTOGRAPHY:
THE EXPANDED GUIDE by
David Taylor, £14.99 This guide to
low-light photography focuses on
techniques and tricks for getting
the most out of these challenging
conditions. Author David Taylor
uses some great images, laying
down the gauntlet for what can
be achieved in low light. Best is
the Special Subjects’ chapter,
covering niche skills like light
painting and silhouette shooting.
• CREATING HDR PHOTOS
by Harold
Love
it or hate it, one can’t deny that
it is possible to do unique work
with HDR photography. This
book probably won’t change
anyone's opinions on the subject,
but Harold Davis’s judicious use
of examples and case studies
should ensure that the enthusiast
will have no trouble emulating
his techniques. • EILEEN
RAMSAY: QUEEN OF YACHTING
PHOTOGRAPHY b
Pickthall, £25 Eileen Ramsay
established herself as a premier
yachting photographer at a time
when the industry was male-
dominated, and this collection
serves as a fitting tribute. Packed
with information on yachting
and sailing in Ramsay’s heyday,
biographies of notable figures
and scores of photographs, this
is a grand accolade to a
trailblazing individual.
www.am ate u rphotographer.co. u k
13 October 2012
Have your say
Wins a 20-roLl pack
of 36-exposure Fujifilm
Superia ISO 200 35mm
film ore Fujifilm 4GB
media card*
2 '
m
PI i.
FUJIFILM
EARLY CAMERAS
GOT IT RIGHT
I read your article about the recent
street photography Masterclass (AP
29 September) with interest, as I am
becoming increasingly smitten with
street photography,, to the extent that
an aperture ring and... the exposure
compensation
own
dial on the top-plate. The optical
viewfinder was very popular, as was the
shape, look and retro feel of the body'.
And my camera is,., any guesses? A
Canon A-l, recently purchased for the
I have been mulling over the purchase princely sum of £70 at a camera fair*
guess what goes around really
does come around! Perhaps camera
of a more suitable (yet affordable)
camera to use instead of my bulky
DSLR. To my amusement, I realised
that the readers' comments about the reflect on the past when designing
manufacturers
do well to
X-Prol perfectly described a camera
I already own! To quote: 'a stripped-
down, back-to-basics camera that
allows you to concentrate on your
photography without the machinery
getting in the way,., the lenses use
new models - for all the amazing
technological developments of recent
years, there are many ways in which,
with those earlier cameras, they
got it completely right.
Katherine Woodman, West Midlands
o
•if?
And you are absolutely right, too. Next week we have an interview
with the X-Prol designer -1 think you'd be great buddies! -
Damien Demolder, Editor
Write to...
letters’ at the usual
AP address (see page
31 fax to 020 3148
8130 or email to
amateur
photographer
iaipcmedio.com
’Please indicate
whether you would
like to receive
Fujifilm fiLm or a
memory card
(please state type
preferred) and
include your full
postal address
Backchat
Send your thoughts
or views (abuut 300
words) to Backchat'
at the usual AP
address (see page 3).
A fee of £50 will be
paid on publication
NO ZOOM FOR ME
I recently voted, as I do most weeks, in the
AP online survey, However, on this occasion,
there wasn't really a right answer. The
question was about digital versus optical
zooms - and there was no option to vote
for not zooming at all!
The late Barry Thornton, one of the most
insightful, able and knowledgeable writers
on photography in the late 20th century,
published two books. One, Elements,
is the definitive book on exposure and
development of modem silver film. And,
frankly, while Ansel Adams may have
been the better photographer, Thornton
conveys how to do the technical stuff far
better than Adams' volumes on Vie Camera,
The Negative and Vie Print (as well as
ShJwoi:
h t tp^/www. hcducknet/
TUAT'6 A
SORRY.
IT'S HARD
DI5GU5TING
UADIT.
TO QUIT.
m
THINK THE
COSTLINESS AWE? THE
INCREASING
RESTRICTIONS ON'
WHERE YOU CAN DO IT
WOULD E>E REASONS
lAli
referring to current materials).
Thornton's second book was Edge
of Darkness, and went into the detail of
achieving critically sharp pictures (or, at least,
pictures that appeared to be critically sharp).
As he always did, Thornton researched his
subject meticulously, and tried everything
out in practice. So, while he agrees with
the fans of Kodak Technical Pan film that it
records the greatest amount of detail, he's
also entirely clear that a negative on Ilford
FP4+ will produce a print that looks as if it’s
sharper, his conclusions on zoom lenses
are not encouraging for the 'one lens works
for all’ faction; no zoom he'd encountered
was good enough for fine-art photography,
he wrote.
Now, it’s debatable whether anything I do
is fine art, but for my purposes and for my
personal satisfaction, the zoom lenses I own
are invariably less good than the fixed-focal-
length ones. There are good engineering
reasons why this should be so. But horses
for courses. For many of my pictures,
perfection is unnecessary, and my choice of
ens
matter. For most
zooms
reduce bulk and cost without an appreciable
penalty in quality. But I don't crave either a
zoom lens on the front of my ca mera, or a
digital zoom button on the back...
John Duder, West Midlands
ALL CHANGE
Having retired and with the needs of
work behind me, in scratching round for
something to occupy mind and body
settled for a return to photography and
picked up a copy of AP. My goodness,
what changes! The far-off days of my
earlier enthusiasm was the time of 35mm
and 2Wr\ square, of film speed [ASA
or DIN), of graininess, of depth of field,
flashbulbs, synchronisation V/X./M, prints or
transparencies. I would look at the ads and
drool over Exact a or Rolleicord, Peri flex
or Wrayflex (and Leica, of course). No TTL
metering then and, if you didn't have an
SLR or rangefinder camera, you carried a
flashgun, bulbs, film, exposure meter and
clip-on rangefinder
Now I am entering the world oMSO,
of records and files (not photos), pixels,
sensors, noise, bokeh, JPEGs, raw. It
seems that within the digital camera,
have at my disposal not only all the 'early
days' bits and bobs, but half or more of the
darkroom, too. No need for the little red
light in the bathroom and no urgent knocks
on the door, not a whiff of developer or
fixer! My re-education is proving fascinating.
There's nostalgia for the familiarity of
aperture and speed rings, and so or,
but what a boon the facility ot today's
cameras, what powers we have! Yet,
the essential challenge remains - an
eye to create a good photograph. And
long may it continue.
Peter Cavailagh, via email
Welcome back to the fold, Peter. You'll
soon pick it up again - and you are right
to be amazed. What powers indeed! -
D a mien Demoider, Editor
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13 October 2012
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WHAT A CONFUSING HOBBY
Reading your preview of the new Nikon
D600 (AP 29 September), the fact that it
is aimed at the high-end enthusiast market
makes you realise what an expensive
and confusing hobby ours is. Even back
in the early 1980s, when I badgered my
mother for months before Christmas for
my Olympus OMIO with manual adapter
and Tan-iron 80-21 Omm lens, i was only
too aware of the cost. For Nikon to pitch an
enthusiast camera at over £2,000 seems
excessive, especially when it has the 03100
and D3200 still in the range, aimed, I would
image, at the amateur. But OK, the D600 is
full-frame, has a very expandable ISO range,
and costs hundred of pounds less than the
'professional' Canon EOS 5D Mark III.
0 ne can und erstand why the sales of
compacts have dipped, with the entry-level
DSLRs that are available, and with the
quality of cameras included in smartphones
these days, but it does make you wonder
if manufacturers are pushing the limits
of how they brand their products. Nikon,
for example, has the 03100,03200
and D5100 all priced within a couple of
hundred pounds of each other, then there
are another five or six DSLRs of different
variations - stick an E, X or S on the end
and you have even more.
It would be nice to see Nikon streamline
its range, although I hope it keeps its entry-
level models so those of us on a budget
can still enjoy the latest technology
without having to open the pages of
AP each week and just dream.
Davkf Hawley, West Midlands
GOOD FOR A LAUGH
One group that Roger Hicks forgot to
include in his column (AP 22 September)
are the 'couldn't take a decent photo if their
lives depended on it, but took them anyway'.
Facebook is full of such people, who use
camera phones or, in one case I witnessed,
walk around a local zoo taking photos of the
animals with an iPad.
No attempt is made to get the subject
i n focus, check exposure or position the
camera to get the best shot. They then
take dozens of photos and download them
without any attempt at editing out the worst
All the classics can be found: subjects so
heavily backlit as to be blacked out heads
decapitated; images so out of focus that you
can't tell what was being snapped; horizons
at extreme angles; camera shake, the list
is endless. These picture-takers make
Lomographers 1 efforts look like high art. At
least they give me a laugh when I see them.
John Wilson, via email
A FRIEND LONG GONE, MUCH REMEMBERED
Anyone who reads AP knows its position as the only weekly photo mag is unique, but
something else it can boast of is that it's also the only one in which film cameras still get
a mention, This is highlighted by the impressively knowledgeable Ivor Matanle's icons of
Photography articles. Forty years ago, I was given a Contax Ilia by my granddad, who'd
moved up to a Rolleiflex TLR. However, unlike the predecessor l!a model featured in Ivor's
article (AP 29 September), mine - with its 50mm Sonnar lens - was a somewhat tatty
affair But a more finely engineered and lovely to hold camera I've yet to encounter,
When loaded with Kodachrome 64 it gave first-rate results with its precise rangefinder
focusing. Sadly, like many photographers in the 1970s, I fell for the charms of the Olympus
OM-1. My Contax was put into a drawer and shamefully forgotten about - until some light-
fingered type one night
relieved me of it along A
with other photo gear.
I later tried reliving the
magic of the Contax via
a Russian Kiev 4A copy.
It featured the quirks of
Russian cameras in that it
did pretty much everything
but what I wanted it to.
Somewhere in my photo
archive are a few pictures
of me holding my old
Contax, taken at a friend's
wedding in 1972. Howl
wish I still had it. Richard
Riley, Tyne & Wear
A friend long gone,
but never forgotten - The Contax Ilia appeared in 1951. It was identical to the
Damien Demolder, Editor I la apart from its top-plate selenium-cell exposure meter
I NOTED the irate response by professional wedding
photographer Brian Pierce (Letters, AP 15 September) to
letter-writer Jim Anderson (AP 25 August), concerning
Jim's views on the fees charged by wedding pros. I’ve shot
many weddings and, as an amateur who’s dared step upon
this hallowed ground, I have been criticised for doing the
professional a disservice. For instance, I once had a call from
someone who claimed to be a local wedding photographer.
He refused to give his name but tore me off a strip for
'crashing in' on his territory and for undercutting pro prices.
I'd been ‘crashing in’ for five years at that time with no
complaints regarding my work, nor my fees. What's more, I
was often inundated with requests for copies of my pictures.
I figured I must be doing something right. Not according to
my mysterious caller. He rejected my offer that we meet
for a drink and, perhaps, compare each other's work. What
wedding pro with confidence in his abilities would shy away
from comparing his work to an amateur he was berating?
And someone he’d accused of not being up to the job.
Even the fact that I shot weddings on 35mm rather than
the more pro-minded medium format was deemed a crime.
Quite how he knew so much about me I've no idea. He turned
a deaf ear to the fact that, in my defence. I’d prepared myself
for weddings by first accompanying a pro on several shoots.
I have never trodden on the toes of a professional wedding
photographer. Almost every wedding I was asked to cover
was down to professionals charging outlandish prices to
couples who simply couldn't afford them. Where I then lived,
the £1,000 fee deemed as 'incredible value’ by Brian Pierce
would have seen any pro laughed off the premises.
No matter how Brian breaks down the cost, a grand for a
set of wedding pictures is an obscene amount of money to
many couples - irrespective of how much the photographer
himself actually gets. That's clearly why Jim Anderson
presumed that only wealthy couples could afford such a fee.
Presumably, Brian Pierce's clients fall Into that category.
If so, then good for him. Mine fell into what one of them
flippantly called 'raggy-arsed commoners' bracket. To them,
£1,000 was a large part of a deposit on a house - not what
they wished, or could afford, to pay for wedding photos.
It's understandable that pros are concerned that they’re
not seen to be ripping off their clients, but in today’s financial
climate even the best will have to move with the times. I
recently shot a wedding for
a lovely couple called Denise
and Martin. I was headhunted
for the job due to my having
covered Denise's sister's
nuptials last year. But I have
no doubt that had I charged
£1,000 to cover her sister’s
big day, then Denise and
Martin would have given
me a deserved wide berth.
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13 October 2012 w w w.am ateu rphotographer.co.u k
■UiQRiW&ANDfRSCH
w w w.amateurphotog rapherco.u k
13 October 2012
Photo insight
m
ANDREW
SANDERSON
A renowned
photographer, tutor,
author ard Ilford
Master Printer,
Andrew Sanderson
offers practical tips on
working with film and
traditional darkroom
techniques.
Andrew regularly gives
workshops at his own
darkroom, or at
student's own
darkrooms. He has a
blog devoted to
analogue photography
www.thewebdarkroom,
com. Contact
andrewsanderson
photoldgooglemaiL
com for workshop
details.
I f you would like to
read more about paper
negatives. Andrew's
book Paper Negative
Photography is
available from www,
blurb.com, price £15
Andrew Sanderson talks about his simple yet
atmospheric image of a gate taken in the early
morning light
THE GATE in this photograph is at the
bottom of my garden, separating us from our
neighbour When we first moved to this house
ten years ago, I took quite a few shots of the
place and the surrounding areas, with many of
the images photographed in the early morning
because I was so taken with the light Our
previous house had beer in a small, dark valley
noon, so to
experience light in the morning was something
of a novelty.
On the particular early morning when I took
this image, there was dew on the cobwebs
and there was a light mist in the air It was
the cobwebs that really appealed to me, and
in order to capture them in enough detail
I knew I would need to have a really sharp
lens on the camera. Also, to give them the
proper impact, I knew I would have to throw
the distracting items in the background out
of focus, and so shoot at maximum aperture
Therefore, the camera I settled upon was a
Mamiya C330f with an 80mm f/2.8 lens.
This lens gives excellent results and fails off
in focus quickly and in a very pleasing way,
so it was an ideal choice
The other benefit of using the Mamiya
C330f is that it is a square-for mat camera. I
love the impact a square crop can give, and
it was so suited to this composition. I really
cannot imagine it as a rectangular crop.
That said, I was not really thinking consciously
about the composition when I took the image.
My method of composition in this instance was
largely unconscious -1 could feel when it was
right as I looked through the viewfinder. I find
that I do this quite a lot, and it's really hard to
explain. Whenever I look around for possible
Images, I am mentally drawing a box around
things and working out which bits need to
be included and which bits are distracting or
Superfluous. I do this before I've even picked
up the camera, so by the time I look through
the viewfinder I'm just refining what I've already
seen. I also see the finished print in my head
before I press the shutter and I know exactly
what I'm going to do with it.
The Mamiya C330f is a film camera, which
is really lovely to use and has produced some
great shots for me. For this particular picture
I used Ilford HP5 film, as I have for 99% of
my images. The optics are so crisp on these
cameras that it needs a fine-grained, sharp
film to get the best out of them. Whenever I've
used HP5 processed in Perceptol, it has given
outstanding prints.
On this occasion, I processed the film in
Ilford ID-11 and used my personal method
of developing film, which is to downrate it I
stop and reduce development accordingly,
which gives a beautiful tonality. The print didn't
need much in the way of manipulation in the
darkroom, so ! simply burned it in slightly in
the top left in order to hold the viewer's eye
in the composition.
In order to get a real sense of how crisp and
sharp film images can be, you have to be in
front of the print, looking closely at the tonality
and detail of the printed product. If you have
never held a large fibre-based print made from
a great negative in your hand, or seen one up
close in an exhibition, you have missed out on
one of life's great pleasures.
When I help students and workshop
attendees to produce high-quality prints
from their own negatives, they get so excited!
Medium-format film in a decent camera can
produce amazing results up to a print size of
20x1 Gin and large format is even better. I work
with 5x4,7x5 and 10x8 cameras, and although
they are not the right choice when you want to
respond to something spontaneously, they are
worth the extra effort.
As far as this image goes, I didn't rank
it highly among my other work. I thought
it had turned out OK, but so many people
have commented favourably about it that
I've reassessed my views. I’m always
surprised and puzzled at how differently
people view photographs: as a printer, I'm
looking differently at a picture than, say, a
member of the general public might Viewers
of this image often bring their own experiences
to their interpretation, seeing things that
resonate with thei r childhood or personal
phobias Some have said they see a garden
gate as an expression of incarceration,
whereas others have viewed it as romantic.
My view of it now is that it simply reminds me
of the garden when we first came h ere. It
used to be a right of way, but nobody uses it
now, and since this was taken it has become
quite overgrown so sadly there's no chance
of a re-shoot now. a p m I
Andrew Sanderson was talking to Jade Lord
subscribe 0844848 0848
13 October 2012
w w wam ate u rpbotographer.co.u k
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Portraiture Masterdass
EVERYBODY is a portrait photographer.
Whether you're staring at the screen of
a smartphone while your friends pose or
a night out, or you're snapping intimate
portraits of stars for a cover shoot, the aim
is to capture your subject in a way that
reveals something of their personality.
The trouble is that most people are
naturally guarded. Profile pictures on
social-media sites show that people are
very careful about how they want to be
portrayed, and will fight to retain control
Williams to show us how to get things done
with this
Kennedy and Helen Schryver have been
given the chance to work with Annabel, who
be explaining how to tease those top
portrait shots from reluctant faces.
The location is an overcast London Bridge
The sun is fighting a losing battle with the
clouds, making the elements a challenge.
However, Annabel remains positive.
' Shooting in the right light is fundamental/
she says. 'Well get a lovely soft light today,
but we are also likely to get wet. Such is the
life of a photographer, Protection for your
camera is
,so
sure you
some
of cover for your kit. This is particularly
important as we enter the colder months.'
It's immediately dear that Annabel is
confident and personable, and it isn't hard
to
her shots seem ; so natural.
Perhaps the most important piece of
wisdom that she offers our attendees is that
preparation is the key to a successful portrait
shoot. ‘You should have 90% of
the work done before the shutter is
pressed/ she explains.
15 October 2012
www.am ate u rphotographer.co. u k
subscribe 0844 848 0848
0LIVEMTWEL1
Masterdass Portraiture
YourAP Master...
Annabel Williams
Annabel Williams is one of
the world's leading per trait
photographers. She is
passionate about working in
a very simple way with natural light
and has forged a successful career as
a photographer and tutor. Combining
previously acquired skills as a special-
needs teacher has allowed Annabel to
understand the psychology of people
and utilise those skills to get the best
possible images Df them. She is based
in the UK and the USA. For more details,
vi s it ww w. an nabelwil Liam s c am
The AP readers...
Sue Kennedy
Sue uses a Canon EOS 5D Mark
III. She shoots portraits, but
her passion is landscape
photography. It was nice having
a creative day to enjoy myself.' she says.
It was great to pick Annabel's brain
and adjust my work according to her
advice. I’m going to take away plenty
of tips and tricks.
Helen Schryver
Helen uses a Canon E0S7D
and enjoys portrait photography.
'It was so much fun, useful and
incredibly informative,' she says.
'Working with Annabel has had an
immediate impact on my photography
as she encouraged us to experiment
with different ideas and techniques.
j
ANNABEL arrived in London the day before the
shoot and spe nt ti me looking around for good locatio ns.
Although she identified a few intriguing areas, she
stresses that it's important to keep an open mind
when searching for a prime location.
'It's good to have a vague idea and a bit of a plan
before you get going, but I usually veer off that route/
says Annabel. 'So while I II have a definite idea of where
i want to shoot. I'll still be on the lookout for other
locations as I'm wandering around. It's important not to
be blinkered, and to keep your mind and eyes open to
fresh ideas. You never know what you'll come across.'
While other photographers may spend days tweaking
their camera's settings before a particular shoot,
Annabel's style is unashamedly less technical. She
deliberately sets up her camera so that it is a ‘point-
and-dick’ affair, ensuring she can spend more time
concentrating on the model.
If I want to capture something quickly, 1 need to be
able to pick up my camera and take the shot -1 don't
want to be struggling with settings and miss it/ she says.
‘I've set the aperture to f/5.6, and I'll use the zoom to
pick up whatever I need at a particular moment'
One of her obvious, but handy tips is to fit your camera
with a screw-in protective skylight filter. They may be
expensive, but your camera and lenses are more so, and
if you’re carrying it around all day it may get damaged.
With a busy location such as London Bridge on a
weekday morning, it's only natural that subjects will
be more nervous as inquisitive eyes pass by every few
seconds. Therefore, preparation is crucial. Despite
the plethora of people milling about, secluded areas
mean that models will be more relaxed, confident and
ultimately produce better pictures - which is good for
them and good for the photographer.
By establishing a relationship with her subjects, and
picking out good clothing combinations and suitable
locations, Annabel ensures the maximum shooting
time and the minimum of fuss, thus creating a more
relaxed atmosphere for everyone involved. ‘Once your
background is sorted, the pictures are almost done -
they just need to be shot/ she says.
WHO YOU
are shooting is
fundamental to how
they are shot. The
two models today are
Soroush Pourhashemi
(pictured) and Gus
Neto, and Annabel
stresses that location
and lightning are the
keys to considering
your subject and how
they will react to the
demands,
Annabel's theory is
that a portrait shoot
is a two-way street
Models think they
have to be perfect for
you, but that's just not
the case,' she says,
You, the photographer, have to be a person first
When a relationship has been established, the
5 hots will flow.'
In terms of lighting, Annabel suggests that you
should be aware of harsh sunlight, particularly as
the low autumnal sun begins to draw in sooner:
Most people's faces cant take harsh sunlight/ she
says But due to Soroush’s fine bone structure, the
"real strength" in his face means he can be shot in
harsher conditions than most/
Both models have slender frames and strong
jaw lines, Annabel advises the readers to ask their
subject to aim their face down and jut their jaw
slightly outwards. This takes years off your
face - the difference is incredible/ she says.
Rather than a typical straight pose, Annabel
instructs the models to give a 'tiny smile', as a full-
on smile on request often looks unnatural. A small
smile gives the picture that bit more feeling if their
eyes are smiling as well/ she says.
A quick tip that
works wonders is
to shoot down onto
people, as Annabel
believes it adds to the
mystique of a picture.
With Soroush's
intense eyes, it's easy
to grab that elusive
side of the subject Of
course, these kinds of
eyes are always going
to be easier to shoot,
so it pays to be aware
of who you're shooting
and how they will react
to your methods.
Another simple
yet effective trick
A nnabel uses is to
get her subject to
say something stupid. Soroush is forced to yell out
‘bananas', but the effect is clear as his face lights up
for the next shot, which Annabel captures.
'The trick to making people relax is to not be
afraid to look stupid yourself as the photographer/
says Annabel. You can look as silly as you need to if
it relaxes who you're shooting. Then you're left with
a great shot'
The first difficulty of the day comes when Soroush
starts to look uncomfortable while in a topless
pose, but Annabel stresses that a photographer
should never be afraid to change a shot if it isn't
working. ‘You have to have the confidence to move
instinctively/ she says, 'If it's not working, move it.'
Soroush looks visibly awkward spreading his arms
behind him against a glass background, yet Amabel
confidently repositions him, working with what’s
available in terms of the background and gets some
interesting shots of him looking more comfortable,
yet retaining his mysterious air.
www.amateurphotographer.co.uk B October 2012
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Portraiture Masterclass
Above: While
it’s important to
have key locations
in mind, you
should always be
on the lookout
for new ideas
Left: A successful
shoot relies on a
combination of
clothing, location,
light and a good
relationship
between the
subscribe 0844 848 0848
13 October 2012
www.am ate u rphotographer.co.LJ k
HELEN SCHMYER
AS WELL as the person you're shooting
and the clothes they’re wearing (or, in
Soroush's case, often not wearing), another
aspect of a good shot is the background.
Annabel picks out a few backgrounds that
are ideal, including a vivid yellow security
entrance that contrasts well with Soroush's
green coat (see left).
While Annabel did her homework
beforehand, the chance to find another
location while milling around can't be passed
up, and she stops on numerous occasions to
sample what’s on offer. While shooting with
model Gus, she takes the chance to utilise
some well-placed graffiti in a car park in
Suffolk Street (see right). The heart shape
will apparently work well above his head,
but Annabel warns to be vigilant as to the
content of the graffiti beforehand. 'You don’t
wart to find a great location, take beautiful
shots and then realise that all your pictures
are unusable because you have swear words
in the background/ she says.
your
background runs in terms of your subject. A
striking building near a pub offers a strong
green wall set against the dark uniformity of
drainpipes. 'Make sure your subject doesn't
look like they have objects growing out of
their head/ Annabel warns. ‘This would
be the same in any location, but in central
London, a seemingly tranquil background
can quickly become choked with movement
and clutter.'
Then Annabel spots some great graffiti,
and even though the lighting is poor, the
strength of the background, combined with
Gus's strong looks, allow the chance for a
‘man in a scene’ look.
'The shadowing of Gus's eyes doesn't
matter so much because of his good looks/
says Annabel. ‘Plus, the background makes
the shot really quite interesting. The wall may
look like junk to some, but for our purposes,
it provides a rich backdrop.'
various angles from
which, to shoot Will
with locations popping up an me
time, Annabel tells our readers that
natural light can create gorgeous
pictures.
'Natural light in the urban
environment can be flattering to your
these you will be left with little work to
do in post-production,' she explains.
One of Annabel s favourite methods
is trying out the same location from
actions help you to make the distinction
between lighting in the area, but it will
also give confidence to your subject
This fulfils two purposes: it gives you
a better idea of what will make a good
shot, and it can also fill the person
with confidence if you make a point
of saying that they look better from a
certain position/ she says. ‘Your search
for the perfect lighting with added
positive reinforcement will improve
your subject's confidence and produce
better pictures. It shouldn't be forgotten
that with a lens pointed at them. Deo Die
fl
www.amateurphotographer.co.uk B October 2012
subscribe 0844 848 0848
WHILE happily shooting away with a
Canon EOS-IDs Mark III, Annabel also pulls
out her iPhone at each location to grab a
few snaps. It seems humorous at first as she
carefully places the professional camera
down, only to wave a pink phone around in
earnest. But she insists that with the ever-
increasing technology within smartphones,
there is no reason not to use them now.
J The apps on offer can give you stunning
shots,' says Annabel. 'That's particularly
true of Hipstamattc on the iPhone
However, you should initially shoot in the
basic camera mode, and then use the
image in conjunction with the apps, rather
than using the apps to record the picture;
The colours and textures offered in
apps like Hipstamatic can make for
Interesting alternative images, such as a
striking shot of Gus sitting against a wall
(see below right). His wavy hair and beard
leave him looking a little like a certain
religious figure stuck in the depression of
modern-day urban life.
Going back to her mantra of good
preparation, Annabel maintains that if you've
thought about lighting and composition,
good phone cameras will give you great
shots 'In order to progress you must adapt -
you have to move with the times,' she says.
B e f ow:
Smartphones have
their own virtues
when it comes to
portraiture
EVERY month we invite three to
five AP readers to join one of our
four experts on a free assignment
over the course of a day. The experts
are Tom Hackle (landscapes),
Cathal McNaughton (documentary
and photo essays), Annabel
Williams (location portraiture)
and Luke Massey (wildlife). Our
next confirmed Masterclass will be
with Luke Massey in November.
If you would like to take part, visit
www.amateurphotographerco.uk;
masterclass for details of how to
apply. Please remember to state
which Masterclass you would like to
attend and make sure you include
your name, address, email address,
daytime telephone number, some
word s about your work and three or
four of your images.
ON MORE than one occasion,
Annabel and the group were
approached by inquisitive security
guards demanding to know what
they were doing, and then were
told in no uncertain terms to move
on. This is a particular problem in
urban areas, with cameras and
guards lurking around every corner,
ready to pounce as you set up
that shot of a lifetime Be aware
that while you may see a perfect
location, you may not necessarily
be able to use it, particularly if you
are using the shots commercially.
Companies and organisations that
own land may demand a fee to
shoot in that area, so be careful
when setting up a shoot that costs
time and money as it may be
brought to a swift end.
subscribe 0844848 0848
13 October 2012 w w warn ate u rpbotographerco.u k
IF YOU think a garden is just a green
square at the back of the house that you
use to sit in when the sun shines, you are
very much mistaken. According to Philip
Smith, managing director of Garden and
Landscape Photographic Arts (GAL PAL
which runs the annual International Garden
Photographer of the Year (IGPOTY) Awards,
a garden can be anything from a few pots
on a windowsill to a massive public space
like the Olympic Park in east London.
; Gardens are so much more than a space
to appreciate collections of pretty flowers.'
says Philip. 'They have practical roles in
our lives, providing food and refuges for
essential plants and animals. They also
make for a fantastic environment in which
to take photographs 1
If you don't believe him, he has proof
at the ready. The IGPOTY awards have
been running since 2007, when Philip
and two other professional garden
photographers, Clive Nichols and Andrew
Lawson, decided that the voluntary
exhibitions they were putting on at Kew's
Royal Botanic Gardens in Surrey needed
some fresh impetus. They had the idea of
making the exhibitions the result of a public
garden photography competition open to
professionals and amateurs alike. Since then,
every 30 November they dose the doors
forjudging on a deluge of images that span
the depth and breadth of these fascinating
natural habitats.
'A major point that we feel is essential
to the competition is that we really want
to emphasise to photographers that the
garden is the perfect studio,' says Philip.
You can do portrait, still life, abstract
work - in fact, anything 1 A garden is a
place that serves multiple purposes.'
Due to the colossal scope of garden
photography’s mu Iti -faceted su bjects, it
would be churlish to attempt to cover all of
them in just a single category. Therefore,
IGPOTY is divided into several different
sections: The Beauty of Plants; Beautiful
Gardens; Wildlife in the Garden; Breathing
Spaces; Bountiful Earth; Trees Woods
Forests; Wildflower Landscapes; and
Greening the City. Philip points out that is
not unusual for photographers to submit
work in several categories, which is allowed
under the competition rules. Helpfully, if a
photographer is unsure as to which category
a photo should fit into, he and his wife Eileen
Powell, who run the competition, are more
than happy to give advice via email before
the closing date.
THE IMAGES
The options are just as diverse for the
type of images submitted, with every
photography skill able to be utilised The
two main skill areas, however, are macro
and landscape-style photographs.
'Macro photography is very popular
and we like to see that the photographer
has not just relied on the quality of the
lens,' says Philip. 'We want to see that the
photographer put something of themselves
into the photograph. We need good
composition and good lighting. It is not good
enough to magnify a flower and expect that
photograph to get through,
f lt’s the same with the wider shots, 1
continues Philip. In garden spaces you are
really looking at the same type of techniques
a landscape photographer would use. even
though it is on a smaller scale You need
an awareness of how to organise a space,
how to position yourself, a sensitivity to light
and an understanding of basic composition.
These two mam areas require quite
different skills and part of the remit
of the competition is to point out
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w w w.annateurphotog raphe r.co.u k 13 October 2012
'Sunset Poppies', by
Renata Arpasova,
was a finalist in tlie
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round, sponsored by
the National Trust,
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IGPOTY winners Garden photography
‘You have to spend
time on it, go back to
it, look at the subject,
and think about the
colour and the light
and the subject’
those differences and to help
people improve their technique.'
That last comment is telling -
this competition is unique in taking on
an educational role that is as important, if
not more so, than the winning and losing.
Every photographer who enters is given
feedback on their entry if requested,
and Smith and the team do a tot of work
around the competition on blogs, and
through books and workshops, to help
photographers improve.
That's not to say professionals are
sure-fire winners leaving amateurs with
just constructive criticisms. IGPOTY is as
applicable to, and can be won by, amateurs
as much as professionals.
'Right from the start we wanted a level
playing field for the amateurs so we have
always had anonymous judging where the
judges see only the image and nothing else,'
says Smith. 'We are really pleased that we
have had quite a few amateur winners, For
example, in 2009, Jonathan Berman, one
of the winners, was an amateur
What further levels the playing field,
according to Philip, is that technique will only
get you so far. Sometimes the strength of a
subject will shine through all by itself.
'Good technique will get you a long way/
he says. 'But having said that, we do have
occasional winners who come through
where the technique is not great, but it is just
a wonderful spontaneous shot; he explains.
'So technique is important, but it is also
about the passion for the subject matter
and the originality of a shot that catches a
judge’s eye.'
It is that passion for the subject matter
that P hili p says really makes a great garden
photograph. It may sound quite an abstract
thing to try to put into a picture, but Smith
says that the key to showing passion is giving
the subject time,
'The more you take photographs, the
easier it is to put your personality into the
photograph/ he says, ‘It is where you see a
picture, press the shutter and move
on that you get a cold conventional picture
anyone could have taken. You have to spend
time on it, go back to it, look at the subject,
and think about the colour and the light and
the subject. Really engage with it. When
you talk to winning photographers, you hear
the same story - they found the subject
and they went back six or seven times. One
In the Garden of the Four Seasons', by Roger Foley, took first place in the
Beautiful Gardens round, competition five
winner had spent three years working on a
single subject and a single technique.'
So, in Philip's words, the more you
look, the more you see and the more you
understand colour, shape and texture. The
pictures then begin to present themselves
to you rather than you looking for them,
so it becomes natural, and that is when it
becomes interesting.
THE RIGHT CONDITIONS
Philip adds that while the process should
become as natural as possible, it is equally
Important to get yourself in place at the
optimum time when conditions for garden
photography are just right. This is when you
have a bright overcast day, where the white
clouds act as a 'huge reflector in the sky 1 , It
also has to be very still, with little wind.
'Wind can be a very negative factor
because if you are doing close-up shots,
the slightest breeze can alter the picture/
Philip explains. 'The sun can also be
very problematic, as dark shadows on
close-ups break up the natural pattern
of the subject. It can also alter the colour,
making it look artificial/
Philip says colour is not as problematic
when using digital kit as it was when film
was the medium of choice The competition
itself has never had much of a film presence,
though, with around 15% of entries using
film in 2007 and last year only around 3%
shooting on film, Yet Philip admits that it's
not all about the top digital cameras, as
some interesting cameras have been used
by past winners.
We have had entries - and winners -
from people who have used Lomo cameras
and pinhole cameras/ he reveals. 'It is
actually sometimes the wackier formats
that lend themselves to doing things
si ightly differently.'
Doing things differently is one of the
top tips Philip can offer those who wish to
enter the competition and complete with,
on average, 20,000 others. He says that
copying winning pictures from previous years
never works, and working out your own
vision is extremely important. His other tip
is to keep it simple - trying to say too many
things, he says, is seldom successful.
However, as mentioned earlier, the
competition is not just about winning - just
by entering you have access to advice,
blogs, and the first word about the books
and exhibitions that the competition runs.
That said, the reward for overall victory does
carry a £5,000 prize and the overall prize
fund is £12,000 All category winners also
have their work shown at exhibitions run by
the competition across the UK and abroad,
as well as in books.
The fact that exhibitions take part in
locations as far afield as Sydney, Australia,
shows how far the competition now reaches
from its Kew base. However, Philip says Kew
is still very much the competition's ‘spiritual
home', and the competition is still very
much a partnership with that organisation.
It's unsurprising, as both parties exist to
really further the cause for people to be
more aware of the role gardens play in our
lives. But more than anything, Philip says
that he also hopes IGPOTY helps spread
the message that 'gard ens are wonderfu I
sources of inspiration for photography of
The new book, international Garden Photographer of the Year: Celebrating Five Years of Award-Winning Images, will be published on 8 November
by Murdoch Books, priced £25. The dosing date for the sixth annual competition is 30 November 2012. There is a charge for most entries.
Visit www.igpoty.com for more details
13 October 2012
www.am ate u rphotographer.co. u k
w w w.arnateurpbotog raphe r.co.u k B October 2012
subscribe 0844 848 0848
Your pictures in print
This is a really striking
image, and rot just
because of the eye*
catching glow of the
robin s fiery feathers. We
are trained to focus on
the eyes, but here Andrew
draws our attention to
the tiny patterns that run
across the bird's head.
And his lookingdowr
pose makes the bird took
especially thoughtf ul
It s a interesting and
beautiful picture - Damien
Demoider, Editor
Robin
1 This fascinating shot
allows for appreciation
of the bird's colour and
details on the feathers
Nikon D3100,70-300mm.
1/5Qsec at f/5.6, ISO 400
tripod
Stag beetle
2 Andrew has found a
novel and Interesting way
to shoot his subject here
Fujifilm FiciePix HS10.
10.1mm. 1/T00sec at f/7.1,
ISO 200
w ww.amateurphotog rapher.co.Li k
13 October 2012
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13 October 2012 www.am ateu rphotographer.co.u k
Your pictures in print
Elizabeth AndreoU
A textile artist by day, Elizabeth at first took photographs to record her work with
fabrics. It wasn't until she took a trip to the Canadian Rockies that her eyes were
opened to landscape photography. The scenery was so breathtaking that l was
determined to get as many photos as I could,' she says. Elizabeth now aims to
work on her landscapes: 'I love the ability to get an instant sketch of something
amazing,’ she says. To see more of Elizabeth's art, visit www.ejatextileart.co.uk.
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2 The gathering clouds evoke a real
feeling of tension here
Canon EOS 4Q0D, 18-270mm, 1/500sec
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3 The foreground hut gives a sense of
the scale of the mountains behind
Canon
JDDD.MOmm,
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f/13. ISO 100
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1 The shape of the lake echoes that
of the mountain in this image
Canon EOS 4000,18-270mm, 1/40flsec
at f/11. ISO 100
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4 The viewer s eye is led up through
the layers of this rich, vivid image
Canon EOS 4000,18-270mm. 1/160secat
1/7.1. ISO 100
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w ww.amatourphotog raphe r.co.u k 13 October 2012
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Your pictures assessed
Church of Christ the King,
London Alan Dove
ALAN tells me that he's worried he pressed the shutter
either Visee too soon or too late when he took this shot, but
actually f like the way the people in the scene are forming a
line across the middle of the frame - they are almost parallel
with the kerb. The picture has a classic air about it. Alan has
chosen his subject well and made an attractive image, using
the sweeping road to great effect,
I don't think he picked the wrong moment, but I do think
he could have exposed the image differently and perhaps
framed it in a way that would retain our attention more easily.
I can't change the exposure now, so I used Levels to make
the midtones darker and to add some tone to the very white
sky. Doing this makes the lighter curves of the road and the
lines of the building stand out more, emphasising their shape
and direction. Ideally, I'd have got more out of the sky but in
Alan's file it is a detail-less white.
Next, I used a shallow Curve to add some more contrast to
make more of the differences between the lighter and darker
midtones, and then I turned down the colour saturation to
leave just the warmth of that brown sepia tore..
I've cropped the edges of the frame, too, to remove some
distracting elements. The white sky in the space above
the roof draws the eye away from the subject, as does the
bright edge of the building on the left-hand border and the
reflective road sign on the right Trimming off these elements
makes for a more relaxing image that has fewer things to
demand we look away from the main area of interest.
In the final image the dial window is too close for comfort to
the edge of the frame, but there's not much I can do about it
It's a nice shot, though, Alan, and exactly in the traditional
style that I enjoy looking at
i T
m
WIN
Every reader' whose
picture appears In
Appraisal mil m
a Manfrotto Unica
VII Messenger Bag
worth £84.95, This
bag combines style
and functionality,
ensuring that it is the
perfect companion
for carrying your
camera gear, laptop
and personal items.
Gain quick access
to your DSLR with
lens attached,
laptop and personal
effects in the upper
compartment by
using the top opening.
An additional
compartment in the
base of the hag also
provides storage for
selected Manfrotto
Compact Photo
Tripods.
Send up to six prints,
slid es or images on CO
[please include the
original files from the
camera along with
your submitted
versions on your CD),
Tell us about the
pictures and include
details of equipment
used and exposure
settings. Send your
images to Appraisal at
the address on page 3.
Enclose an SAE if you
want them returned
www.amateurphotographer.co.uk 13 October 2012
subscribe 0844 848 0848
OISJUMVIIHM.
Your pictures assessed
Aberffraw Bridge
Gareth Southworth
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SNOW scenes are so photographically compelling
that some cameras only get a run out when the white
stuff is all around, but as exposure meters are rot
designed to work with bright areas at the bottom! of
the frame things often go wrong. Here, as is usually
the case, Gareth's camera panicked at the bright
scene and underexposed to make the snow a dull
mid-grey, instead of the white it is supposed to be.
Using Levels, I've corrected it to make a bright image
that is probably closer to what Gareth saw at the time,
but which leaves most of the sky bleached out
I made a second version in which I have
concentrated on making the bridge a silhouette and
the man walking over it stand out against the stormy
sky, This time there is detail in the sky, and the frame
is fuller for it. I think I prefer the darker version, but in
each the man is clearly the centre of attention, 1 also
made a black & white version, using the red channel
for its drama. This makes a much simpler picture as
there is less to distract us, and again the mar stands
out. I like the colours in the coloured versions, but the
monochrome makes the message much clearer.
While I love the intruding building on the right of the
frame, I’ve trimmed it away as it distracts from the main
point of focus, and it makes the picture seem long and
thin. The new crop places the man on an intersection of
thirds, and makes the image easier to digest,
‘I think I prefer the darker version, but in
each the man is clearly the centre of attention*
Twisted tree Bob
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THIS is a beautiful tree and well spotted by Bob. I
love the way it twists, and the way the sun catches
the trunk to demonstrate, in 3D, exactly what is
going on. The colours are sensational, too, and
Bob has kept them moderate and realistic.
There are a couple of things that bother me that
Bob could have fixed at the time of shooting All I
can do now, though, is show what could have been.
The first thing that bothers me is that straggling
branch sticking out of the back of the trunk, lit looks
like a wispy tail, and fights against the grandeur of
the scene. Bob could have moved himself round to
hide it behind the main trunk.
The second thing is the dark branch crossing the
top right-hand comer of the frame that stands out
against the sky and demands that we look at it.
Again, getting rid of it is a question of positioning.
The only other thing I've done is crop the image
to 5:4 proportions It’s a very formal shot and
benefits from the squarer frame, with reduced
space between the base of the trunk and the
bottom of the frame. I also added a touch of
contrast and a sprinkle of sharpening.
This is an excellent shot, though, and my
picture of the week.
www.am ate u rphotographer.co.u k
subscribe 0844 848 0843
15 October 2012
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It's true that lens and camera are the most important parts of a photographer's k l, but accessories the little things that make the world go round, are right there behind them.
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Viewpoint and composition
How to use your camera's
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All about lenses
Sharpening your image
Formatting, sizing
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SO, flash, exposure and
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Basic image editing
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THE
Cruzer Fit USB flash drive
than
a penny and has a tiny metal loop that allows it to be attached
to a keyring, wallet or bag via a thin cord. The real advantage of
its tiny size becomes obvious when it is plugged into a device.
The end of the Cruzer Fit sucks out by around 4mm, and the
low profile means it is discreet and less likely to be knocked
when in use.
Available in 4GB, 8GB, 16GB and
32GB, I leave the largest of these plugged
into my laptop and use it like a secondary
disk drive for temporary files and photos,
saving room on my main drive. It can also
be used as a temporary back-up drive
for important files and pnotes, or even
for plugging in to a compatible television
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anyone with a laptop Richard Sibley
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GARY Fong's Coloured Dome Kit is
designed for the Lightsphere Universal
and Collapsible flashgun attachments andl
used off camera, it provides a simple and
effective way of colouring backgrounds
accessory for
and adding atmosphere and drama to
flash-lit shots Red, blue and green
domes are included, as is a grey
dome, which can be used as a
liiskflUN usofs
grey card substitute to gauge white balance.
The tough rubber lightsphere is collapsible and
securely onto all hotshoe-mounted Hashes.
fitted, it is unlikely to fall or be knocked
also like the kit's virtually indestructible
nature - the domes could rattle around in
the camera bag for an eternity without
damage, and are washable. Coloured
gels can be used with the domes to
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Part of the Gary Fong system,
other manufacturers' attachments
but the design and usability of these
products makes buying into the
Tong way with tight' an attractive
proposition Andrew Sydenham
Sigma DP2 Merrill
We test Sigma's advanced
compact camera with
an APS-C-sized Foveon
X3 sensor that delivers a
46-million-pixel image,
The fi rm's latest compact
camera comes equipped
with the Android operating
system,
Sony Alpha 99
Sony’s new SIT model
features a 24,3-mil lion-pixel
sensor and a IQfps shootine
Canon's first compact
system camera has an
13 -mill ion-pixel, APS-C
automatically cor re
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CON ft hi KAT BE 5118 Jit 110 [8A SCt
subscribe 0644 848 0848
13 October 2012
ww w.am ate u rphotographerco.u k
Your questions answered
Let the AP team answer your photographic queries
IN OR GIMMICK?
Following an accident and subsequent surgery, I am no longer able
to carry around my
and
was becoming resigned to
having to downsize quite dramatically and curtail what I could attempt
photographically when I saw the Panasonic Lumix DMC-FZ2QO with Leica Sens - a
well-featured, lightweight, superzoom, all-in-one camera with a 2 5-600mm
equivalent zoom and a constant f/2 8 aperture. On paper, this is the dream camera
have been waiting decades for, but ts it any good 7 I'm sure it will be too tempting
to resist for many amateur photographers, but while £500 is a bargain if it’s any
good, that amount is too much to waste if it's a hopeless gimmick, Mike Gosling
The smaller sensor of the
Panasonic Lumix OMO-
FZ200 is, of course, going
to compromise image quality. The
photosites that convert the light to
electrons are far smaller than the
equivalent sites on a 12-mittion-pixel
DSLR sensor. This means that less
is gathered, which results in noisier
images and a more restricted dynamic
range. As the FZ200 has a compact-
camera sensor, you can only ever really
expect the results to look as good as
those from a compact camera.
In bright conditions, images at low
noise
becomes an issue when sensitivities
greater than ISO 400 are used.
Noise reduction is
but this can
However,
in-cam era.
is a very good
camera, and I found it to be one of the
best bridge models I have
I tested it tn AP 29 September Being
to save raw images gives more
control over noise reduction,
Overall, the FZ200 is a good camera,
but don't expect foe image quality to be
as good as that of a DSLP
SCANNING 8X10IN FILM
I have just started shooting
with 8x1 Om film and am having
the most fun I have had with
there a community of dedicated users who
are scanning 8x1 Oin pegs and trannies?
Greg Ba rtley
photography for ages 1 1 recently bought an
Epson Pei fee non V750 Pro scanner, but
am having trouble finding someone who has
experience in using this scanner for scanning
8x1 Om negatives and transparencies Is
suggest you take a look
at the Large Format
a
), where you
will find a 'non¬
community
The Epson
Perfection
V750 Pro
scanner
Be it about modern
technology, vintage
equipment,
photographic
science or help with
technique, here at
AP we have the
team that can help
you. Simply emai
your questions
to: apanswersia
ipcmedia.com,
via twitter (dap.,
answers or by
post to: Ask
AP, Amateur
Photographer
Magazine, IPC
Media, Blue
Fin Building,
110 Southwark
Street, London
SE1OSU.
of large-format photographers'. A central
feature of the site is its forum, which includes
a section dedicated to digital processing I’m
sure you il find a few people there who will
be able to help.
Chris Gatcum
OPENING NEF FILES
1 bought a Nikon D800 recently,
along with Adobe Photoshop
Elements 10 and Lightroom 41,
expecting that i would be able to open
the DSOO's NEF files with one of these
programs. Flowever, neither Elements nor
open the D800 files. While I
can open them with Nikon’s NX2 program
this does not process the files in the way I
would like to. In the past, I used Photoshop
to open the flies from my D300 and then
converted them to DNG format before
saving them in another format for printing.
1 have searched through the Adobe
website for answers and even downloaded
a program called DNG Converter (which
claims to open D800 NEF files), but 1 cannot
get this to open them, either Is there any
program similar to Photoshop Elements that
will open these files, or is there any specific
fix that I am missing 7
GW Burton
Unfortunately, you're not alone in
your frustration. Adobe s forums
are bristling with D800 users
who are struggling to get various versions
of Photoshop, Photoshop Elements and
w w w.annateurphotog raphe r.co.u k 13 October 2012
subscribe 0844 843 0843
Your questions answered
DNG (Digital NeGative) is a lossless raw
file format that was introduced by Adobe
in 2004, at a time when photographers
were already familiar with JPEG, TIFF
and manufacturer-specific raw files used
by digital cameras. Unlike proprietary raw
formats {and Adobe’s big 'USP'), DNG
files are an 'open 1 standard, which means
that any camera manufacturer can make
use of them in their cameras. However,
the use of DNG has not been widely
welcomed by manufacturers. To date,
only a handful of manufacturers allow
raw files to be recorded in DNG format,
most notably Leica, Pentax and Ricoh.
The vast majority of companies prefer
to keep their proprietary formats.
DNG is still of interest to
p hotographers, though, even those
whose cameras shoot a proprietary
format. The reason is that the format
can help ensure that raw files remain
accessible into the future - hence
the 'Digital NeGative' tag. If Adobe
continues to support DNG (which it
does), then a DNG file created now
is more likely to be compatible with
future software than some proprietary
file formats. As a result, some
photographers add DNG to their
digital workflow, converting their
(proprietary) raw files into the DNG
format and using those 'digital negatives’
as their archive files.
Lightroom to open their raw NEF files.
However, I do have a few suggestions.
First, you need to make sure that you're
using the correct version of the Adobe
results in files that cannot be opened. The
workaround is to simply not use live view
during raw capture
Finally - and this would affect your raw
Camera Raw (ACRi plug-in with Photoshop files regardless of the program you
Elements - you need ACR 6 7 to open files are trying to open them: in - are you using
from the D800 using Photoshop Elements
10. So, assuming you haven't done so
already, I suggest that you download ACR
version 6.7 from the Adobe website (www.
Nikon software to import your images
from your camera to your computer? If
so, is it the software that came with your
D800, or are you using (older) software
adobe.com) and install that. Hopefully, it will on your computer that came with your
enable you to open your DSOO's NEF files
using Elements 10
Regarding l ightroom 4.1 - which, in
theory, should open your files without a
problem. - there may be an issue if you’re
using live view to shoot your raw images.
It may sound strange, but according to
Adobe, using live view 'causes the raw files
D300? This is important because although
older versions of Nikon's software (ViewNX
and Nikon Transfer version 1 x) will transfer
your images, the software isn’t compatible
with the raw format from the D800 and
can actually corrupt the data. This will result
in raw files that cannot be read by your
Adobe software no matter what version
to use a special compression method, which of ACR you have
is not readable by Lightroom', and this
Chris Gatcum
[screen or print! in your editing
when it is overdone it can produce very nasty
effects, like halos or ghosting around objects, or
even strange patterns in clear sky images Raw beejaybee replies Tie basic issue is tha
converters should be set to just give you a pure sharpening creates artefacts, and those
conversion unless your editing: program is
missing a feature that you have in the raw
software. For example, my raw converter does
tens correction, but my editing program does not, presentatlons/resolutions, but you keep the
artefacts may become an issue when other
post-processing is done. It's perfectly true that
you need different sharpening for different
yet my editor has much better sharpening than
master unsharpened and apply appropriate
I E,
t he converter. Therefore, I apply lens correction sharpening each time you make a copy that
in my raw converter, hut leave sharpening to my will fie viewed in a different way.
editing software. A n d y es, sh a r p ening shoo Id be A g ent le twea k of U nsh a r p Mas k in the
conversion I a bout 50% at radius 07 to offset the
anti-alias filter] is probably OK, but since you're
PhilW replies Isn't the accepted 'best' way to going to have to sharpen at the end anyway, why
apply input sharpening at the conversion stage, not leave it until then?
jn my opinion.
*
{'■lElhVtl
ON TEST
L
i
We test four a ll-ii-one A4 photo-capable
»
Martin Evening on using Camera Raw 7 to add
contrast, enhance colours aid fine-tune perspective
subscribe 0844848 0843
13 October 2012 www.am ate u rphotographer.co. u k
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Nikon’s new D600 offers an appealing upgrade path for consumer users. We put
it to the test to find out just how good this full-frame, entry-level model really is
Hat
Oeoutv
tier
many previous Nikon sensors - particularly
as the rel ease of the camera came just
a day after Sony announced three new
models, including the Alpha 99, with a
seemingly identical sensor
The camera borrows much of its layout
and styling from the D7000, yet with a
slightly bigger an d heavier body. It also adds
weatherproofing, a hefty screen guard and,
most importantly, that full-frame sensor
Despite the rapid advances in image
J2 compact system camera, tine full-frame quality from smaller sensors and the array
IT’S BEEN a busy year for Nikon. New
cameras have been launched across its
DSLR range, from the professional-spec
D4 to the entry-level D32QO, as well as
more recent additions
as the
D800 and a healthy range of compacts.
Right before the photokina trade show,
we suspected there were more models
to come - and we were right. Announced
just a week before the show started, the
of compact system cameras offering
APS-C-sized sensors to match DSLRs, the
unit is still considered the pinnacle
of image quality for many amateur users.
The arrival of the Canon EOS 5D and Nikon
D600 fi I Is an a pparent ga p in N i kon's ra nge D700 first brought th e 3 5 mm sensor size
between the semi-professional D800 and
the advanced amateur D700Q, This gap
has perhaps been widened by the ageing
D300S, a camera that is now more than
three years old. While the D600 isn’t a
direct replacement, it should certainly
appeal to those upgrading f rom the D700
or D30QS, as well as those wanting to
step up from the D7000 or D90
within reach of the serious amateur, but
there has continued to be a huge price leap
from the high-end APS-C-sized models to
those using full-frame sensors.
The D600 is aimed at addressing this
gap and bringing full-frame cameras to a
wider audience. However, when based on
the suggested retail price, there remains a
£990 price gap between the APS-C-sized
The D600 uses a new 24.3 -mil I ion- pixel, D7000 (£1,005J and the full-frame D 60 0
full-frame sensor This is believed to be a
Sony-made unit, as has been the case
(£1,995), with room, potentially, for a higher
resolution APS-C-sized model at around
ATA
GLANCE
24.3-million -
ixel, full-(ram
sensor
Expeed 3
processor
S0100-6400
ISO 50-25.600
extended]
Multi-CAM 4800
39-point AF
30 Color Matrix II
meterin
3.2in, 921,000-dot
TFT LCD
r
r
£1,400 price mark.
Despite the full-frame sensor and
premium price, the D600 sits in Nikon's
consumer range, not the professional range
with the D300S. It has a built-in flash, a
standard shooting-mode dial and scene
modes While this is an enthusiast camera,
like the D7000 it is still likely to appeal to
professionals wanting a second full-frame
body. We received one of the first samples
after the announcement and put the
camera straight to the test.
Ji
Jk
Full HDlO&Op
video capture
it--*_
A slightly unusual problem I had with the
36.3-million-pixel D800 was that I found
the resolution was just too high. With raw
files reaching sizes of more than 75MB,
I found that shoots normally totalling
images of less than 20GB suddenly filled a
64GB card, which had knock-on issues for
downloading time, processing and storage.
The D6Q0 has a more manageable
5.5fps continuous 24.3-million-pixel resolution from its 35mm
(35.9x24mm) full-frame CMOS sensor.
This delivers a 6016x4016-pixel file that
averages around 28MB in 14-bit lossless
raw form orjustlOMBinJPEG. While this
may seem a significant drop from the D800,
the files will still produce a 20x13in print at
300ppi or an A2 print at 242ppi, which is
more than enough for most users. Further
details about the array and micro
lenses are unclear, but the sensor
works alongside the new Expeed
subscribe 0844843 0843
13 October 2012 www.amateurphotographer.co.uk
Camera test i kon D600
in
3 processor which is also found in
the D4 and D800, to deliver 16-bit
image processing and provides the
camera with a sensitivity range of ISO 100-
6400, expandable to ISO 50-25,600.
Presumably thanks to the smaller file sizes,
the burst shooting rate is faster than that of
the D800, providing a maximum of 5.5fps
resolution. This is only slightly slower
than the 6fps offered by the 07000 and
faster than the 4.5fps offered by the new
Canon EOS 6D. Sensor cleaning is
into the unit to shake dust from in front of
the filter, while there is also the d ust-of f
reference data via Capture NX2 for more
stubborn particles.
The metering system is not the same
91,000-pixel system as that found in the
0800, but the older 3D Color Matrix II
system, with a 2016-pixel RGB sensor
that is featured In the D7G00. However,
this does offer a wide +5EV exposure
compensation, and a choice of matrix,
centreweighted and spot options. The
centreweighted setting gives 75%
weighting to a choice of 8mm, 12mm,
15mm or 20mm centre circles Equally,
the spot option can be recorded from: the
centre 4mm circle or around the selected
Ah point. The autofocusing system is a
The dynamic range
is an impressive
14.2EV from
the D600
similar 39-point system to that found in
the D7000, rather than the 51 points in
the 0800 These two factors are dear
indications of the 0600's consumer slant
although, as the D7000 has proved, both
are still very impressive systems.
Shooting modes are chosen via The
top dial and include the standard PASM
alongside the more basic auto, no-flash
and scene-mode options. Within the scene
selection, the D600 includes 19 options,
from the likes of High and Low key through
to pet portrait and blossom options.
Perhaps more useful for the experienced
photographer are the drive modes on the
dial below, which feature a quiet shutter
setting, mirror up, remote control, and
high and low burst options. Nikon has
been criticised in the past for not having
an option to combine the self-timer and
mirror-up functions, but on the D600 it is
possible to select a mirror-up option when
using the wireless remote or any setting
using a wired unit.
The D600 accepts most Nikon and
third-party lenses using the F mount. Those
models designated for DX (APS-C) use will
provide a cropped image or the camera,
with an output of 3936x2624 or 10.3
million pixels. This means that those users
upgrading from other Nikon consumer
DSLRs can still use all their old lenses.
For best results, though, the FX D and
G varieties are recommended.
Images are saved via an SD card. Dual
slots are available, offering the choice of
a second card to be used as an overflow,
back-up, or to save raw and JPEG files
separately. Both are compatible with UHS-1
SDHC and SDXC cards. Using a high-speed
600x UHS-1 SDHC card, I managed 14
raw+JPEG, 15 raw or 47 JPEG files before
filling the buffer in high-speed mode.
The D600 uses the same EN-EL15
battery as the D800 and the D7000,
and the predicted number of shots per
charge is 900, which is equal to that of
the D800. This is still an impressive feat
Nikon D7000, D600 and 0800 comparison
D70D0
D600
D800
Sensor
APS-C
35mm
35mm
Resolution
16.2MP
24.3MP
36.3MP
Processor
Expeed2
fspeed 3
Fspeed 3
ISO
IQ0-6400
100-6400
100-6400
[expanded]
10Q-25.6QQ!
50-25,600
50-25.6 DD
AF
MultiCAM 4B0DDX
MultiCAM 4800
MultiCAM 35 DO FX
39-point
39-puint
51-point
Metering
3D Matrix 11
30 Matrix II
3D Matrix 11
Burst mode
6fps
5.5fps
Afps
Body
Magnesium alloy
[Lop/rear)
Magnesium alloy
llop/rear)
Magnesium alloy
[all!
Weight
690g
76 Qg
900g
HD VIDEO has become something of a
doesn't allow full control over the ISO and
standard feature for all new cameras, but until shutter speed that some cameras do, but the
recently the Canon EOS 5D Mark II remained aperture can be preset before filming from
the pinnacle for movie fans, thanks in part to
its full-frame sensor, Until the Canon EOS
6D arrives in December, the D600 will be
-frame HD video solution,
and it boasts a headphone socket over its
the aperture priority mode. The microphone
input means that professional microphones
can be used, which also avoids picking up the
noise of the autofocus motor in the lens, while
the headphone jack allows proper monitoring
Canon counterpart. The shallow depth of field of the sound. The M QV file type the D6O0
offered from a full-frame sensor multiplies
the creative possibilities of video, and when
combined with decent optics it is possible
to create real cinematic results The D600
uses to record will play back on most devices
without the need for editing software, and
a basic edit of the start and stop points can
even be made in-camere.
4
U
u
1
o
m 'v
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13 October 2012
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for a fu!J-frame camera, and puts many
other brands to shame.
Cementing its consumer status, the
D600 also includes a flash - although
so does the D300S. The D600’s flash is
a moderately powerful unit, with a guide
number of 12m @ ISO 100, and provides
slow sync and redeye functions, as well as
control of Nikon's advanced wireless lighting
system. Wi-Fi hasn't been overlooked,
either and while it isn't built into the body,
a small adapter - like the one available for
the D 3200 - can be attached to the side to
allow connection to
upload or camera
BUILD AND HANDLING
With a build somewhere between the
D7000 and 03005, the D600 feels
professional, but is still small and light
enough to keep in your bag for opportune
shots. The body features a part magnesium-
alloy structure that encompasses the top
and rear sections, like the D7000, rather
than the full shell like the D8GQ, but it has
the same degree of weather sealing as its
big brother, to resist d ust and moisture The
new AF-S Nikkor 24-85mm f/3.5-4 5G ED
VR kit nested in AP 8 September) lens also
features weather sealing.
While the appearance and general layout
of the D600 is closest to the D7000, in use
I was reminded far more of the D300S and
its predecessors. The large rubber eyepiece
and screen protector on the rear give the
camera a rugged feet, and although the grip
isn't overly deep for the size of the camera I
found it sufficient for holding the camera in
one hand between shots
The shooting-mode dial follows a similar
design to the D700Q., rather than the
mode-but ton method of the professional
range However, this dial now has a lock
button in the centre of the dial to prevent
accidental mode changes. With another lock
button for the second dial below, it can be
quite tricky to change the shooting mode
and drive mode when you want to, but this
is better than the result of shooting in
the wrong setting.
The rear function buttons double up
in their operation, between playback and
shooting, but most of the time this is not
a problem The only time I found this an
issue was when the camera was showing
a preview of the last shot and the button,
instead of changing the ISO fas it would in
shooting mode), zoomed out of the image,
One clever addition that is useful, though,
is that when changing the ISO button you
use the rear finger dial, but if you turn the
front finger dial it switches into auto ISO
mode. This works with the white balance -
changing the variants of each setting and
the quality setting - altering the image size
of the JPEG files between large, medium
and small.
The function buttons seem to cover most
of the controls needed for fast operation,
and by pressing the Info button twice you
gain quick access to additional controls
The Sigma 105mm
macro lens has
been able to
reproduce very
fine detail
The matrix
metering system
works well in
most conditions,
although slight
underexposure
is necessary in
heavy contrast to
maintain highlights
such as movie settings, noise reduction,
D-Lighting, card selection and custom
button assignment.
The main menu is fairly clear for all other
functions, although the shooting menu feels
a little bloated, spanning over four screens.
It would have been better to move the video
and autofocus functions into their
own submenus.
NOISE, RESOLUTION
AND SENSITIVITY
The D600's 24 3-million-pixel resolution
should mea n there is a drop in detail
compared to images taken with the 0800,
but it is still more than enough for most
users. Cameras with similar sensors, such as
the Canon EOS 5D Mark III, have produced
resolution scores of up to 30, so we were
expecting similar scores from the D600.
The results from our chart didn't
disappoint. At its base sensitivity of ISO 100,
the D600 reached a score of 30 from the
JPEG image and 32 from the raw file, when
processed using the supplied View NX2 and
sharpened in Photoshop CS4. Although
the initial scores are decent, perhaps what
is more impressive is that they remained
high throughout the ISO range. In the raw
files the scores dropped to 30 at ISO 800
and then to 28 for ISO 6400 and the Hi2
(25,600) setting, Similarly, in the JPEG
images the scores dropped to 28 at ISO
800,26 at ISO 3200 and 24 for the
Hi2 setting.
Noise levels are well controlled, with
luminance noise only showing faint signs
from IS01600 and being still non-intrusive
at ISO 6400. The Hi2 setting (ISO 25,600
equivalent) shows more significant
luminance noise and some colour
noise in the shadows,
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13 October 2012
Camera test i kon D600
WHITE BALANCE
AND COLOUR
The D600 has a wide range of
white balance settings for those shooting
JPEG files. The presets include seven
different fluorescent settings, plus the
standard array of incandescent, sunlight
flash, cloudy and shade options. The two
options of auto mode comprise Autol, which
is a normal setting, and Auto2, which is
designed to maintain warm lighting colours
for indoor scenes or streetlights. Auto2
will be preferred by those trying to capture
the atmosphere of the scene. The white
balance presets allow you to save up to four
white balance settings, taken from sample
images, or you can dial in a Kelvin value in
the temperature setting. The auto settings
provide decent results for most scenes and
only under a heavily shaded forest canopy
did it leave the image looking too cool. The
presets are extensive, and the fine-tuning
available in each one means you can have
the exact temperature you want.
The colours straight from the camera are
quite bold and contrasty, and the histogram
shows plenty of midtones However, there is
a range of colour settings from the picture
control menu, including a neutral option
and even vivid for those who demand more
punch in their shots. All the colour options
can also be fine-tuned, with a simple 'quick-
adjust' control or a series of five sliders
covering sharpening, contrast, brightness,
saturation and hue.
METERING
The D600's metering system is the same
as that used in The D70QQ, and in most
lighting conditions it produces decent results.
However, when challenged by trickier
conditions it does lack the complexity of the
DSOO’s 91,000-dot 3D Matrix III system
and can require manual adjustment. For
the contrast of early evening light, I found
myself setting the exposure compensation to
-0.7EV to ensure highlights were maintained.
This is a fairly small adjustment, though, and
with ±5EV to play with it never becomes an
issue. Being able to link the spot metering to
the AF point is a handy addition for portraits
and saves the constant recomposing that
would otherwise be required.
DYNAMIC RANGE
Dynamic range has long been a strength
of Nikon DSLRs and the D6Q0 continues
that trend. DxO (www.DxOmark.com)
rates the sensor as having the third highest
score in its testing history - just behind the
Nikon 0800 and D8Q0E With a measured
14.2EV, the D600 is well ahead of its
competition. For those seeking more range,
it also features D-Lighting controls to lighten
the shadow areas in JPEGs and an HDR
mode to combine exposures with an
adjustable differential of up to 3E V.
m
[1.955.99
Sensor
Output size
lens
File f otmat
Compression
Colour space
Shutter type
Shutter speeds
Max flash sync
CMOS sensor
6016k 4016 pixels
-pixel. Mi-frame [35.9 x 24mm!
Exposure modes
Metering system
Exposure comp
White balance
JPEG. NEF [raw], MOV
3-stage JPEG, 4
Adobe RGB.sRGB
Focal-plane shutter
3D-1/4Q0Qsec +■
1/20Osec [1/25Dsec max)
I SO 1 a a -6400 [ISO 50-25.600 extend ed)
: ASM, 2 custom modes, auto, sane
2D 16-pixel RGB sensor. 3D Color Matrix metering II.
centre weighted (75%) and spot 11.5%) _
±5EVin 1/3 or 1/2EV steps
Auto 12 types). 11 preset. 4 custom and manual, with
fine tuning
White balance bracket Yes(2-3frames in 1,2 or 3steps!
Drive mode
V iewfinder type
Field of view
Dioptre adjustment
Focusing modes
AF points
5.Dps high speed. 1-5fps tow speed, single frame, quiet
shutter, self-timer, remote control mirror up _
3.2in, 921, DD D-d at TFT LCD _
Optical pentaprism
Yes (-3 to +1 ]
Single, continuous Iservoj. auto, manual
39-point |9 cross-type), single-point, dynamic area, 3D
I, auto area
Oof preview
Built-in flash
Video
External mic
Memory card
Power
Weight
Dimensions
Yes(Gfl12mrdlS0100|
lODOp HD (3Dfps. 25fps, 24fps). 720p (59.94fps. 50fps.
ZMJfps, 25fps, 23.976 fps] MOV III 264/M PEG-4)
Yes (3.5mm)
DuaLSD (UHSI. SDHC. SDXCI
Rechargeable FN-ELI 5 U-lon
USB, HDMI, 3.5mm phones, GPS port
15Dg [with battery and card]
141 x 113 x82mm
Nikon, 380 Richmond Road, Kingston upon Thames,
Surrey KT25PR. Tel: D330 123 0932.
Website: www.europe-nikon.com/en_GB
RESOLUTION & NOISE
These images show 72ppi 1100% an 3 computer screen] sections
of images of a resolution chart, captured using theSigma 105mm
1/2 .a macro lens. We show the section ol the resolution chart
where the camera starts to fail to reproduce the lines separately.
The higher the number visible in these images, the better the
camera's detail resolution Is at the specified sensitivity setting.
JPEG ISO IDO
1
V
P
I
RAW ISO 000
30
JPEG ISO 1600
RAW ISO 1600
RAW ISO 6400
2fl
JPEG ISO 25,600
v
r
^■
m m
RAW ISO 25,600
i .
U|
25,
Noise is well handled by the 0600. even at higher
ISO values. Shown above is the same scene
shat at ISO 6400 and the H 2
25,600
equivalent). Luminance noise is present at ISO
640D, but the image remains well detailed. In the
Hi2 setting, chroma noise becomes visible, ton.
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13 October 2012
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4%
nni
Pin
ly
Dual dial
The shooting mode and
on top
other as oo the D70Q0,
with button locks
to avoid accidental
movement
Accessory
ports
on
the side include
3.5mm mic
and headphone
sockets, USB,
HUM! and GPS
Live view/
movie
This quick
and button allow
the camera to he
placed in live view
or movie mode.
Wi-Fi dongle
Like the D3200, the DiOO has an optional
Wi-Fi dongle that attaches to the side
of the camera. This allows images to
be uploaded via a hotspot or 3G device,
or the camera controlled remotely via a
smartphone device osing the Nikon App.
Screen
The 3.2in, 921-000 dot ICO onit provides
a large, sharp and accurately coloured
review of images. However, it lacks the
flexibility of a vari-angle mount or the
added zing of an OLED or four-colour
(white pixel] unit, as seen on some
recent DSLR models,
Battery
The circuitry has been reworked from the
0800 to be more efficient, However, the
official figures still quote the same 900-
shot life from a single charge. This is an
Dual SO slots
As a consumer model, the 0600 uses SD
card memory as opposed to CompactFlash
The two slots can be used to distribute
different types of files or the second
used as an overflow
fm
Standard
w
Sharpening
Contrast
Brightness
Saturation
Hue
T
« ■
■I
mm ‘Vi n~ ^ i i
~fl;;
■0113
b Qii:;
SSGrid 0 Reset G30K
f>
cus se
a Autofocus
a2 AF-S priority selection L
a3 Focus tracking with lock-on AFi
a4AF point illumination AUT
aS Focus point wrap-around OFF
a6 Number of focus points AH
aj
Built-in AF-assi st illuminator 0 N
hi ISO sensitivity step value
1/3
□
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13 October 2012 www.am ateu rphotographer.co.u k
Camera test i kon D600
Above: A backlit
leaf provides a
tricky subject to
meter, although
the spot metering
does a great job
even when shot
under tungsten
light sources at
ISO 2000
The autofocus is one of the factors
that sets the D600 apart from
the D800, and after the D800's
51-point system, the 39-point arrangement
of the D600 cannot help but feel slightly
disappointing. In context though, it isn't
For example, Canon's latest full-frame
model will only feature an 11 -point AF. The
D60G’s Multi-CAM 4800 system: includes
nine cross-type sensors and seven points
that work at f/8, making them effective
for those photograp hers working with
2x teleconverter lenses on f/4 optics. In
practice, the AF is fast and accurate, and
the focus-tracking system works extremely
The focus mode, as on the D7000,
is changed via a neat button press on the
auto/manual lever, which then shows in the
viewfinder, allowing you to keep your eye on
the subject. The only thing it lacks here is
the level of fine-tuning that is seen on more
advanced systems Had the D600 featured
a more advanced AF system, the camera
to more
action-focused audience, as the 04 does.
For general shooting, though, this is more
than capable.
LCD, VIEWFINDER AND VIDEO
Even through the plastic protection screen
Clipped onto the rear, the D600's 3 2in,
921,000-dot LCD screen looks impressive
Although this isn't an OLED device, the
contrast is still high - perhaps helped by
the punchy images - and detail is razor-
sharp. There was perhaps an opportunity
to offer something a little different, such as
a touchscreen or a bracket, but The viewing
angle is decent and there is no shortage of
buttons at your fingertips for control.
upgrading to the D600 from an APS-C
is the size of the viewfinder. This has a
providing a nice large display. Despite the
size of the eyepiece, it is still comfortable
to view with glasses and there is a standard
adjustment dioptre should you need it.
However, the AF points appear a little
too subtle in black, only briefly flashing red
when focusi ng or adjusting the AF point. A
grid view can be switched on in The menu.
Manual focusing was made easy by the
brightness and clarity of the viewfinder, too
As discussed in the Features in use panei
on page 46, video is an integral part of this
and most other DSLR cameras these days.
The D600 records in 1920 x 1080 pixels
at a choice of 30fps, 25fps or 24fps, or at
1280 x 720 pixels at GOfps, 50fps, 30fps
or 25fps in the QuickTime MOV format.
The quality of the video looks impressive
and, thanks to the external sound options,
it sounds good, too, Videographers might
be put off by the lack of full manual
control, though.
Canon EOS 6D
Sony Alpha 99
TO BE TESTED
IT WAS perhaps inevitable that both Nikon and Canon
would look to supplement their full-frame offerings with
a second, more affordable model. Their close proximity in
release dates can only serve to benefit the buyer, as prices
are
to be matched to undercut each other
The Canon EOS 6D follows similar principles to the
D600, including a lower-resolution sensor and more basic
AF system. With fewer AF points and pixels than the D600,
the 6D could be seen as having a disadvantage, but it does
boast built-in Wi-Fi, GPS and a higher ISO 102,400 setting.
While aimed more at the D800 and Canon EOS 5D Mark
III market, Sony's new full-frame Alpha 99 is also likely to be
on photographers' shortlists. It also uses a 24.3-million-pixel
sensor, but features on-sensor phase detection to create
a dual-phase system, li Of ps shooting and a high-quality
electronic viewfinder screen. The existing full-frame models
are also likely to be seen as competition, particularly while
the price difference between the D600 and the D800 is
relatively small, and older models fall in price.
ALTHOUGH initially slightly disappointed in some of the
D600's specification, this camera has really impressed me
to be taken seriously, yet small and light enough to carry
around, The handling and navigation are intuitive and the
viewfinder is nice and bright. Autofocus is surprisingly adept,,
and the burst and buffer are suf ficient for its needs. Images
are well detailed and low in noise, while the JPEGs are print-
ready to please those not wanting to spend time editing. As
an all-round camera for true enthusiasts, the D600 makes
perfect sense. I would have liked the Wi-Fi to be included in
the body rather than as an accessory, and the video mode
needs manual options For me, adding the metering and
autofocus from the D800 would be ideal, but then that
would leave little reason to covet the D800.
n 5 i 1
E A, 7 g U
FEATURES
S/TO 1 [ 1
BUILD/HANDLING
8/10 ’ L L 1
NOISE/RES GLUTTON 28/30
DYNAMIC RANGE
9/10 [ [ [ [
AWB/tOLOUR
“a/io T f
METERING
, a — -ram: — omm* «• mmm ut
7/lOj 1 1 1 1
AUTOFOCUS
8/10 | [|
LCD/VIEWFINDER
B/10 1 1
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27 local branches at:
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6
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increasingly advanced, yet
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Templates for
tosnop Elements 11 Software test
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WITH the launch of Photoshop Elements
10 in 201II, Adobe demonstrated that
as well as catering for the consumer,
Elements software can, tn many cases,
also provide the editing and organising
tools that a professional needs. One year
later and Adobe has launched Elements
11 , which introduces further refinements
to what is regarded as the industry-leading
‘consumer' editing tool, In this test, the main
focus is on the new and enhanced features
of version 11 .
ORGANIZER
Like its predecessor, E laments 1 1 is divided
into the two mam sections of Organizer and
Photo Editor. Images need to be imported to
Elements 11 in order to organise and work
on them, just as with Adobe Lightroom. The
processing power of the software ensures
that importing photos, even large raw files,
to the Media folder is rapid. An alias for the
Top: By adding a
date and event to
image files, they
can be located
quickly via the
calendar feature
P
Images can be
labelled by place
and then viewed
as a list or on
Google Maps
►j
Mr (Vi
*r
lif
located by
month or dav
i
original image folder is contained in the
left-hand tool bar, while the user interface
dearer and larger
has been enhanced
icons, making editing tools and images quick
to locate. As well as using the Media tab in
the top toolbar, images can also be searched
by People and now Events and Places.
Like most social-networking sites and
software such as Apple's iPhoto, people can
be tagged in images through the software's
face recognition. After a person has been
tagged once. Elements 11 can scan all the
other photos to suggest that person in other
photos. This speeds up the tagging process
to build up the People folder, although
the function is understandably not always
completely accurate given that people do
not look the same in all the photos they
appear in. I am fairly certain that I do not
look tike my nine-year-old niece, contrary to
what the software suggested at times!
Multiple images can now be labelled
under the same evert and place, for quick
reference. Events is new and works with a
calendar, so images from a particular date
can easily be located by year, month or day.
Once a large image library has been built up,
this is an undeniably handy feature
Equally usefu is Places, which now
uses Google Maps Once the location
information has been selected on the map
and the appropriate images
the location, a pin marker indicates the
mages
been
imported
and orline al bums it is usefu I to see them spread out
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subscribe 0844 848 0848
15 October 2012 w w warn ate u rpbotographerco.u k
Software test
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toshop Elements 11
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or a world map For quick reference,
t h e images can be viewed as a list
rather than the map, as a collection
by country, or more specifically by county
or town Select an image and the pin on
the map turns blue to indicate where the
displayed image was taken, Another quick
viewing tool is the rating system, with the
usual ratings up to five stars.
Shared features with version 10
include some basic editing tools within
Organizer under instant Fix, such as
Sharpen, Levels and Crop. Metadata
can be viewed under Info, while selecting
Editor takes you into the main editing side
of the software, or to Camera Raw and
Premiere Elements, for raw and video
files respectively.
The most significant updates to Elements
11 are here in the Organizer. Although the
new features may be few, the new Events
and Places make the Organizer more
intuitive than ever and its revised interface
is easy to navigate.
CREATE AND SHARE
Within the Organizer is Create and Share
Create, which is also found in the Editor,
offers a number of ways to display pictures,
including photo prints, calendars and
greetings cards through to CD labels and
CD jackets. Adobe has introduced a number
of new templates in the Create menu. For
example, the greetings cards option now has
31 different templates covering a number of
special occasions.
The Share option provides a link to most
of the key social-networking sites and photo
libraries, such as Flickr and Facebook, for
quick uploads. Given that images can be
organised by place or events now, uploading
‘Although the new features may be few,
the new Events and Places make the
Organizer more intuitive than ever*
topical albums of images to these sites
easier than ever.
PHOTO EDITOR
Early versons of Elements offered only
basic editing tools, and they were
a
match for the full Photoshop CS software
and its sophisticated tools. However, that
gap has narrowed with most key tools
now available in Elements.
The mam menus in the top tool bar of
Photo Editor are Expert, Guided and Quick.
As the names suggest, the three options are
each designed to cater for a particular level
of ability. Expert contains many of the in-
depth editing tools found in Photoshop CS,
such as Levels, Healing Brush, Pen and Text.
I particularly like the Text Path tool, which
was introduced in Elements 10 and allows
the user to manually create the direction
Above: Here the
View mode is
selected to'before'
and 'after’, which
is handy to see the
effects of the High
Key Guided effect
Below: The new
Vignette Guided
effect
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13 October 2012
subscribe 0844 848 0848
Adobe Photoshop Elements 11 Software test
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of the text using the Per tool.
For those new to editing, the Quick menu
Contains the key image adjustments on
sliders, including Sharpness, Exposure and
Smart Fix. Guided effects provide a number
of similar adjustments to the Quick menu
on sliders as well, but also a number of
one-dick picture effects. It is here that
most of the improvements from last time
around are found,
New Guided effects include Tilt-and-
Shift, Vignette, High Key and Low Key.
The interface has been enhanced to make
these effects easier to achieve, often with a
three-step guide to achieve the final result.
The Tilt-and-Shift effect is applied by using
the Pen tool to draw a line for the direction
and size of the in-focus area on the picture,
This is a basic method and the resulting
effect is similar to the miniature effect we
see in most digital cameras today. Perfect
Photo Suite’s Focal Point 2 uses a much
more sophisticated method for Tilt-and-
Shift by adjusting the plane of focus for a
true tilt-and-shift effect. Elements
uniform blur without adjusting the
focus, which is not a true tilt-and-shift effect.
All the picture effects use a slider to adjust
the effect's parameters, and in the case of
the new vignette effect the sliders cover
Intensity, Feather and Shape.
What is particularly handy for all the
fresh and existing effects is that the new
image can
under the View option, although this was
available In the last Elements version 10 It
or horizontal alignments. On the whole, I
found the horizontal alignment the best for
quick reference.
Other new filters include Comic, Graphic
and Pen & Ink Illustration filters. Once again,
these effects are not dissimilar to what can
be achieved in many digital cameras. All in
all, I found the number and sophistication
of the new effects and tools in this version
a little underwhelming, and I suspect that
those using Elements 10 will find little in this
area to entice them to this latest offering.
Tilt-and-Shift is a
three-part editing
effect. First add
the effect, second
select the area,
and third adjust the
Blur, Contrast and
Saturation for the
final image
PREMIERE ELEMENTS
Like Photoshop Elements, Premiere
Elements is linked to the Organizer, and
as such it shares a number of the same
improvements, including the introduction
of maps, and the People, Places and Events
folders. There is also a good number of
new effects and adjustments on offer,
along with an enhanced interface with
large icons and sliders to speed up
workflow and editing.
Several filter effects can be added to
the same video clip, such as the Channel
Mixer and Vignette, and the parameters of
all these effects can new be adjusted via
sliders What is particularly useful is the new
time-remapping feature, through which
videos can be slowed down or speeded
up. Video files can now be exported to the
popular video shanng site Vimeo, through
a direct link in the share folder, while 64-
bit Mac OS X is now supported, too, All
in all, there have been many worthwhile
improvements to Premiere Elements 11,
and enough to warrant an upgrade from
the previous version. ap
PHOTOSHOP Elements is
to maintain its
market-leading position through version 11, The software
is as comprehensive as ever, with a sound balance
between consumer-friendly interface and editing, and
the sophisticated toots that are also found in Photoshop
CS However, the changes in the Editor are few, and the
improvements are a tad disappointing. The main reasons
to upgrade are the new map facility and Places and Events
folders in the Organizer. Those _
looking to buy for the first time will
find no other software at this price
speed and comprehensive range
of tools,
Adobe Photoshop Elements 11 and
Adobe Premiere Elements 11 are
available for £79.10 each (£64.81 as
an upgrade! or for £119.14 as a bundle
[£98.16 as a bundle upgrade). Visit
www.adobe.com/uk/products
Minimum system requirements
1GB of RAM or 2GB for HD video
functions; 4G8 of available hard-disk
space; Graphics card with the latest
updated drivers;DVD-ROM drive
(compatible OVD burner required to
burn DVDs and compatible Blu-ray
burner required to burn Blu-ray
discs); DV/i.LINK/FireWire/IEEE 1394
interface to connect a Digital 8 DV
camcorder; QuickTime 7 software;
Internet connection required for
internet-based services; Adobe
Premiere Elements supported
import/export formats include
AVCHD, Blu-ray Disc (export only),
DV-AVl (import/export on Windows,
import only on Mac OS), DVD, Dolby
Digital Stereo. H.264.HDV. MPEG-1
[import only). MPEG-2, MPEG-4,
MP3, QuickTime, Windows Media
(Windows only] and many more.
Microsoft Windows
Pack 3, Windows Media Center,
Windows Vista (all applications run
native on 32-bit operating systems
and in 32-bit compatibility mode on
64-bit operating systems], Windows
7, or Windows 8 (Adobe Premiere
Elements Editor runs native on
32-bit and 64-bit operating systems;
all other applications run native
on 32-hit operating systems and
in 32-bit compatibility mode on
64-bit operating systems); Color
monitor with 16-bit color video card;
1024x763-Di
Microsoft
or 10 compatible
; Windows
Mac OS
64-bit multicore Intel processor;
Mac OS X vl0.6 through v10.8;
1024x768-pixel display resolution
www.am ate u rphotographer.co.u k
subscribe 0844 848 0843
13 October 2012
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DEPTH of field, or more accurately its
control, is one of the most complex and
tricky topics for the advanced photographer,
and yet it is the key to many of the effects
that transcend simple snapshot photography.
The complexity is shown by the basic formula
(below! that describes depth of field: N is
the f-number, f is the focal
length of the lens, s is the
focus distance and c is the
‘circle of confusion’. This
circle of confusion is the
key parameter controlling
depth of field. It represents
the smallest allowable
size a point image may
be rendered at the sensor or,
to put it the other way, the smallest gap
between features that allows them to be
discerned as separate in the final image.
The difficult question is how large a circle
of confusion to allow. A larger one will result
in more depth of field, bur only because
it counts more blurry parts of the image
as ‘in focus'. To be thorough, the choice of
circle of conf usion needs to be based on
the degree of enlargement from the sensor
to the final image size, the viewing distance
and the standards of ’sharpness' applied by
the photographer. Generally, photographers
don't bother with this and use depth of field
tables or calculators, based on default
circle of confusion dimensions.
Fine objects in the near bicycles are spread
too close to the aperture size. Distant
objects (the statue) are very blurred
DEEP OR SHALLOW
Tlie aim of controlling depth of field is to get
a particular photographic effect Shallow
depth of field can pick out a subject against
a blurry background, to give a sense of
location without distracting from the main
subject. Deep depth of field presents a
scene 'all in focus', allowing the eye to roam
and pick out the part of interest to the
viewer. In a sense, with shallow depth of field
the photographer is exerting more control
over what is the intended subject. Neither
is better than the other - it is a question of
preference and style - but the advanced
photographer will know the intended effect
and how to get it, which brings us back to
the formula.
To determine the aperture setting needed
for the shot, the photographer needs to
know not only the range of distances desired
to be m focus’ but also to choose a figure for
the circle of confusion. That figure depends
on the final viewing size, the viewing distance
and the amount of magnification between
the sensor size image and the fi nal image.
In practice, most photographers give up
and use a depth of field calculator that is
pre-programmed with a standard circle of
confusion figure. This is generally the frame
diagonal divided by some arbitrary number
that represents some standard of acceptable
definition Commonly used is the diagonal
divided by 1,500, which for 35mm full frame
The statue is now sharp. Very dose objects
are not noticeably blurrier than when
focused at 6 m
is 0 03mm It is also worth considering what
that means in terms of the commonly used
sharpness measures. A circle of confusion of
0.03mm on full-frame is equivalent to about
420 line pairs per picture height, which as a
lens specification, would not be considered
very sharp.
So, making a decision on the aperture
involves a complex calculation, dependent
on a decision regarding the acceptable
level of detail, taking into account how the
resultant picture will be viewed. Thankfully,
there is an easier way, based on the ideas of
Canadian photographer Harold Merklmger.
MERKLINGER’S IDEA
Merklinger’s idea is devastatingly simple,
Instead of doing the calculations with respect
to the i mage field - that is, the image
projected on the sensor - we do them with
respect to the object field, which is the scene
that you see in front of you. It turns out that
this idea makes depth of field calculations
much simpler and more intuitive. Rather
than having to predetermine the viewing
conditions, you can think in terms of which
features in the scene you want resolved and
which you don't. This one factor makes it so
much simpler to visualise that we can more
or less forget about complex formulae and
use the simple geometry of triangles to work
out what we'll see in the final image.
Figure I shows the circle of confusion
translated from the image field to the
object field Merklinger calls this the disc
of confusion. It represents the smallest
size objec t which we could dist inguish
as a separate entity in the final image.
MANAGING THE
CIRCLE OF CONFUSION
This immediately gives us a much simpler
handle on depth of field management.
Instead of worrying about sensor size and
enlargement factor and size of the circle of
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More detail can be detected on the
dose objects. Distant objects are
still quite blurred
w ww.am atourphotog raphe r.co.u k 13 October 2012
subscribe 0844 843 0843
Controlling depth of field AP explains
confusion, we simply have to visualise which
size objects we reed to see cl early in the
final image. We can judge these by looking
at the scene and making a lew estimates
concerning the size of objects. For instance,
blades of grass are 3-5mm across, so if our
criterion of 'sharpness' is that we wish to
distinguish individual blades of grass, then
we need to aim for a disc of confusion of
less than 3-5mm.
Looking at figure 1, we see that the size
of the di sc of confusion for a giver object of
interest depends on its position in relation to
the point of focus and the camera lens. The
size of the circle of confusion at the point
of focus is zero (although, of course, real
cameras do not have infinite resolving power
as this would imply), while at the lens it is
aperture
is, the focal length divided by the f-number.
In between the size is described by the
'triangle' farmed by the straight ray paths
between the edges of the aperture to the
point of focus, so, mr instance, an object
halfway between the camera and point of
focus will have a disc of confusion half the
size of the aperture.
Figl
The size of the circle of confusion is determined by the straight ray paths running from
the aperture of the lens to the point of focus. In front of the point of focus, it can never
be larger than the aperture. Behind the point of focus it may be considerably larger.
Illustration inspired by Them and ours of focus, by Harold Merklinger
applicable to very close objects. So, 3mm is
small enough to resolve a blade of grass.
Conventional depth of field techniques
approach deep focus by focusing on the
'hyperfocal point' - the distance at which
most of the scene is rendered within the
chosen circle of confusion. Considering figure
1 , we can see that even then the circle of
confusion for distant objects might be rather
large. For landscapes, if the main subject is
distant, a better technique may be to focus
or that distant object and select an aperture
that renders close objects with the required
definition - simply setting the aperture to the
size of object that is desired to be defined.
This technique is also much simpler than the
complex calculations traditionally required to
work out depth of field.
Figure 2 shows the same scene
photographed with a variety of aperture and
focus point choices, so the consequences
of these different choices can be seen,
For those interested in pursuing this topic
further, Harold Merklinger distributes his
excellent book The ins and outs of focus via
www.trenholm org/hmmerk/#TIAOOF.
WHERE TO FOCUS
Behind the point of focus, the size of the
disc of confusion is given by those same ray
lines, continued into the far distance. For
a close point of focus, it can be seen that
the circle of confusion for distant objects
becomes very large indeed, which is why
Close focusing will generally produce very
blurred backgrounds, even with quite small
apertures. By contrast, distant focusing
will produce sharp distant objects, but for
smallish apertures the disc of confusion for
close objects can be quite small. In fact, for
wideangle lenses there is rarely a need for
(-numbers higher than, say, f/8. On a 24mm
lens, f/8 gives an aperture size of 3mm,
which gives the largest disc of confusion,
Detail comparisons between the rendering of the statue at 1/16,6m focus distance
and focused on the statue. The latter retains significantly more detail.
The statue is sharp. Quite fine detail can be
distinguished on the closer objects
m ™ «—
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ijjTTTpfi
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[Hji F; m >F, i j I
The image has the appearance of ‘deep’
depth of field. Close objects larger than
3mm are rendered, distant objects are
quite sharp, but inspection reveals that
the circle of confusion here is quite large
The statue is rendered with more detail
than when focused on 6m, close objects
are quite sharp
subscribe 0844 848 0848
13 October 2012 www.am ateu rphotographer.co.u k
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YEAR
DS100
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E-P3 4 14-42mm 4 40-150mm
£769
E-P3 4 14-15 0mm
£1267
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Canon
EOS 60
Your entry into the
full-frame world*.
The E0S6D Canon combines a
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in any EOS model Wi Fi and GPS
connectivity is also incorporated
NEW! &D Body
NEW! &D + 24-lOSmm
£1799
r
NEW! 60
CVHH1T1
EOS 650 D
cam>ti
EOS SOD
18.0
pneppwels
5.3 1 1>
mcvir- mocfc:
650 D body
6500 + 18-55mm f3.5-5.6 IS II
6500 + 18-55mim f3.5-S6 IS II
+■ 55-250mm IS II
6500 + 18 135mm IS STM
£589
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Full frame
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From £1799
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Usual Price £229 £209
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From
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M
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EOSIVI
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From
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600D Body
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Memory Cards
SaiOisk
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4GB . . £39-95
rgfl fdd a 5,
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White £34 1
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£79
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Flashguns & Macroflash
CellIOII Speedlitfisi
270EX11 32GEX 430EXIf 6G0EX-RT
£05 £166 £205 £574.99
MR-14EX MT-24EX
£459 £749
k kan Speed lights;
SB40O S670D SB91G
£124.99 £229 £344.99
Flashguns:
Rl Clo$e-Up
R1C1
HVL-F58AM
HM.-F43AM
£4 IS
£559
£389
£219
FL-50R NEWFFL-60GR AF540FGZ AF 36CFGZ
£499 £299 £349.99 £249.99
24 AF-1
£S4,9S
Flashguns:
44 AF-1
£119
SO AF-1
£159
53AF-2 15 MS-1
£249 £295.99
SIGMA Fla^hguni:
EF 610 DG ST EF 610 DG Super
£129.99 £209.99
EM-140 DG
Macro Flash
From £314.99
Aftssm Flashguns:
Di46b D 622 41
£74.99 £114,99
Di366MkH lM £lB
£199 £299
£109.99 £6999
Ringflash:
16R Pro
£337.99
Travelleri n Speed Grid Baby Bounce
Softbcm E54 £25 99 Kit £21
Lightspliere Pop-Up Flash
Collapsible Diffuser
£54,99 £20.49
Lightsphere
Universal
PowerSnoot
£57,99
Strobist Filter
Collection £6.99
^westcQtl
Micro Apollo
£24.99
Collapsible
Umbrella Flash Xit
£65
Rogue
Flash&ender
From £23.99
£29 99
PocketBo* Flash PortAbo*
Soft box Kit £45 From £22.99
Folding So ft bos
f rom E 54.99
Ezybos Ezybox Hotsboe
Softbott £44.99 From £70'
S-in-l ilOan
Reflector
£24,99
Combi Boom
£99
TriF lash Kit
From £89,99
Off Camera
flash Cord
From £10.99
Tilthead
£17-99
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Digital SLR Lenses
Canon
40
mm
NEW! EF 40mm
f2.8 STM
£179
C r\ IHM I
NEW!
EF 24mm
f2.8 IS USM
£749
NEW!
NEW!
85mm
NEW!
28-30 Omm
55-300mm
EF-S 18-135mm
EF 24-70mm
fl.4 G
18-300mm
f3.S-5.6 G ED
f4,5-S.6 G
f3.5-5.6 IS STM
f2.8 L USM II
AF-S
f3.5-5.6 lED
AF-S VR
AF-S DX VR
£479
£2299
£1215
AF-S VR £759
£686
£289
CANON LENSES
TS-E 17mm f4.0 L..
EF 24mm f 1.4 I II USM........
EF 24mm f 2.®..
T$*E 24mm ft. 5 III.
EF 2fimm fl.fi USM.
EF 35mm f 1.41 USM.
EF 35mm f2.0.
TS-E 45 mm Q$ .
EF 50mm f 1.21 USM.. P .
EF 50mm fl.4 USM...
IF-5 BOmm f2.fi USM Macro..
MP-E £5mm f2.fl l-5x Macro.
EFfiSmm U.2LII USM.
EF fiSmm. fl.fi USM ..
TS-E 90mmf2.fi...
EF 100mm f2.fi USM Macro.
EF 100mm f2.fi L IS USM Macro
EF 135mm f2.0LUSM.
EF 180mm f3.5 l USM Macro....
EF 200mm f2.fi L USM II.
EF 300mm f2.fi L IS USM II.
EF 300mm f4.0 LIS USM.
EF 400mm f2.6 L IS USM II.
E F 400mm f5.$ L USM.
IF 500mm f4.0L IS USM II..
IF BOOmm f4.0 i 1$ USM II.
IF fiOOmm f5.fi l IS USM.
EF fi-15mm f4.0 L USM Fisfieye -
IF-S 10-22mm f3.5-4.5 USM.
IF-S IS-35mm ffi.S5.fi IS USM..
IF lfi-3Smmf2.fi L USM 11.
EF17-40mmf4.0LUSM.
IF-S 17-55mmf2.fi IS USM..
IF-S 17-35mmf4.D5.fi IS USM..
IF-S lfi-5Sm mffi.S5.fi IS 11.
IF-S Ifi4fi5mmf3.55.6 IS..
IF-S lfi‘2D0mm ffi.55.fi IS..
EF 24-105mm f4.0 L IS USM.
£1957
£1299
£364
£1695
£362.95
£1156.99
£217.90
£1116.95
£1268
£265
£349
£640.95
£1729
£305.65
£1116.95
£434,95
£719
£1239
£5496
£1099
£6865
£1079
£8439
£10999
£9749
£1149
£624
£56?
£1149
£609
£795
£334
£133
£318
£399
£895
EF 23435mm ffi.5-5.fi IS USM. ........... . ........ . .£373.95
EF 23500mm ffi_S5.6 L IS USM .. £2099
EF5 55-2SQmm f4.05.6 IS II..... £203
EF 70-2 00 mm f2.6 L IS USM 11 . £1854.95
EF 70 200mm f4.0 L USM . £495,95
EF 70-fiOOmm f4.0-5.fi IS USM. .. £374.99
IF 70400mm f4.0-5.fi L IS USM . £1149
EF 75-fiQ0mmf4.D-5.fi USM III. .. .......£229
EF 100400mm f4.5-5.fi L «S USM. ....... £1249
NIKON LENSES
ID. 5mm f2.S G IP-IP AF DX iFIsheye
L4mmf2.fi DAE ED.......
ifimm f2.fi D AF Fl$heye ...
20mmf2.fi DAE ...
24mm fl.4 G AF-S ED ...
24mmf2.fi DAE ...
24mm ffi.S D ED POE .
NEW! 28mm f 1.8 G AF-$ ...
2Smmf2.fi DAE .
35mm fl.fi G AF-S OX ..
35mmf2.0 DAE .
45mm f2.S D Pt-E ED Micro ..
50mm fL.4G AF-S..
SOmm fl.4 D AF ...
50mmfL.fi DAE .
5Dmm fl.fi G AF-S.. .
60mm f2.3 G AF-S ED Micro .
fiSmmfL.4 DAE ..
SSmm fl.fi D AF . . , .
fiSmm f2.3 D PC-E Micros .
SSmm ffi.,5 G ED AF-S VR DX Micro..
105mm f2.S G AF-S VR IF ED Micro.
135mm f2.0 D AF DO ...
LfiDmm f2.S D AF IF ED .
2D0mmf4.0AF Micro . . .
300mm f2.fi G ED VR II AF-S .
300mm f4.0iD AF-S IF ED .
400mm f 2.3 G ED VR AF-S -.
£549
£1212,95
..£619
£463
£1494.95
£364 99
£1455
£581
£245
..£150
£1393.90
£289
£244
£119
£164
£404.95
£949
£302.95
£1339
£382.95
..£609.99
£1029
£627.90
..£1182
£4049
. .£ 1029
..£6639
500mm f4.0 ED VRAF-S...
600mm f4.D ED VR AF-S....
10-24mm f 3.5-4.5 G AF-S DX...
12-24mm f4.0 G ED AF-S IF DX.
14 24mm f2.fi G ED AF-S.
16 55mm f4 0 G ED AF-S W-.
16- 85 mm f3.5-S.fi G ED AF-S DX VR ....
17- 55 mm f2.fi G ED DX AF-S IF..
ifi-35mm f3.5 -4.5 D IF ED AF...
IS-5 5 mm f3.5-S.fi G ED AF-S DX II.
IS-SSmm f3.5-S.fi G AF-S DX VR.
lfi-105mm ffi 5-S 6 G ED AF S DX VR...
15 200mm f3.5-5.6 G ED AF-S DX VR II
24 70mm f2.£G ED AF-S...
24-ASmm f2.6-4.0 DAE...
SS-200mm f4-S.fi G ED AF-S DX VR IF.
55-200mm f4.5-S.fi G AF-5 DX.„.
70 200mm f2.fi G ED AF S VR II.
70-300mm f4.5-S.fi G ED AF-S IF VR.
SO-400mm f4.5-S.fi D AF VR..
200 400mm f4 0 G ED AF S Vfi II.
..£5864.99
£7070
..£644.95
£630
..£1309
£632,05
£444 05
£400
£145
£584
£549
£241,90
..£190
£1595
E1239 95
£4945
SIGMA LENSES
30mm fl.4 EX DC .., . ...
50mm f2.fi EX DG Macro ..
SOmm fl.4 EXDGHSM . . .
70mm f2.fi EX DG Macro . . .. .
fl.4 EX. DG HSM. . . . . .
105mm f2.fi APO EX DG 05 HSM Macro
£379
£269
150mm F2.fi EX DG 05 HSM Macro
300mm f2.S EX D .
From..
£799
500mm f4.5 EX DG....
SQOmm fS.fi APO EX DG HSM.
S-16mmf4.5-S.fi DC HSM.
10 20mm f4 0-S.fi EX DC HSM
10-20mm f3.5 EX DC HSM.
12*24mm f4.5-S.fi EX DG HSM II.
17-70mm f2.6 4.0 DC Macro OS HSM
£3769
lfi-SOmm f2.8-4.5 DC OS HSM .
..From...
£150
18-125mm f3.8-S.fi DC OS HSM . .£239
lfi-200mm f3,5-6.3 DC OS HSM ll..... ......£209
lfi-2SOmm. f3,5-6.3 DC OS HSM . £149
NEW! lfi-250mm f1.S-6.3DC Macro OS HSM
....... £499
24-70mm f2 .S IlF EX DG HSM... £599
NEW! SO- 150mm f2.fi EX DC APO OS HSM ..£799
50-200mmf4.0-S.fi DC OS HSM. ..£175
50-SOOmm f4.5-6.3 DG OS HSM....... .....£1249
70-2O0mm f2.8 EX DG OS HSM £899
70-30Dmm f4.0-S.fi APO Macro Super DG
......... From ...£155
70-300mmf4 0-5.fi DG OS...-. £289
l2fr4D0mm f4.5-S.fi DG OS HSM..... From.. .E649
150-500mm fS.O-6.3 DG OS HSM .....From ...£799
EX DG APO Tele Converters,..,....from ...£199
TAiMRON LENSES
with 5 Vea r Warranty
90mm f2.fi SP Dr Macro .. £347.95
IfiOmm f3.S Dl SP AF Macro . £69fi
10- 24mm f3.5-4.5 Dl II ID SP AF AS P IF. £149
l?-50mm f2.8 X R Di II VC ..... £365
18 200mm f3 5 6-3 AF XR Dl 91 ... £174.95
18-2 70mm. f3 5 6.3 Di II VC P2D . £391.95
NEW! 24-70mm F2.fi Di VC USD SP. £995
28- 75mm f2.6XRDi. £149
70-300mm f4-5.6 SP Di, VC USD . . . £298
For more Lenses and Accessories from
Canon, Nikon, Sigma, Sony,
Olympus, Pentax, Panasonic
and Tamron visit our website at
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Digital Compact Cameras
Digital Compact Batteries, Cases and Accessories are available on our website
Canon
NEW! Powers hot GlS
£549
12.1
nregapLK&h
S-Ox
OPflXai KKKTi
lOBOp
|1-’.11 ’ rTlL<>5
PqwerShot SXSO HS
12.1
50-Chc
icon’'
jfwevfe Pi ■(Cldc-
£449
4
12.1
SChc
DFtiC*J HXXTi
m
IO0Op
ih&VHj rlxidO
11 ■,
NEW! PGwerShOt Slid £429
PowerShol A3 200 Aaua or Pink
JilllLLI I I I I.DU.I I I I I I I l.l, BELLI I LJ-1. . . L L L I ^ RP f ^ ^ S' ,1 , . B b . I L £94. 95
PowerShot A4000 NS Pink, 8toe. Silver or Red
JBBBBLLI UJi.I.B.k . II.J.LLI . I NfllB.EII I ■ I JI.BLLI I ^ RP E 11B3EBI I £^ I
PowerShot SX240 HS Pink, Stiver or Stack
.......ll.RRP E299 ..bell,. £199.95
PowcrShot 5X260 MS Red, Grey, Green or Black
linn i i i i ijiiiii in immi i i ijamsi i i i i laiiiu i ^ RP £ 3 2^9 jaiiBie i £.21^ i
PowcrShot 020 Underwater Camera —Silver,
Slue or Yellow,. ......fiRR E349, £259.95
PowerShat G1X ll. .........fiRP E699 . £559
IXUS 115 HS Red r Sloe, Silver, Pink or Green ...£14&
IXUS 240 HS Pink, Slue s Silver, Light Pink ar Block
iimi i i i i iiiiiii ii i iiaibEBii i i i i iiihi i ill ijiiihi ill umii.i i i i.iiiiihi i i i i i £184
IXUS 500 HS Silver, Red r 8lue or Block ... .£184
IXUS 510 HS IVMf or fltoL........ £219.95
_ IG M A
Merrill
DP-2
Optio WG-l Red or Slack
RRP £279.99.... £212
Optio WG-2 GPS Orange
or White
R RP £129,99. £229
NEW! Merrill DP-2
Fovear X3* ?en5onwith a
30mm f2.8 lens„. r L £799
Panasonic
14,1
20 *
optical zoom
LymiK T230 Red r While,
Silver or Slack £239
r
h!
JEW
J
1Z.1
24 x
NEW! Lumitf FZ200 Black £539 Optical KJOfTi
10.1
NEW! Lumix LX7 Black
£449
Lumix FS45 Black, Gold, Red, Silver or Violet .....
Lumix LZ2Q Black or Red. ....
Lumix SZ7 White, Brown or Black .....
NEW! Lumix SZ5 White or Black,.. ...
Lumix fAm Black ....
Lumix 1725 Block or Red..,. ....
Lumix FT4 Stack, Silver, Orange ar Blue.,..,..,..,
NEW! Lumix FZ62 Black,.,,.......,.. ..
tDftti whi e 5toda larcl
£98
£139.95
£139.95
£168
£173
£199
£229
£299
OLYMPUS
Tough TG-1
£289
Sz-14 Red or Silver, Stock .. ,„£t39
SP-720 uz^w or Block .RRP £229,99 --£ 169
SH-25 mr Gold, Red, white or Block
_____RRP t 779.99.... E 139.95
S2-31 M BStlviv or Block .RRP E299.99.... £239
TG-3ZO BiW' Ri'rf .RRP E139.99.... £ 110
TG-62D Blue, White, Pink, Green or Block .£179
TG-32D Blue, Silver, Fed or Block .£219
NEW! XZ-2 Block ... £479
NEW!
P7700
£499
F- jh 1 ip
SAVE
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RRP
Codp!* «io Stack, Red or Dark Silver
RRP £379,99 £294
CotAplx U10 flfticf.. fiRP £179 99 -B.E144
NEW! coolpix L610 Silver, Red or Slack . .£184,95
CocApln Red, Silver, Slue or Slock . .....£119
Caolpix P310 Black ar White ..RRP £279.99 ...E214
Coolpix AW 100 Slack. Orange ar Camouflage
............RRP £279 99 . .£214.95
N EW! Conlpin 56400 Red, Purple, Silver,
Slue or Stock ...... £ 2 29
ia.2
rr^'^iptxi'K
IO.Oh
cphc-aJ imm
Cyber-Shot HX20V
Stmt or Brown £289
I I IJIIIIIII III UIIBIil I III
■■■■■■
III
WX100 White, Silver ar Block. .. £184
HX10V Red, White, Black,, ...... £259,
TX20 Blue or Black. .
HX2QV Brown or Slack
H X200V Red.\ White, Black,,.. ..
RXIGO Block...... .
hfE W /1 R5C1 lack ...,,,l.,............... £,25199^
... £289
Ll I I IJ JB..LLI I £ 364
FIJJ.FII M
1G.Q
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30.0*
Lip*^ KjOfl 1 !
0
SAVE
£130
^ ii r p^i rtiT
ON RRP
Finepix HS30 fKtt
RRP £439-99 £309
12.3
m^apwefs-
AP5-C
iUI* UHTrDf
ffncPix X100
RRP £999.99 0NIV£639
Fire Pi« F66Q £XR Blue. fed. Block or White
irc i i■iiiiirn iiiimirmniiiiin i ■■’■■■■■■n ma P RF £ 2 39 m £172
FinePin Z1Q00 EXR Grem Pyrp/e or White
RRP £749 99 £184
I iiiirki i i i nsaiBBi i i niieir pi i i ■■■■■bi i i i i ■■■■■r 1 1 ■ i 1 lul.” iri iia I
FinePix S13M Block .RRP EZ79 99... £20Z
FirePi. F7TO EXR Black, Fed. Blue or White
rrin HB.irrt. .......Br. .ling,,. Mn.i,...r. . m RRP £ i.ir £216
Fire Pi k X10 ...RRP £529,99.., £339
NEW! FifiePin XF1 eto'C* or Tc?r? __............ £379
FinePix X-Sl EXR.RRP £699.99... £473
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Photo Bags & Rucksacks
Ipwepro
Pro
Messenger
Stale Grey
Pro Messenger:
160 AW.
ISO AW.
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S f-Sl'
f! f S
B S
£159
£169
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to
Manfrotto
m,..j nt> Mori*
Tripods & Heads
to
Mortf potto
Inuyino More
05SXPROB
* 178.5cm
Max Height
* 10cm
Min Height
055 Senes:
055XDB.
055XB.
055XPRGB....
Q55XV__
055CXFR03
Q55CXFR04..
,. £109
,. £114
,. £104.95
,. £194.95
.. £214.95
.. £294.95
Flipside
Stack
■ I m mmmmmmm m i m m i m
Flipside
200 Blue or Black
300 Blue ..
400AW Stock
or Pine Green
S0OAWflftnrt
mm ■ Urf
£64
.... ■ . ■ LvT
Grip DL
Holster
i 3
:31a
£94
£119 95
01
Backpack
OR 465 DL Backpack
RRP £69.95. £49.95
Grip DL Holster
10
12
14
H6 hi
15
I I I IIIILII I I I
I I I I i
I I IJIIIBU I I I
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ill liii
ii 11 in
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.£24.95
£26.95
£29.95
. £29.95
.£44.95
White
■ -#*■ j m 1 i
F-803
Rugged
Wear
Stilie Unica Messenger Bag:
Wtafe., Brown or Biack
V £54
VI I Bin iii iiiiihi.i iii Him i i i i i min .Ea^&4
Stilie Veloce Backpack:
White i drawn or Biack
V £79
VII nil I I I I !■■■■■■ I
Biilingham
Hadley Pro M
Original A
Canvas
Khaki/Ton
I I NIIBBI I I I I I IBBBILI
BBBBI I I I I I IBBBIil
IJIBBI I I I I I IB I
RuggedWear
F-5XB
F-5XZ....
F-6.
F-803.
F-2 .
II J I
B ■
Hill
fl B ■
I I I I IIBBBI I I I I I IBBBI I I I I I IJ I
£89.95
£9995
£104,95
£159,95
£159,95
Hadley: Carivai/L&aih&f:
Khaki/Tan, Bhtk/Tan,
Biadi/Bfack.
I- itareNyte/ Loath&r: Khah/Ton
Sage/Ton, Block/Bhck.
Digital . £105
Small,., . . . £119
Large„,„,„„. „... £145
Prd Original.... . . . £159
ioby Gorilla pods from only £19 - See our website for details!
'^OlOTTOJ
190CXPRO4
* 146cm
Ma* Height
* Bcm
Mir Height
190CXPR04 Carbon Fibre Tripod
+ FREE S04RC2 Head worth
£44 95 £219
LiP I J -P IdBElifclli I BIBMMBi.B ■ . & IBBBBBI I cL .C 1 ^
MILS 3616
* 161cm
Mas Height
* 26.2cm
Min Height
MU Adjustable
9351B■ bb ri ■■■■■■iii
4 MH5Q11 Head.
93G1B
4 MH50(11 Head.
vSSlB 1 HIM !■■■■!
S350B
him i i i min iii
83GH ..in n.n.O.v.. .
S3 BOB H..PFI. iii.iFr. .
S271B ..■ririii.g......
VGRN8225
Max, Height
* 23.1cm
Min Height
I B r
III Ilf
i i i i i i mar
iii in
i i i f
I I UK
Ill'
I I III!
Ill'
£109-95
£139
£179
Vitruvian Series:
VGRNS225 Tripod
+ MH 5 310 630 Ball Head
£209
VGRNS2G5 Tripod
+ IMH5501-652 Ball Head
Expedition
5k Stock
Expedition:
4*.. £94.95
5*.- £109
Gx,,,., £124.95
7x ,,.£154-95
8*. £174
9x ,,,£199
5 Series: tffrnfci/Teinj
Black/Tan, Bkick/Btack.
Fipre-Myte/Leather; Khaki/
Ton, Sage/Tonj Bbck/Bhck.
I I I I I I I I I I I I I I I I I
I I I I I I I I I I I I I I I
IIBIEBI
\mr
445 Stack/Tan, Khaki/Tan,
Stack/Block, Sage
FibreNyte/Tar i_ £2&‘
555 Stack/Tan, Khokt/Ton,
ri l l ■ ■■5HEI!
P
GT1S42 IS
* 146.5cm
Max Height
■ 9.4cm
Min Height
£299-95
llbllli
IIII I I
&X Systematic Series;
GT3S42 L5.£629.95
GT3542 XL5... £699.95
GT4542 L5.,„. £709.95
GT5542 LS„. £614.95
GT5562 GT5. £999.95
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fftl |H
MU
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2x UmbrcHasu 2x. Light Stands,
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400/400 Twin Head ,,£539
Pulsar Radio Trigger
Twin Pack £219,99
BXRi Series
2* FWtdWl Softboxes,
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Transmitter. 2x Mam Leads, Heed
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"250/250Twin Head
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£765
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EBE9
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flash Heads, 2x Stands, lx GGxSQcm
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75cm £32.99
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500Pra Twin Head...,,
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75DPra Twin Head
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Silver Umbrellas, 2x Carry Coses,
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RXBOO Twin Head £1199
RX120Q Twin Heed £1649,99
Back
Light
1 " 1 S'Snoot
£29-99 £66 99
120' Reflector Reflector Kit
£46.99 £111.99
75’ Softlite
£107.99
Light meters
Sekooic ,.—U
L-308S L358
£139 £229.99
Paper
60' Reflector
£135.99
5oftboxes n
£151.99 ■
1
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1.35x11m
1,72x11m
2.72x11m
DigiPro F
£159.99
from
04.99
£43.99
£53.99
90" Reflector
£21.99
60' Reflector Kit
£44.99
Grey £18 99
£299 Support £124.99 30cm £12.99 120cm £74.99
7-in-l Reflector
From £29-99
Range r Quadra
RX Set A £1549
Reflector Kits
Inc Honeycomb
& Diffuser:
42cm £99
Softlite 55cm £129
Reflector 70cm £159
Snoot £i Grid
Set £44.99
Packets j'zard
83cm
Umbrella Set
£20.99
Portafite
66*66cm
Soft box
£100.99
MiniTTl
£149
FlexTTS
£149
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£100. £3.99'* lor orders under £100. Sarturd-aydeiivene*
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COMPATIBLE & ORIGINAL INK
Lexmark Compatibles
N0,1 Gtftout £1 0
N0,2 Cotour £11
No. 3 [Uk* £14
No,16ei*tt £11
No.lTeiacfc £S
No-ZOcetour £12
NoZTgm £11
No Up™ £11
No,32 Blardfc £5
No.IScm £11
No,34b** £11
No.35 CoteLf £12
Canon Compatibles
BCi3e oukh2#t,i £
BCi6 B/&wv im £
SCi6 PC JPVUR& 15irt £
HP Compatibles
No.15
No.21 aiw» ion
No.22 Colour a Ifni
No.45 ftac*4&rt
No,56 S** 24*ri
No,57 CclQtf24n
No.78 GolQj-
No.110 Cote 12ml
N O.30CXL mar* isrrt
N O.3D0XL tote ihitp
No.301XLni^isnn
N o. 301 XL Cote i aw
No.336@Jam IQfrt
No.337 BteZimi
N 0.336 DlnrJi Zlirt
N 0.339 Black 3m
N 0.34 2 cotour i ami
N 0.343 Cote Simi
N 0.344 cote Zitrt
N 0.348 Pf^to Ziml
No.3&0XLoiai^. >;»rd
N 0.351 XL Cote £Qm
N 0.363 0 I*jl 20m<
At Premier Ink Supplies, we stock two types of cartridges for Epson printers - Originals,
which are mad# by Epson, and Compatibles, which are made by a UK company called
jet Tec. Using Jet Tec Compatibles is a way of saving money, without compromising on
the quality of your prints. Here re the results from two irvdependent ink tests that agree,
GLIB Ebr-'M'VVPG'PU 15 N
FGi520 Back
CLi521 W&WYiGv flirt
PGI525 -iick 1 Fmr
CU526 ytri
BCI24 stock flirt
Jet Tec's colours were superb, with single greys and
blacks very close to Epson ...so Jet Tec wins?”
* Total Digital Photography Magazine
W1KKINT
PG37
Lexmark Originals
No,1 Cctour £ J
No.14 Bath C
NoJSCcte £'
NfclTBM £
No-23 #kh £
No.24 Cote £'
No,27 cm £‘
No.2B ate £
No. 29 c*cte £'
No.32 ate £
No. 33 ookxi £j
No.36 Stock £
No. 37 Cute £'
No.43XL Colour £!
N o 44 X L mat* £
No.100 Bte £
No. 1 DO Cvan f Miks «' Yotoiw S
□f ink for the R3D0 printer, but also the best ink in this
group test, period. There’s just no getting away from
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- Computer Upgrade Magazine
Winner
PG510
PG512
CL41<
CLSlc
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Canon Originals
BCi$* Bte gem I
BCi6a/cwY ism
24 m
Ml*rt
Suitable EPSON Printers:
P™ 7*1, 676, 690, 696 MO. STS, T390
PXKfl 79Q. 9J0 flW. B9S SIS
Pvrto 900. T270 T290
Photo 610. 600 .ftUXj. ®i. S3S
Cartridge Code"
TOOTGte
TODS Cute
T009 c*pte
T026Bte
TG27 Cote
T036Gte
TD37 cote
TG40 Bte
T041 Cote
TOSOBte
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TQSZcote
TO S3 c^flte
TD341-T0347 3def7
T0341 m.
TQ34 2/3/4 mi
T03457IV7 mi
T 044VTD454s*rtnM
TO 441 Bite
T0452/3/4. mi
T 04&1 -T&48G $atof 6
Tb4S1^/3(te
T0484/5/6, Mi
T0540-T0S49 sot or b
T 0540 Glou
TO 541/2/3/4 ^
T0547/B/9 Mi
Tp551-T0554s*toM
TO §51 Bite
TO 552/3/4, mi
70591-TO 599 S*u* 0
Originals
£14.93
£16 99
£699
£4.99
£6 99
£5 99
No.364Hte i®rt
N 0.364 m’C.y.'Y uc?
£19.99 ■m.
I21993S4
£42.99 i7r*
£31.99 :i7rrJ
£4.99 31 rNi 3 tor £13,99
£3.99 ZOrpi 3 tor £1 D,99
£4.99 40mi. 3 tor £13,99
£2.99 iflmi. 3 tor £7.99
£2.99 .1 to- E7.99
£3.99 39ml, 3 tof £10,99
£3.99 3 fcr £10,99
dt r Check Web si (e
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£4.99 ?Ini. 3 £13.99
£3,99 Zirrt. 3 to. £10.99
■a £19.99 junt..-- £56.99
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r* £35+99 3 m tor £99.99
£3.99 21ml, 3 tor £13.99
£499 21ml 3 tor El 3.99
E4.99 Jin - : 3 tot £13-99
r* £14.99. 3 vib far £42.99
£4,oa zimi. 3 to^ £10.99
£3.99 2lml. 3 ^ £10.99
ts Check Website,
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m £14 99 3 ids ii/ £42.99
£4.99 Jim. 3 tor £13.99
£3.99 z i mi a r,.r £10.99
r « £14 99, 3 ubi for £42.99
£4.99 13ml 3 fey £13.99
£3.99 13ml 3 tor £10.99
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r h Check Website.
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f o £19,99 3fo' £57.99
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f a Check Website.
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r Pi Check Website.
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m £14.99
£4.99 13ml
£3.99 lOrm
M £16,99 f.*htfff 4
£5.49 16ml
£4 49 13ml
ifl Mcfi of £ 154.99 i*l Df 6
«»ctii or L39 99 trt at l
C L i B zxyvjy 13m
CLiB FLG 1 ini
P GiT Blux 25nri
PGi9 Ciur tfllmt
PGi9 AH cokxjra. Hfnl
PCl29 A lu*hj*v 3i5nrt M
PGI520 B4ack iflrrt
C Ll521 BtVMAffGT flirt
PGS525 back IDm
C Li526 B/C.7JIYX3Y flirt
PG37 11ml
PG40 6etfc iflrrt
No.21 Hkk imi £10.99
N 0.22 Cotour Srwv £ 13.99
No.3B All Coxxirt n*er. £24.99
No.56 Biac* iflm £16.99
No.57 -Cotoui ffrrt £24.99
N o.5B Ptwto i ?m £22 99
No.lDOGny 1&rrt £22 99
N0.110 Coair brt £17.99
No.300Mi4nfl £10 99
No.300 Cofeir 4ml £ 12. 99
No.301 eiKA ani £8 99
No.301 CoburSfii £10.99
No.337 Buck nrrt £16.99
No.33B diaefc urn £17.99
No.339 zirrt £23 99
N 0.343 Colour Tm £16 99
N o 344 Gokxr lloil £26.99
No.350 Bin* i SnH £11.99
NO,351 Colour 3 b/rt £13 99
No.363aMf6mi £12.99
n 0.36 3 mi £6.99
No.364 3bcx Brrt £7. 99
No.364 P5.CAIV 3rrt Mi £6.99
No.90tBiad.4frt £10.99
N0.901 Colour fl*rt £13.99
No,920XLei«ic4Snv £19.99
N O.920XL W ftm e«h £©. 99
NO.940XL & ac^ ^6rrt £23 99
NO.940XL cwv i«rt mi £15.99
Mfiny mom to «ltt6«r
440, 460, 660. Prato 700 7S0.1*00
740, 740. BOO. 650. 660 1160
440, 640. 660, 740. 760 11*0
P*wto TOO. 750
Pnoto*i00
PG510
R30&, ft-isa
Ml Htt 2ft flyfM
PG540 im htii
CL3# Cctour flirt
CL41 Crtour l?n-|
CL51 Cotour 21ml
CL52 Piwto21irt
C L511 Ctitour bin
C LSI 3 Colour i Ivm
CL541 Colour Sm!
EP-1D0 iik 4 Pap*r
KP^t'O^lW Inh 4 Pape*
TTfldC, HM
P?k*o Ri 4tf. RU*>
PX420. RX425. R)
Kodak Original Ink / Paper
E S P i v.- .* s#** 1 a ink £6.99
ESPCotourSoneft ID Ink £12-99
ESP !>.».* s^iotMinii £6 9il
ESP Cotour -Sen@4 30 InN £12.99
ESP iiMCotourT^n Rws* £ 18,99
R2400
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T0597/e^ mi
T0511-T0614 s«t dH 4
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T0612/3/4 eac^
TOT 11 1 -T0714 So. d 4
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TO S01/2/3 m
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T0B7D-TDB79 Set dt a
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TO 077/8/9, Mi
T0961 -TO 969 s«t of a
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T0968 ^7/8/9. Mi
T12S1 -T1264 SritiM
T1 2S1 Black
T1262^3/4
T1291-T12
71 291 Block
T1292/3/4
T1571^
T1S91-9
T5S91-6
Dell Cartridges
Orry rrt/ rod Cornea ri&Je
DX
S?0. S71, SXIMLfffl&T ffyf5 52«i™^Ti!Wfa
5 D74W1®. B40W 3X300
A,! an Pro
i p ocK it* confab
As b PmmmJat Prmfnmr StoKtoitt
** iupp^Y tf* EN T! Rb FVnnsiJfH
FBngfl, IrKSutfiog BaeylB Smoo^
juxJ TphIjpciI Fwm Art w3 Canvu*
9«k^ |» [uv! 4 MltoGEiQfl
nngii-d
Sample Pack h £11.99
NEW Ultra Peart a^g. ai. 25 £12.99
Dig rial Gi o ss or Qy iter ang. (in4.» £7 99
Digital Gloss or Oyster z/tg, im, sc £10.99
Digital Gloss or Oy ster 2 ri« m m £19,99
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Doubls Sided Mali zsog. A4. ioc £26.99
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NEW Fibre Base Distinction 36og jm 2 ^ £25 99
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Photo Glossy Paper JWg. m ae
Smooth Gloss 6 m 4 iod *wi
Smooth Gloss 100
Smooth Gloss A4 25
Smooth Gloss 7»og m. 100
Smooth Gloss 29 ^ as » &»m.i
S mooth Gloss aw? a?^. 25 w
Smooth Pearl 0*4 i-oc siiM
Smooth Pearl 2 SGq 7x5, 10 c
Smooth Pearl 7905 .m .25 *10 fr
S mooth Pearl ?903 A4 100
Smooth Pearl AS. 25
Smooth Pearl 2909 . A3+, 2 * tr+m
Smooth Fine Art ho sumw
Smooth H/weighi Matt aa
S mooth Lustre Dyo?aop,AA,25i
Gold Fibre Silk siflg .M » vw*
tCC pioftios jMp«* A x mti i
£7.99
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0399
£10.99
05 99
07,99
09 99
£17,99
0399
£19 99
£35,99
07 99
09 99
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£12-99
£44 99
SffQCMViaSieWH'.
NEW
NEW
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find (r« for yourprlnevr,
EPSON Stylus Pro 3840
TS8Q J \ / 5602/58 D3L r 5B04/5€
EPSON Stylus Pro 490D
EPSON Stylus Pro
£49,99
£74,99
T5441/5442/5443/5
EPSON Stylus Pro
229ml each
Pigment FrnncRy SlIUti wx\ m vj
figment Fncxidly Matt Dlhd ao:i i.c
NT Natural Tudiaed! 31
NST Nirtural Soft Textured j 1 A4.2D
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NEW Ratlnuri Baryte3D0g,A4. 2 D
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LCDOOgm
LC900OWV
£3.99
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£11.99
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C2.99
LC970/ 1000 Sfrierf 4
£11.99
LC980/ 1100B**
£3.99
LC980 / 1100 cavy
£2.99
LC960 /1100s? of*
£11.99
LC985niao*
£3.99
LC9G5c:wv
£2.99
LC985 Sot of 4
£11.99
BrorAvr arrgtnmiw mime m ntack!
EtfibJitM m 156 *. tifl !
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1 riNIAfl' SrtShe-Pel img*(tow
n<i>fllnt>4 it Ptwniif Ifik.l
Sample Pack
m
£9 99
Albrecht Durer^iop. aa ,25
£2299
German Etching mqb M,25«nM
£27 99
Bamboo A4 ,25 ihM
£27.99
Sugar Cana Wq.aa, 25 iM*
£24 99
Photo Rag 308 306g. m, 25 ihM
£29 99
Photo Rag Pearl 320 ^.aa. 25*hwrt
£32 99
Photo Rag Satinstoe.M, Z5*hM
£32.99
Photo Rag Baryta 3i5g.A4.25 i^m
£34 99
Fine Art Peart 2 S 5 « A 4 , zs *****
£32.99
Fine Art Baryta 325g, m 25 sum
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£3299
Orders are shipped promptly by Royal Mail 1st class post, for which we charge just £1.99 per
order. Alt prices include VAT, and a full VAT receipt is provided with every order. Payment
accepted by credit/debit card, cheque or postal order. Orders; accepted securely online,
www.premier-ink.co.uk, over the telephone, 01926 339977, by post, or by visiting our shop:
Premier ink & Photographic, Longfield Road, Sydenham Ind Estate. Leamington Spa, CV31 1
01926 339977
premier
Winners af the Amateur Photographer 2011 GOLD ‘Good Service A ward
LOWER
Camera Batteries
P-Type Filter System
KOOI)
Japanese Optical Gtass Fitters
t?d to reduce tens ft arti and reflections
consuls erf Ihrse Mrtg,'
it An edoptor ring LJi-it senra? OTtO ifl
2) A lillor Toldgir C-'
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BSflMflS, mdto aDwrtt tftnuio
that can cajw photo* to dpp?:
46mn uviHfcre
S2mtn uvihmb
55mm uvjh*»
5Bmm UVIHan
62mm UVI Hire
67mm uyjh*zb
72mm uv^h**®
77mm uvih*w
62mm uvih««
66mm UVJHaza
Circular Pols rising Fi her*
These re r Twi legations kum tirtece
such at gloss end nr. eai wed ■■
r crassi g orotrssl and satura:on.
46mmc-xuj« £1&J
S2mm Cwaiw Pcisi^ng Cl 0,1
S&mm Pultiryni^ £21,'
S6fflfnt>nJlftrP!jl«ri=na £24
62mm OoUo* p^u^ £29,!
67mm Pdianzjrig £34.'
72mm Oajto* £39J
77mm C»T3Ular Potar^rpg £44,!
62m m Cm**** PoksiFv £4#J
96mm OoJar potato £6$
fcHT.ene*i oom«-*fdi a 2
NB'lLiof Canon
NB-2ULH bream
P-Typc Filters (84mm wide)
Circular Polarizing E2it9
Infra Red AT? £29.99
£9,99
£9.99
£11 99
£11.99
£11 99
£11,99
£11.99
£11.99
£11.99
£11.99
£11.99
£11.99
£1199
£11.99
£11.99
£11.99
£11.99
£11.99
£11.99
£11.99
£11.99
£9.99
£9.99
£9.99
£9.99
£12.99
£12.99
£12.99
£12.99
£12.99
£12.99
£9.99
£9.99
£9.99
£9.99
£9.99
£9.99
P-Type Adapter Rings
49mm AMor Ring £
52mm AdacrtwRinfl £
55mm Adapter Ring £
56mm Adapter Ring £
62mm Adaiav Ring £
67miTI AefcaDforRIrig £
72mm Adapter Ring £
77mm AikirfarRing £
02mm AM* Ring £
Sa/rfis*
Blue
14 : SMB/s
£6 99
£6.99
£7.99
£1.99
£9.99
£10.99
£11.99
£14.99
£1799
£22.99
N64LjbrCfehon
NB’SL^rCaran
NB-6L for emon
NBTL fty Canon
NB-8L for ca rv on
NB~9L for Canon
BP-511 lord®
LP-E5 lor Croon
2GB
4GB tAiivi
6GB sub*
1660 *m&*
Sandtsk
C6: 30MB/S
Holders
LP-E8 lor Croon
LP-El C torCroofi
NP40frFug'
NP45 fofFoj-
NP50 tof Flip
NP60 kF f IrH
NP80 for F«4N
NP95 fr Fuji
NP 140 frr F.J
NPI&OtorfL*
MP200 tor h*nc«a
N P400 for Unofla
EM-ELI t-y N Icon
EN-EL2 fee tttwi
EN-EL3F3A forNfcon
EN-EL3E fcff N mrm
EN -E L5 for N *on
E N-EL9 tor N*t¥i
EN-EL10 hr N>ko>ri
EN-EL11 torNUrani
EN^ELISferWuH
EN-EL14 far Mikon
EM-ELI 5 for K.kon
EN-EL19fctf NiAon
LJ10B/12B tor Qtppu»
L 40B/42B for Ch^fous
U50B tor Otyvnpus
BLW'1 tor Qt^TOif
BLS-1 fore *rnva
CGA-S005 for Psi-i#ttJiT<
CGR-S096 for P*wMrt<
CGA-SQ07 for
BCF10E (V3Jfcf Panascmi
0CG1OE {V3| fof PtrtA^i
BLB13 fv?}for Rework
6MB9 ,'3}for Faru*ortt
D-LI8 for P«mei
D-LI50 tor
SLJM-1I37D toff Sensing
SLM-1674 for Sa wurto
BG1 toff s vrf
MP -FM500H tor Scxvy
NP FHSOftf Sony
NP-FW50^sovy
Light Sunset
Bark Suns at
4GB MMft-p
GGB
46GB 30MR
Holder stroarodi
Holder W da Angle
Hood Mwuw
Hood Belfowfi
A to P Typo An**
SkyMgtrf Filters
t w Ifftpf. hit -til ■ cfotoih Ifoge
yem« wwm|h fo ywr phofosi
£7.99
toyigni £899
£9,99
£10.99
jjtyfeaN £11.99
£18.99
£16 93
Neutral Density Flfters
u«w; rodLrfpe tha jmtjurl i:f rightp**& rtg
ifirwgh ITi« fwdycMig H^tfor igr pl
Sandisk
Extreme
CIO: 30&45MB/&
SpftoP);
£1199
£12.99
£14.99
£17.99
52mm hch t
55mm hem t
58mm hqa t
62 m m up* i
07mm hz h !
72mm hCh/
77mm uzh i
Light Rod Gnuij.-
Bark Red CradLiated
Light Green Qnekdti
Bark Groan Graduate
Light Yellow Gwkjja
D a rk Yellow tirxtoa-i
Light Fog
Strong Fog
Light Diffuser
Strong Diffuser
4x Starburst
6x Starburst
8x Starbumt
Close Up +1
Close-Up +2
Close-Up M
00A, BOB, 80C Moh
61A P 61B, 81C r m>
82A. 92B, 62C.«dn
6 5A, B5B, B5C «di
Red, Orange
Yellow, Green, eacr
4GB VAIIfl.
®GB MMfcLt
16GB i5M^i
32GB-WL:
Sandisk
Ck»e Up Filter Set*
30MB/s
Neutral
nsity Filter Kit
Starhurst Fillers
i arid 9 mmartto xfor enjm
llghc lauittis, nut* as tut
I fo giva « si j-rt P 7 f tocu
?nd +* dopLsrs lncf*«
abk^ of IN) vm
52mmCiuU'UpSM
55mm ctow j P 5^
50 m m Clo*HJp $«
4GB j
8GB a
16GB
cwnRTCSii 99
Sandisk
52mm
50mm
67mm
72mm
n*.f. g, *tc* £ 15.^5
rtwit M*tH MQh £21,9S
rtanl rifts, each £27,99
in x r&eJt toewrt 4fl fo B7mfnr
40460We/s
Lens Converters
to*# tor cpnyvrtHO your hjl tofts fo •:
7 OS Mpruito ? olX wtotorogfo m.
52mm a.ox & oa ovww E35-&9
55mm 2 ox »£j ut «r™nn*r £37 99
58mm 2 ox ^ o sx £39-99
6GB &>ML i
ISGBfleiMH-t
32GB eoii!& -
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MD + «1nr§ *nd
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ire udR-> all tha
VfVQlYDu rtMC
uns: U.HD2
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JiKhrtffnir rnuW-imflfi, fog,
«pAf-^fto, rW, a rang-*. |w/h>* 41
grto«n filters m * Tange of sizes
Gr«du4l»d Flllsr. Ik P-
1 i P-Type AdairTw Ring
We also stock Z-Pro (100mm) and A-Type
filters, holders and adapter Pngs
Light Craft
Workshop
Fitters
■ by *Unpty mtodng
rfo flltom. tte *mcmr
Compact Flash: 40OX
6 G B ftfiMB-'i EWft46£29
16GB noiAt X304^5£54,
Compact Flash: 60OX
8GB MM&ti £4?f33£43.
16GB kw. £»FOT £77.
Compact Flash: 1000X
16GB isouBM X37M0 £109
32GB isowi £5«fc56 £1fi>.
SDHC Class 10: 40OX
eGBsovai £4^T3£14.
16 GBslims* £248rtT£22,
SDHC Class 10: 8O0X
16GB wMSt £*S0^3 £27.
32GB 90 MS 1 029:T9£6 r J
£9,99
£1299
£999
£12 99
£19,99
£19,99
£19-99
£2499
Screw-Fit Lens Hoods
52mmshif«iPttoH«a £<
55mm fw Hfono £t
50 m m STu^His Pnu hfo^t £<
fi2mm5J#WP*iiiH«a £'
67mm ShifiM Ptetii hm £'j
7 2 m m shnwi Pm# tend £!
77rnm5hfoMPtniHd3d £*
82mm £1
46mm Rubtfor ifood £:
52mm RumrHdod £i
5 5 mm ftubbw hood £i
58mm Hm *Hood £J
62 mm UtnrHWd £^
67mm ^ubwr Hood £J
72mm Py£foer Hood £i
77mm ^uooof Hood £i
Bayonet-Fit Lens Hoods
outer slueet roourrud in on inc
(Trtfttrifl fr-v^ci The Fdm Uk
5®mm
67mm
72mm
77mm
Ifw fihu^ioei oi vigoafinfl
wrilfi uftn-tnin
Geriu/fie UghtCrriMNorisshop fitters * bewam of tmmHatronst
Canon, tattoo A*fo Sony ton
ES-62 c«rtoft Sffi .&
ES -71II CaW SCI 4
ET-M CWf vfk 6
ET-65B C* non TMQOfto® G
ET-67 cew iqcuz.b wiwo
ET-6TB Canon mw a
Step-Up and Step-Down Rings
do r i3 rthiM am usod to “iIsp-ud" or “stop-dc
Comped Flash
BGBuMBh E5SL99-E29 99
16GB Gowb fMWff £49 99
SO Cards
2GB £MF£3.99
4GB c»m id £1MB£5,50
BGBcmmio £7.99
16GB id £14.99
USB Ren Drives
4GB*™-* E4M9 £4.19
0GB £5.99
KG9i,^h £M«ni159
34-37mm 52-55mm 56-55mm 67-62mm
37-43mm 52^6mm 56-62mm 67-77mm
43-46iru7i 55-52rrm 58-67mm 72-E7mm
46-49mm 55-5Smm 62-67mm 72-77mm
4M2mm 50-52mm 62-72mm 77-72mm
All ]u&t £4.99 each?
EW-T3B cwu* l r-sii i£
EW-76BII Canon 2Q las IE
EW-78D Cmn 1 b-zod IS
EW-78E Canon 1*0*1$
EW-83E Caron 1 0
EW-83J Croon 17-55T2.B
HB-25 HAro 2445, 34-120
HB-37 K kon 5* 200 VR
HB-15 h*£Mi iB 55 vtt
SH’O06 Sony ie?aa£*.fl
SH-105 Sony ifrWS-i-*a
Lens Ceps
SOirtni, 37mm. 40mm. 43mm
46mm. 49mm, 52mm, 55mm
58mm. 62mm. 67mm. 72mm
77 mm, 82mm, 86mm. 95mm
£3 99 oach
We also s took a range of
body caps and roar tans
caps for Canon, Mkon.
Qfympus, Sony, Pontax, etc
Extension Tubes
Sot d 3 tutns "hoy gooftan no optica,
ihoy airnptg mcKto ff» \Gnt fotew towm chn
liamora oody. aftowtw dtowr focusing
Aulotocua bXofi in Croon. N:>on
ir i! Sor v 11 ‘ ngi t k v j.il I *:r*i :■ m
avstoblo ir Pr l « * and Olympus totr-^s.
Manual Focus Tubes £17.99
Auiofocus Tubes £134.99
Ravening Rings - £12.99
Thau 111 \q fta carocfA body, b*-:*to¥i tfi©
djunora and Iona, foaming a sora^ Pvaed
Id enable the reverse ira^lng of iensoa.
A *.ty of obtd* a hut taorodveflon ratio.
AlfchWfl ctf/e to Maarp ptiolography.
Canon: 52. 55. 58. 62. 67mm
Nikon: 52. 55, 58. 62, fi 7mm
Pentax K: 52. 55, 58. 82, 67mm
Olympus: 52. 55. 58. 62. 67mm
Sony: 52. 55, 58, 62, 67mm
Universal Charger
h* MEW Hfrhnrt urrftel
Standard Rechergaables
gri-powerM-MH -TEdiHfgeab*e M and
UVA baner«f - all tOU hi of 4.
AA 10QCVnAA Durw>li £6,99
£6 99
Twin AxteNorm*!
Twin Axit ScnvH
Triple AxiSN^rn
Triple Axis Sonyi
Bubble Spirit Levels
LFton
Extension Bui lows
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w extortion lutws. they
arikn* f»na conrroi mv
i tocuafog tfiKiarcu Won.
KV^ Canon rod Periax: Hi
i 1 £49.99
Coupling Rings -£11 99
Usad e eTtocti two ^sers tMffDher v-a i
Dedicated Charger
ReCyho-+ Reehatgeables
52-52mm, 52-55mm. 52-50 mm
55-55mm, 55-58mm. 58-58mm
rnoet oamore
caby?. piufl II
Viewfinders
Of Alltfllirl* a -d Nh.\b *
tteffo* Th#ytOm*pfl
V% flfiriolr «iiarpa afto
T2 Mounts -£12.99
Canon, Nikon. Sony. CHy. F
■fjlifig
(to ilk.-diA*
WW'fK&jf wnWh
CR123A t ^ijuum la
C R2 | r*~-Jsjr*r . thii^n t
2CR5 EMtVfr Jthsfl
CRV3 Swgiia Ltf-fcjrr
LR44
CR2025, CR2032
Full rlhdi erf coin c
AA /«CmAh iTOhmrot :+l
Cleaning
Ultimate Lithium
tfgl hw UHimala LnhJum:
L longesl laitong AA rod
^ baTioriaa m ite *onai
LenePen Drloinal CM*m «p«q j»n -
LensPen DSLR Pro Kit Onto. Pm. f
Spudz 0x6 Wi«ha£ito rrtforunbTi Cfoth W \h
(Xulh
Mcri.+'re
•rotei'.vay cto £4J9
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Transcend
CV31 1X3
E^OE, Prtoesi may be subject \o change, but hopefully not?
We are a small, family owned and run company, specialising in photographic
consumables - and proud winners of the 2011 Good Service Award. We are located
In Leamington Spa. In the heart of Warwickshire - if you are passing, please pop
into our shop, and meet Cooper - our new office dogl To find out more about
us {or Cooper) you can also find us on www.facebook.com/premierink
01926 339977
premier
Nissin
V/NGLL43D
Official UK ThinfcTank stockist
Vanguard UP4?lse
Messengers
I A r<r* &
■k nrujv.phv# iticuUir
Vanguard Outlaw?
Pro Zooms ton
A rwq# of taty
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m ti Ipw i yw'nj m
fr* imrt^ d-^ity of tt»* TT»
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Eft V$U W4. » S’ r npfy wish n
why npt W5it OUT Ihcwrwm in Lrtn--
r* t>rA pn» tbf *ny etter LDt ikh^ai.
Nissfn 01966 Speed]lie
NEW
METZ
RANGE
Metz 24AF-1
Metz 38 AM
Metz 44 AF 4
Metz 50 AF-1
Metz 58 AF-2
Retrospective
Digital Hoi tier
- 50 V2.0
ShngO-Mallc
k 20
boTO* h&de r a-nd
Outlaws 16Z
Qullzaw 17Z
£49,M
£5999
beg to ire**** or iwt*** n ■i7* r
UP-Rise 29 Messenger £59,99
UP-Rise 33 Mcsscogor £63.93
UF-Rfee38Menem* £79 99
Vanguard Adaptor
£12800
£126,00
Airport intematkjrrai
V2.0
Urban Disguise
. 50 V 2 .0
Vanguard UP-Rise
Range __
Streetwalker
Nissin Di622 Mkll
n. mtagfiiitod u
muHipM *com
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Adaptor 41
Adaptor 46
Adaptor 49
ItSDlDO*
DUffrOf* 4 pnigte
UP-Rise 14Z
UP-Rise 15Z
UP*Rise 34 i
UP-Rise 43 J
UP-Rise 45 E
UP-RiM 46 E
UP-Ris« 48 E
SUN STSfinfl
BIIN 47 SJnig
BlINMBe^
BUN 99^
HBraider 28
H eralder 33
Billing ham
IrrSjtftM -ntAirtfHl
livjs fer r -/ », 12
er.72»id77m«ii
d-J^rirn injrntrtq
NLssirt Oi46B Spcoolite
Authorised Blllingham Specialist Centra
n/a 151 r ivnge c/ fanj-nBoe. cameri mc; am newer dafi-ay if* cu¬
rled thowrtxxti In Lnvnr^kjA Sfii V you r« araiawlng invcstSTfl ln *
jmer? bag lha; w4 prettret ytxr aquprricr! far many y*ara to wa
(irnmand tm-hand w™p#CBort oT fw Blfciraohom timg& - only ih*r can
nwcnctiln/ wfEti' #noaaipncv uni wtvniaD Id (fetaii 5 m itjiiy apprKvtvd
Vanguard
TTL Flash Cord
TTL Flash Cord
e Hadley Pro
id oib 'ha Hadtvy
rml. th$ H*dJ*y Ptt>
iro« nurhtar af
The 5 Sedas
:he world mtr, t™ '&
Expedition Backpack
Velocity Sling
A jntq jh des-qn of sJing
■: .*ck. that cfwnft iway
fcixn yoyrttotfy tar wan
i w Bccth4 | o yrxir ^aarl
mm
(hCiudthgi # csnylng
Billing ham 225
Billing ham 335
B illing ham 445
Billing ham 555
s r*n #nd alack
Hadley Pro
Bounce Flash Diffusor
Velocity 6K
Velocity TK
Velocity 0X
Velocity 9X
Velocity tOX
gl ynur-A^h p,n.
More Billing ha m Bags
ft Btilingham 12 8 £148.50
N Biliingham fl.4 £166.50
f Hadley Digital £106.00
i Packmgton £238.50
Classic 550 £504 00
»*rn^ » »npi oft'* rw*gm
Canon 2FD£X f 380EX 1 420EX f jWF ™*
Ca n on 43H€X / 4 3C fcXil - l 650EX
Ci non SftQF X .- &B0FXM
Nihon SSfiDQ V SSflCD / SJ09OO n Q£
Nikon 3B24 t &B25 i SB26 I SB28 ^ c. I li.a^
&ony: HVL F42AM / HVL-F&flAN. M«lz; 4BAFt / 6BAFf
Nissin: Di466 V Ot622 7OiS66, Pentair AF-540F GZ
07 Rango
Modular Accessory System
Th* patantfed Tjh-! M«Ma f A£CW&r
Sj. vion (WAS) ill c-h s ptioografinoni so
*gpler aeemi'iVB to
9^wd[tiOh«l CAnvuft
Avdilat4a it Khafu >j
Bill Ing ham Accessories
Superflex Inserts (all) £14.40
SP40/50Shoulder Psds £24.30
Triixxj Straps £17.10
Inverted Dome Pro Flash Diffuser Set
r«na * dw vln^ tul #n flrrtrt fi* tw«g N
Pack
nmrt [or.ni-t* «■ fr-r |,n *■->. ■ It* >hI*i w-.-.- !ir»j phcflDi.n; fwi
Supp'ns w*n Hpn* grvmg « M of rutyf*
OWf. Of ■^fiTMjp bnai 4v-alnb« tn tejr isi
S-Lce 1 i 62-B5 x 3942mm Nfcir seteo, smog
SLz» 2; 64-68 e 35-3Smmc«wi4JorK intx oc
- SUq 1: 6A-72 k 46«t9fraii Hm ssjg, it. a, t4c
US? Six*+: 73-77 x ^64Sflnm cjft» ssoo. 5®tx. ik
and f-Cc
Speed Peck 75 £62 99
Speed Peck 85 £82-99
£69.99
■fl (Jx 22-6 K 16 SQfTi
23 5 k tft.fi x TSticm
N1 -20 £04.99
** il k 23 i k ie6cm
Otan«ntkHniflj 31. j i S C sc ra Ccm
Twin Master
IV* enty.
SEKONIC
Kat« 3N1-30
£99.99
Xi.& x 33.6 si 19 Ocm
32 5’K24 5x TSOcm
L758DR
Digital Master
L398A
Deluxe III
Kata 3N 1*33 £119.99
? a-ini j J-wcrhr^ 3NT-30,1h# w# 3IN1-33
i^i tealSij:*^ ?he moat bfl.no a 15'
Kata 3N1*Tr(pod
Holder £16.99
Fcr --TIL .1 3 N1 bBQfi
L308S FlashMete
ColerRight PRO
Flash Right
4f/ J NOVfO - Kata DPS Digital Rucksack
TIk Xaia QP5 Dot- KuiJksack giv«^ lop -eve- In
f#o DSiRa w4i m ourn ed ta miw, 34 brcki kinsa^ ■ n***-, i
wbC Pi your per 1 son a r*«m The ilicNlucS can db oonvadsac?
■i'om a camwi aag anto a da^padt when rx» ihoofH^i by
namaviro iMi pad^ad bexto^ caowi ¥vurt Whan nn*d at a
oamera bag, the nu in farnparlmeri wi ho4d your DSLB bi a
top grip poaitlm whle ba nuddaf dMcwrt tysrern. iipnbi
oftguniioa and prcMads ytuf .o-iwi, fkaiiwnd cure'
sc^EKjn®. There -s an mdudod min cover when fclda rwai
■wary, mo an v^onomk dual baft and balarcing w a la-1 tint
*ct majHiufi ccmfol while faniocrjng your gear
OR4651 E 64.99 DR4661 £72.99
L35H Flash Master
RT-32 HMto ktafci* £09.99
Grey Card £27.99
Profile Targgt SEPTS £129.99
Westcott ApollOB and Halos
Wostcott Umbrellas
in «ny «tande4 arVFrn
Mini Apollo
28" Apollo
45” Halo
DR-467J £79.99
43" UmbfGlIa
Umbrella
43 rt Um brella w* i £21J9
YONGNUO
DC Shoulder Bags
A refuge of i«i€r5l a^i. yet
■ufprtffeiglv nxvwy and
bk ^rNLpaddec sAdukry
OLIO one Hi
OLtlGnpm
0Ll4Gnp Ht
0L1B Grip Hi
□ LIS Grip Hi
PL14tc(Mt
PocketWfzard
Th* NEW Plus III
Vongnuo CTR-301P
Westcod 2fl J ‘ Apollo
Flash Kit k
Weslcotl 54n-f
Reflector Kit s
ifioudinai , *n*ct^ /
tjo* I J- r
i rj-Hjp
»-■] .UM mr, i H
West colt Umbrella
Flash Kit w
Pocket Wizard
TT1 A TT5
m wjrtcTi hiding m
Receiver & Transmitter £27.99
Extra Receivers £18,99
DC-435 £29.99
DC-437 £32.99
DC-439 £36.99
DC-441 £39.99
DC-443 £42.99
DC-445 £49.99
insertrolley
DL210 9vrTibMM
PL220 □ jirbMMe I
PL74Fiy6y Rwiing
PL76 FlytJy Rt*mq
£129 99
AC3 Zom Controller £49 . 99
TT1 Mini Transmitter £179.99
TT5 Flex Transceiver £199 99
1KTTS.13I.TT1
2xTT5. IxTTl Jg9OTTf£469
2x TT5 fmM £329
Yongnuo RF-602
P-'Jb^LU n <J -i^flifi rK*L
Lastoltte Flashgun
TiltHeads
Lastolite
iox Hotahoo
wvmpvm fQf yw
Entira Kata rang^e avatlablel
Tl ItHead For Sngc FLjtshgun £l 6,99
Tin Head Um troll* K it £ 99.99
a Elements
Covers
Think Tank
Hydrophobia
Tha JiT-fia
Op Tech Rain sleeve
LMqu* vy+fmtm bMning
And df*wttfVia k>n»
Yongnuo RF-603
AiifwIXmqfKi
Colour Balance and
Exposure Control
Hehnel Combi TF
ihi-rr- nlrmiwi JifY: . 11^1 '■j Jl jmf
IriM. 2 iC»li. 1 Mfcn run
4 I- X¥«Ntlpq V <^rw
NMD* OjffTM 9*14
Receiver ^ Transmitter £49.99
Extra Receivers £34.99
*f wMhOut a
MTQun* 2 pvpfdt
Standard £5-99
Flash £7,99
Pair pf Transceivers £31.99
EzyBaUnce
70-200 £109,00
70-200 Flash £114.00
300-600 £118.00
^e Erw
every
it&t battertes
stz Flashgun
with *v*ry
K
wm
JW
V
L.
■
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r a.
1
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EiOE. Prices may be subject to change, but hopefully no!!
Premier Ink & PhqtPQfWlfe Lor^field Road. Leamington Spa. CV31 1XB .01926 339977
Orders are shipped promptly by Royal Mail 1st class post, for which we charge just £1.99 per
order. All prices include VAT, and a full VAT receipt is provided with every order. Payment
accepted by credit/debit card, cheque or postal order Orders accepted securely online,
www.premier-ink.co.uk, over tfie telephone, 01926 339977, by post, or by visiting our shop:
Premier Ink & Photographic, Longfietd Road, Sydenham Ind Estate p Leamington Spa, CV31 1
01926 339977 www.premter-ink.co.uk
WtftfMfS
Semoe Award
The world's fastest camera straps
Camera Straps
KS A Osh* £64.99 V Cl f
RS-S Car^o £64.99 A g Mi
RS-Tc^va £59.99 , A. 1, f i/BB
RSW1 Wlanwn e59.99 it/ \ p / 'fid I
RS-5PORT £59. / Pg 1 JMMi
RS-DR1 OotMm £119.99 if \ I
3-ln-l Strap* & Bags '.J T"-
SnapRdOsmai £29.99
SnapR 26 Meour> £39.99 ^ __ .... _
Snap R-3 5 Lirg* C 44.99 RS-7 RS-W1 Snapi
SUN SNIPER
Camera Straps
i 3*g strip £39.99
ELSifig Strap £49.99
> Stw i &«* £59,99
I Dual hof4se £99.99
I Trttfl HinnH £1 69.99
Vanguard
Aita + 263 A P
Manfrotto
Compact
Tripod Kit
MANFROTTO PRO TRIPODS
VANGUARD PRO TRIPODS
190XPRO6
OSSXPROS Tripod
jM a u t rt km leg*. a^nwan
AltaPRO 263AT Trpod
AJj-'Piym i socton lees Ti.. l.
rjr, Dnp MACC Ml *1 Ar^lr Cr r^Cn.
WeigM. 2.00kg ^
Lond 7.0hg jfl
FoWod. 03cm /I
Heigh- 16SCm I I y 4 /J
£129.99 I
Alta PRO 264AT Tripod
AXiHiiiijm 4HNSO0H ^fli, r^CTi^i *P
World's jbesf-se///ng S/./7 straps
am ora use q uick rsksau DQmodgrQ, allowing Jjrtt
i be refiKJWd from Ehe canwa wsirot.it up threading
¥rig| straps, nack strops and sling straps’
ora Straps System Connector?
a £11.99 Adapt its ,*) £4.99
tap £16,99 Extension? ft) £6,99
a&sic £19.99 UniLOOp( 2 j £i,99
i;« £17.99 ProLoop(2| £9.99
i Strap £19.39 Lens Sudd art rai £9,99 A
OPftoch
WwjfiL 1 ?5kg
Load 5.11kg
Fcrfdod- $7e-rr>
HingTit: 146011
£99.99
WdiflhL a.+Ok-y
Lead: 7 Okg
Folded 65cm
i feign 17Bem
£114.99
We*M; 2 iOka
Load 7 dkg
Fc*M
Heghri 155cm
£139 99
wrist St:
Classic
I90CXPRG3
1MCXPR04
05SCXPRO3
055CXPRO4
283CT
PRO 264CT
PRO 253GT
QttQ
Wiaighl I.GShtj
Load B Okg
Fodec 65cm
He+gfrl 175cm
£232.9#
'r^T MAG£ E i * JTfl
Weight 157hg
Load 7 Okg
Wertir 1
UjST 7-0
FqWk 6
Load 9 Okg
Fended Sicfs
Hfignt 170cm
£246.99
Load B Okg
Folded: 64cm,
Height. 170cm
£249.99
Load 9,0kg
Folded 53cm
H« ght 100cm
Poised 50 cm
HdgM 146cn
£212.99
H«ghil. 146cm
£204 99
Hftghi
165cm
VANGUARD PRO MONOPODS
MANFROTTO PRO MONOPODS
From hip to hand in a flash
AP324 Me nopod
k-.ii“ • k-KurArv '-*yf
Weight. 0.69kg
Load: 10.0kg A
f okJcrd; 93.5cm f
He^E: 1 fl7dm /
AP294 Monopod
AJWlfmvm +n»c&on #p»
Weight fl.57kg
Loafl aOkg A
Folded: Sliem /
Height: ISflom /
£49.99 /
CP264 Monopod
CCfDfi F.tjnt 4-#*Cb{r
Mooopod
MM294A 4 Mpnppod
695CX Monopod
CflFfetjnfit*! 3 W Ctwj r
Watahl: O.ftOfcg /J
L oad: 5 Okg *W
Folded 47cm /
Haigtil IMcm #
£143.99 /
Spider Pro
Pro Holster £99 99
Pro Belt £29 99
Pro Slngt? Kit £109,99
Pro Dual Kit £189.99
Spider Black Widow
Widow Holster £39.99
Widow Balt £19.99
Wptgni: 0 50kg
[pav 5.6 kg
Folded: 9fcm
Her-ght: ISlcm
9 ME: 0.50kg
S-OAfl
JL«d 49cm
ght: 151cm
£34.99
Folded: 513tm
H«*ghft I5?cm
£99 99
VANGUARD PRO HEADS
6flO0 Mono'jod
WumrtT
g qht: 0. 83kg A
679 B
63IB Mooopod
SBH30 Ball Head
SBH50 Bail Head
SB HI CO Ball! Head
Wwqtit: 0.78kg
LoaJ 12.0kg
Fc4dad' *7 cm
Mfc-ghL ifllcm
£49 99
Load: 10.Okg
Fa ded 51cm
Ha*gfit: 1 54cn
£47 99
VK * 2
Height. 162cm
£35 99
MANFROTTO PRO HEADS
Hahnel Giga T Pro
Wireless Shutter Release & Interval Timer
Tfte NEW Hahnel Giga T is a combined i00m ^ -e-ess
remole shutter release and imer remote control - as
wtf et being able to be u»d as a abort distance
cable abutter release. Programmable features 1
incHide a ae^^limef, Irwtervel limef, tong eapofwre
setting »nd exposure count. These asnnga on be
uaad >ii enjr com^neuyi, making tun
possib iiies vtnuaH^ limitless ?4GH*
rreqyency i uttrj-rui ut>ki
CKanrel se ecp r for ingjvxrt..ial control el
jmrftiple campfnn Shutinr n4«ee billon | }
wMi a- -titooua, ungie and conttnuoua I SPEC IA i
shootir^. butb mode oed self timer I
Availat4v for Canon, Nikon. Sony, I ]
Olympus. Pei to* and Samsung
GH100 Pistol Gnp
PH22 Pan t Till
PH32 Pan i Til
•V Vtf H*H TdWJi
234 Tilt Head
lie Hi KOf i lMM CO O *
Weight: 0.27kg -
234R C Hit H&ad
492 Ball Head
non ai^ H H II i v* k T>
WeighE 0l2kg ^
Load 2 Okg ^
£3199 ■
0 VARG
493 RC2 Bali Head
KOOD
liahnel
324RC2
327RC2
Gnp Action Sail
463.MG RC2
Hydrostabc Bari H
A234
Triad 30 Lite £39,99
Hahnel Combi TF
Win-las? Shutter Releeae & Wireless Flash Trigger
Ultra riKjh ‘requancy 2 4GHi professional radio remota co'r.roi,
with a range of up to 100 matnesr AUo4ccui» Skjib Functkn
and Conllnuous Shooting funtijons. 4 dKj t code » ector
aiicwt mdrviduai cod« to be sol to elkmnat* ntortoronoo
from other sources
£«h M cocitari# a wrsiess tranamrtler. a receiver
wrfn comers si^oe and oonnaelors to s'Mm n in
plug into your camera,
Also mens as a wireless 1 I
Hash ingger. '_
wrth the addition
of mom i*c4<v«mt I If ' 1 111
fwjttipi* flashguns /&
cm be firud /ft A I RRPtM,:
S.muit#nsously, wT> I SPECIAL OFFER -
Awjwlsb*® for Canon, I ^ j n
Nikon, Sony* CMympu*. I 5
Panasonic, Penis k and Samsung
Folded
iad 5 5fcg
£124.99
cafry^g caw
WA^hL. \,4
C2504 M&nopod
■Clrt»*i Flbr# ■
d 59kg i
Lose 4 Okg Ml
Folded 47&v. //
H&gin: 153cm g
£59.99 /
C2804
Menopod
£66,99
MH054-Q2 Ban Head
142cm
C3204
Manopoc
£74.99
Triad 49 Lite £49 99
Ir^iutf ng BH4d rfo>y luk maul
hi, 156kg Vuj LoirJ 5.0kg
sd: 60cm My McgM 153cm
This ks just a small
seledion of the
MANFROTTO range
now available to by in
our showroom
460MG 3D Head
GH02
Ball Head
£22.99
Triad 50 Lite £59,99
iixJudng i «ny jumW I
1 90kg .
£142.99
BHQ5
Bail Head
£25.99
Folded fllcm
Waa Hotgni; 182cm
Trek-Tech
BH22 Balt Head
BH25
Balt Head
£37.99
Gorilla pod Original (GP1)
* cffdAif ?:>Ht*pra dr --r*^ ** e'TTi^ci
Hahael Cable Remote Shutter Release
An mncvslnfe csftki remora oontroi for d^ire SLRs
wih mi(; rchar-yt ato o Comoro wnnecto^ and a 2
rmtm a^snsjon Hid, girtng ins cr^ce of khiitbsr
reesso from O fl tr 2 6 metres
Av+ofccui, Sued Function
and Continuous Shoonng ftnctlonL
AvnUb for Canon. Nikon, Sony, I
Olympus. Panasonic, PpnisE end I
BH26
BH30 Ball Head
BH40 Bell Head
T-Pod
TnakFod II
TrokPod XL
MagMount 1
Gorillapod Span? Plata? £6 99
Gorillapod Hybrid £34 99
Gorillapod SLR-Zoom £49.99
Gorillapod FOCUS £109 99
GorUlapod Ball Hoad £39.99
RRP £29.99
£ OFFER - SAVE O0
Mor]Mount PRO £59 99
Mag Adapter STAR £9 99
19QXPROB Tripod
49 SRC 2 Ball Head
190XPROB
804RC 2 Th
055XPROB
49SRC2 Ba
AltaPRO 283CT Ti
SB Hi 00 Ball I lead
AltaPRO 283CT 7
GH100 Pistol Grip
Three Way Head
An incredible deal * a full)
size Manfrotto tripod
with ball head - only £39!
including PH32
Three Way Head
hahnel
CAMERAS LENSES BAGS TRIPODS PRINTERS BINOCULARS
Visit our website - updated daily
www.ParkCameras.com/AP
or phone us Monday - Sunday
01444 23 70 60
SCOPES
FLASHGUNS
& LIGHTING
ACCESSORIES
TRAINING
Sony Alpha a99
Uncompromising quality crafted for professionals
It's enough to please the toughest
of photo editors, with results In
every frame. A full-frame sensor with
Translucent Mirror Technology is more
of everything, the kind of detail, colour
& tone you need for demanding tasks.
It goes far beyond the limits of your
DSLR camera & is ruggedly built to
cope effortlessly with tough
assignments.
Body SRP £2,69 9.99
A
Sony DSC-RX1
World's first compact with full-frame sensor
I
You'd never have believed it was
possible. Now photo enthusiasts can
explore the creative possibilities of full-
frame imaging with a compact digital
camera that fits easily in the palm of
your hand.
The RX1 features a 35mm full-frame
sensor and wide aperture F2 fixed-focal
ens into a camera body that's perfectly
proportioned for travel & street
photography.
SRP £2.799.00
ony RX1 with Park Cameras,
1
EE Sony NP-BX1 spare battery
i
1 «.
4
Sony E 35mm
f/
D Ujj
ORDER
NOW!
‘P
5 n
optic
karpress, darFi)
& oac^g round
dcfociis.
Sony E 10-1 Bmm|
f/4 OSS
Super-wide zoonrj
with super ED
glass.
A
Sony E 16-50mrd
f/3.5-5.& ObS
Extreme ly light,
compact ioom
lens.
r
ORDER
NOW!
A
V
\
(Jo*/®' w #
v |
Sony HDR-AS15
Action Cam
Go further. Faster. Deeper.
Pack the Action Cam on
your next adventure and
shoot all the action, even
if it takes you 60m down
in the open ocean.
NOW!
See web for full details
Sony NEX
Expert performance. Effortless control.
Step up to an imaging experience that's in
a class of its own. The new NEX-6 compact
system camera packs the imaging power,
shooting responses, handling and
operability of a DSLR into a pocket-sized
mirrorless camera.
Crafted with discerning photographers in
mind, the NEX-6 also features the same
precision electronic viewfinder & D5LR-
style ergonomics found on the NEX-7,
Body only SRP £7(0.00
NEX-6 + 16-S0mm SRP £B30.00
e Sony NEX-6 with Park
a Sony LCS-EMC case free
A
Sony IMEX-5R
Seethe light
For stunning scenes shot your way,
the NEX-5R has a bigger DSLR sized
sensor that can capture more of the
light coming into the lens.
You can shoot it as fast as you
with quick auto focus, then connect
and share your photos with built-in
Wi-Fi®. The result - clearer, more
detailed images that bring your
pictures to life.
Body only SRP £7 (0.00
NEX-6 t 16-50mm SRP £830.00
J
'#|i [y J
L | I l
■ i Tt i
Wm
3 Hp • h" M _ r
m a HPft w j]
fa if- - ,-JL 1
L
Park Cameras,
free of charge
A
Sony NEX-VG900
Interchangeable lens I till HD camcorder
Video makers can embrace the limitless
expressive power of full-frame imaging,
offering supreme imaging quality and
generous creative options, it's the first
Handycam :; with a 35mm sensor to
fully exploit the artistic potential of
interchangeable lenses by Sony and
Carl Zeiss
ORDER
SRP ETBC
Sony NP-FV70 spare ba
til
for only £74.49
All prices include VAT @ 20% Opening Limes Mon Sai 9:C Janrv SiMpmc Thursday WMtam-7:30pm; Sunday 11^0afln4J6pm SLOre address: York FtaadL Victoria Business Park, Bu rgevs Hill West Sussex FtH 15 STT.
We accept Vise, Mastercard & Maestro. All products ore UK stock. E&OL 4 - Please meniion * Amateur Photographer* for this special price
Prices correct at time of going to press; Prices subject to change; check website for latest prices.
Visit our website - updated daily
www.ParkCameras.com/AP
or phone us Monday - Sunday
01444 23 70 60
CAMERAS
FLASHGUNS
& LIGHTING
ACCESSORIES TRAINING
LENSES
SCOPES
New SAFOX X Af module
sensor
Live View on a 3" LCD monitor, 921 000 dots
Video record!no in Full HD format
L *
mm
■
r* .
1 4
. k
■
Pentax Q10 + 5-15mm
SRP £379.99
ity meets ca
Featuring exceptional ima
. ■ ■■ i
upgraded auto focus syste
capture detailed, blur and
whie comfortaoly firtinq it
12.4
MEGA
PIXELS
Pi
n
Lj
Pentax
55mm
This new mid-level camera offers all your no
1 ■
SLR featu r es with outstanding operability. Al
of that packed 'n a compact, weather-resists
dust proof and lightweight body f 0r wOTry-fi
outdoor photography.
16.2
MEGA
PIXELS
AvAilAbk irt BUc-k oy whZ/
Pentax D-L 168 Spare battery
Now £31 49
wasfrB?99
Pentax 18mm f /8 ooommequiv.)
Now £69 99
was £9939
Pentax D-LS109 Spare battery
Now £44- 49
was
Pentax AF 360 FGZ Flashgun
Now £249 99
was
A
Optio I S465
NEW &
IN STOC
A
o
GPS
Save
£10
X-5
rieW!
A
NEW&
IN STOCK
r
the Optio LS465 not offers a host of advanced,
user-friendly features assuring the simple,
effortless capture of beautiful, high-quality
images, all in a low profile, body that is both
compact and stylish.
See web
for details
SRP£99£9
or
A RICOH COMPANY
A
17-70mm f/4 SMC
Now Only
Sa
£7
was £569.99
3 a
Pentax's latest generation of rugged
waterproof digital camera is adventure proof,
and perfect for almost any environment from
hot to cold, dry to wet, in rain, snow, surf, sand,
or dust.
Now Only
£ 269 00
was £27 9 .9 9
The Pentax X-5 features a 26x super-telephoto
zoom lens, articulated LCD and high-resolution
electronic viewfinder enabling effortless
composition and convenient playback.
See web
for details
SRP £220,00
ianv more cameras and
range of Pentax lenses at low
visit us instore or online at www.parkcamerasxom/AP
CGS,
50-200mm ED WR
Now Only
£ 1 49 00
55-300mm f/4-5.8
Refurbished at only
£249
.00
was
All pric.es include VAT # 20% Opening limes Men Sit MOam £:30pm; Thursday 9:00am 7:30pmi (Contact Centre 5:30pmJ; Sunday 11 dGOam 4:30pm. Siarp address: York Road. Victoria Business Park, Burgess Hill, West Sussex RH15 9TT
We accept Visa, Mastercard & Maestro. All products ore UK stock. E&OE. * ■ Please mention “Amateur Photographer*' for this special price. "Free rexi day delivery includes all UK mainland address. Excludes hank holidays.
Prices correct at time of going to press; Prices subject to change; check website for latest prices.
Canon
M
Canon
r«
/
Power to Generation M
An 18-megapixel interchangeable-lens
compact system camera small enough to take
anywhere. Enjoy simple creative controls and
superb low-light performance for stunning
images.
£OSM + ia55mmSRP £769"
Your entry into the
full-frame world
A 20.2 MP DSLR featuring a full-frame sensor fir
compact design. Ideal for portrait photography
Si travel, offering tight control over depth of
field fir a large choice of wide-angle EF lenses,
EQS6D Body SRP £1.799”
1 / r:.
jri r
See website for full details
and to place an order
Canon
Canon
650D
* 18 Mt^dpisel CMC?$ wrisar
► Scene Intelligent Aufa inode
► Full HD mpvies
► Up tp 5 , 7 fps shooting
► r Vjri-dnylelCDkr^n
► 18 Megapixel CMOS sensar
► ISO 100-1 2$Q0 sensWwiiy
► Full HD mdvies
► Uptd 5fpS ^hooting
► ¥ Van-dngle touchertwr
IEOS600D+ 18-55 IS II
EOS 6000+ 18-55 IS II
+ 55*250 15
99
00
£709.00
EOS 650D Body Only
EOS 650D-F 18-5515
EOS 650D+18-55 IS
+ 55-25015
See website for full details
and to place an order
Canon
60D
* 1 a Megapixel CMOS
► AdvisncHd <TKdtive ft a dlijrH%
► Full HD movio$
► ISO H 00-6400. H:
► ¥ Viiri-d rig le LCD St reenl
Body Only
+ 18-55 151
+ 17-85 IS
+ 70*300 15
£589,00
£619.99
£806.99
£822.99
£1,341.99
Canon BG-E3 Battery Grip
£1&9,99 when bought with
any EO5600D body or kit
* *1* 11 i ■Mtuttf
Purchase a new Canon EOS
650Dantli receive your Gadget
bag 30QE0 ^ wh i lst sioch lasis)
from Caooo if bought be'
2J.08.1 2 & 31,10,13
Canon
Canon
7D
Mark
5 U Marklll
*■ 1-8 Megapixel CMOS censor
► Up tO @fps ibdQti n^i
► f dll HO rtupvies
► iMagnti^iiijm a IlOy body
► Clear view ii LCD
► ?! .1 M.P fuill frame seFiSdf
► m range; 100 - 25.660
► Full HD movies
► Miagnesiym alloy body
* S-0" I CD with I live View
EOS 7D Body Only
EOS 7D + 18-135 IS
EOS 7D +15-85 IS
EOS 7D + 70-300 IS
£1,069.00
£1,333.00
£1,619.00
£2,220.00
EOS SD
EOS SD
EOS SD
EOS SD
Body Only £1,506.90
+ 24-105 US £2,134.95
+ lOOmmL £2,353,00
+ 70-300 US £2,808.99
► 27.JM.P full frame •Semgr
► ftl-pOifit AF
► 6 fps shooting
► MagnesiMm a Hoy body
► Full-HD vkIpo
Body Only
+ 24-105 L
+ 1 7-40 L
+ 60OEX-RT
EOS 5D
EOS SD
EOS SD
£2,658.00
,299.99
£3,268,00
£3,237.00
ill*
< if bought between
_ 23.08.13 & 3 l.KU2_
For low prices or Canon
Ado your accessories
Canon BG-E6 Battery Grip
£214,95 when bought with
any EOS SD Mark IE kit
Add your accessories
Canon BG-El I Battery Grip
£299.00 when bought with
any EOS SD Mark III kit
and Printers, please visit us instore or online
Canon Lenses
For money saving deals with filters & hoods, visit our website.
14mmf/2.BLIIUSM
20mm f/2.8 USM
24fnmf/1.4LMkll USM
24mm f/2.8
24mm f/2,8 IS USM
28mm f/1.8 USM
28mm f/2.8 IS USM
35mm f/1.41 USM
35mm f/2.0
4Qmm f/2.8 5TM NEW
50mm f/1 2LUSM
50mm f/1.4 USM
50mm f/1. BII
SOmm f/2.5 Macro
EF-S 60mm f/2.8 Macro
MP-E 65mm f/2.B
85mm f/1,2L II USM
85mm f/1.8 USM
100mm f/2 USM
100mm f/2,8 USM Macro
100mm f/2.SL Macro 15 USM
135mm f/2,0L USM
ISO mm f/3-SL USM Macro £1,249.99
£4,809,00
£ 1,8-84.99
£420.00
£1,299.00
£369,00
£699.00
£382,99
£729 00
£1,158.99
£217,99
£22900
£1,268.00
£288.00
£89.99
£235,00
£349.99
£844.00
£1,745.00
£306.00
£377,99
£435.99
£719.00
£948.99
200mm f/2.8LUSM/2
300mm F/28L USM IS
300mm f/4.01 USM !S
400mm f/2 8L USM IS
400mm r/4.0 DO I USM IS
400mm F/5.6L USM
500mm f/4.01 USM IS
600mm f/4.01 USM IS
800mm f/S.&LlSUSM
TSI 17mm f/4.01
TSE24mm f/3.5L II
TSE 45mm f/2.8
TSI 90 mm f/2.8
8-tSmm f/4L Fisheye USM
£F*S 10-22mmf/35<S USM £624.99
EF-S 1 S-BSnim in. s-5jS is usm £579.0 0
16- 35mm f/2.8L II USM £1,149.00
17- 40mm f/4.0L U$M £6113.00
EF-S 17-SSmnn f/2.8 IS U5M £799.99
EF S 17 85mm f/a.O-b,* IS USM £324.99
EF-S 1 /-BSmm i5:hapaekagin3i£249,99
EF 5 18 SSmm f/3.5 5.6 IS II £136,99
EF-S 18-55mm IS II tNu p.n L-O'iiti £35.00
EF-S 18-135mm f/3 5-S.6 IS £138,9 9
£635.00
£5,498,00
£1,121.99
£8,868,99
£5,378-99
£1,089.99
£8,449,00
£10,999.00
£9,755,00
£1,957.00
£1,699.00
£1,118,99
£1,118.99
£1,149,00
18-135mm IS wa padding? £269.99
EF-S 18-1 35mm f/15-56 is stm £479,00
EF-S 10-200mm f/J.S-56 IS £404.99
24 70mm f/2.0L II USM £2,299.00
24-1 05mm f/4,01 IS USM £895.00
24- 1 05m m IS (out of kit) £ 799.99
28135mm f/3.5-5.6USM IS £373 99
28-300m in f/J.5-5.6L & USM £2,179.00
EF-S 55-250mm f/4 S.8 IS II
7O c J00mm f/2 A. IS III USM
70-200mmf/28LUSM
7O-20Omm f/4.0L IS USM
7O’200mm f/4.01 USM
70-300mm F/4.0-5.6 IS USM
7O-300mm tm-SJGL tSUSM
70-300m m V*5 -s.e- Do is usm £ 1,099.00
75-300mnn f/4,0-S.6Mk III £189 00
75-300mmf/4.O-S.6USMIII £238.00
10O-400mm i.fA.h s *lusmis £1,259.00
£203.00
£1,854 99
£997.00
£945.00
£509.99
£409.99
£1,149 00
200 400mm f/4 QL USM
1 .4* II Extender
2 x 111 Extender
EF 1 2 II Extension Tube
EF 25 It Extension Tube
& TBC
£419.99
£419.99
£79.99
£139.99
For a range of Used Cameras and
Photographic Equipment, visit Our
website - UPDATED DAILY
if
\\
L V
Nikon
13100
Nikon
151 OO
D3100 Body Only £3&&.0O
D310O + 18-55 VR £359.00
D3100 + 18-55 VR + bdtt£ 398.00
Add your accessories
□5100 Body Only
D5100+ 18-55 VR
D5 IDO Twin Kit
Miron
Manfrotto Fodket L ED only
£25-95 when bought with
any D31 C>0 body or kit
Add your accessories
ME T Stereo Mic. only
£94,99 when bought wilh
any O5100 body or kit
D32Q0 Body On ly £399.00
D32D0+1S 55VR £472j00
See webiite for D320O in Red!
Add your accessories
Nikon WU la wirelew adapter
only £49-99 when bought
A with any 03200 body or kit
Nikon
D90 Body Only £465.00
D90 + 18-105 VR £609.00
D90 + 18-105 VR+ bait. £664 k 00
D7OO0 Body Only
D70G0+ IB-105 VR
D7000 + EM-EL15
£699,00
£840.50
£754,00
03005 Body Only
D3O0S +16-85 VR
D3O0S + 18-200 VR
£1,095.00
£1,534.00
£1,674.00
DD YOUR ACCESSORY
Nikon MC-IX? remote cord
on y £24.93 when bought
with any 1330 body Or kit
Add your accessories
Grumpier Nikon backpack
2320 only £29,99 when
bought with any 07000
Add your accessories
SanDisk 8GB Extreme C/F
card £ 53-60 when bought
wilh any D300s body or kit
Nikon
\
Nikon
LIVE R lpHijp
Full H
jjj;
o
Miron
ii
D600 Body Only
0600 + 24-85 VR
D600 +SB-910
*734,93
£2,148.95
£2,084.95
_tli
D800 Body Only
D80G + 24-120 VR
D800+ EN'ELIS
£2/145,00
£2,964.00
£2,200,00
D4 Body Only £4,699,00
D4 + AF-5 8Smm f/1 .& £ 5,109.0O
D4Body+ EN-EI IS £4,825.00
Add your accessories
Nikon MB-014 battery grip
only £234.93 when bought
with any SXsOO body or kid
Nikon D800E - £2,539 co
The D80OF it 5-peCifirralfy
designed for tho^e Seeking
absolute defini tion.
Add your accessories
Sony XQD |7GB card only
£ 200.00 when bought with
any D4 body or kit
Fur the Nikon 1 range of cameras including the new J2, pi
us
or
e
Le
s
For the full range of Nikon lenses, visit u& instore or online!
AF-G 10.5mm f/2.8GEDDX £549,00
AF-D 20 mm f/2.8 £470.99
AF-D 24mm f/2.BD £364.99
AF-SNfkkor 24mm F/i.4Gro£l r 495.00
AF-D 28mm f/2J8 £246.99
35mm f/1.8 AF-SOX £159,99
AF-S 40mm f/2.BG ED Micro £196.99
AF-S 50m m f/1.46 £292.00
AF-5 50mm f/1-8G £171.00
AF-S 60mm £/2,8G ED Micro £410.99
AF-D 85 mm f/1.8D £302,99
AF-5 85mm f/3.56 DX Micro£3B2.99
AF-5105mm ff/ 2 . 0 gvr rf«C& £619.99
AF -5 200mm t/2G EO VP II £4 P 149.00
AF-S 300mm l/2.aG ED VRII £4 r 199.99
AF-S 500mm f/4G £D VF £S,9 7 S.00
AF-5 1 Q-24mrn f/3.5^l,5G DX £659.00
AF-S 12-24mm tM GIF €0 dk £8S9.00
AF-S 14-24mitt f/2 06 ED £1,344.99
AF-S 16- BSmm f/4G ED VR £862.99
AF-S 16-85mmf/33-56GVR £461.99
AF-S 17-55mm iflJBG IF-ED£1,049,00
AF-S 18-55mm VR (Unbowed) £85.00*
AF-S 18-105mmf/3.s-5.6GVR £224.99
AF-S 18-20Omrm/issjeGvn £599.00
AF-5 18-300mm&is-Sj66vfi £759.00
AF-S 24-70mm f/2.86 ED £1,239.00
AF-S 24-A5mm m ^£559.00
AF-S 24-120mm f/4G EO VR £829,00
AF -S 2 8-3O0m.m tas s.eG yr £686.00
AF-S 55-2O0mm fM-s.6VROX £199.99
AF-5 55-30Dmm !, , 4 5-S6GVR £289.99
AF-S 70-200mm V2£ VR III £1.604.99
AF-S 70-3Wmm ftAS'S go vr £424.99
AF -D 80400mm £ 1 r 239.99
AF -5 2 00-400mm v» 11 £4 r 949.0O
Alpha a57
■■ 16.1 Effective Megapixels
■■ Translucent Mirror Technology
High Speed Capture (12fps)
► full HD Movie
► High quality electomc VT
* 16.1 Elective Megapixels
► Sma ll and lightweight
► Nigh Speed Captured Of ps)
► FijI HD Movie
* 3.0" tift-angle touchscreen
£369.00
► 243 Effective Megapixels
► Ultra-fast AF
wilh Object Trading
* Highspeed CaptureHOfpi)
► Full HD video up 10 50p
£319.00
NEX-F3
m
i*
¥
*
NEX-7
+ l8-55mm
£949.00
16.1
Sma ll and lightweight
3D Weed Panorama
FuM HD Movie
3.0" 180' tilting LCD
£179.00
JF1
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Add a Lowepro Sfeamline
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some at unrepeatable prices,
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All prices include VAT @ 20% Opening times Mon-Sat 9.0Oam-5:30pm: Thursday 9:G0am-7:3Opm (Contaci Centre 5:30pm); Sunday 11^0am-4:3Opm. Stwe address: York Road, Viaoiia Business Park, Burgess Hill, West Susses RH15 9TT.
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BINOCULARS
* 12 J Megapixels
► Stylish, Compact Design
► Ultra hsgh’Speed AF
► Full HD Video Recording
► S.O^IoLich-screefi LCD
£349
m
K
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£519®
£51 4>
DMC-GX1
► 16.0 Megapixels
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► Full HD Video Recording
1
Body Only
£379
.DO
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+ 14-42 OIS
£469
\uu 3 rd'
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k DLVA 1 -„ JF2 for only £2 1 9
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DMC-G3
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16.0 Megapixels
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See web
* J for London
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1
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£529®
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DMC-S3 Black (Olympic Kill £69,00
DMC-S5 Black £99,99
DMCLS6 £79.99
DMC-FS22 (3) £89.99
FUJSFILM
F770 EXR
iron|y£ 11 ^«
DMC-FS37
DIV1C-FS40
DMC-F545
DMC-FXSO
* 16.0'Megapixels
► 20x Optical Zoom
'► 3.0' LCD Screen
► 6(ps continuous shooting
* Built m GPS
FinePix
F77D EXR
la a : ujifilm N D !:
I I
£29
FUJSFILM
XI00
Black Limited Edition
Includes a genuine
leather ever-ready case,
a lens hood r an adapter
ring & a protective filter
► 12.3MP APS-C CMOS sensor
*■ ?3rivrri prime lens
► f/2 - f/16 Aperture rarigg
* Revplulign^ry Hybrid Viewfinder
► One touch Raw Shoot ing
X 100
Black
£779
Id a Fujifilm NP-95 battery for only £37
WB850
► 162 megapixel
* 23mm wide-a ng le !en s
* 21 x optical zoom
► Wi-Fi Connectivity
► 3.0'VGA AMOLED Screen
WB-850
Add a Fujifttm 8
Class 4 card for
8GB SD
Add an Annsmann SI B 1C
- onlv £15 «
SCOPES
FLASHGUNS
& LIGHTING
LimB
ACCESSORIES
TRAINING
► 16.05 Megapixels
► Stylish, Compact Design
► 6 Fps shooting
► Full HD Video Recording
► 3.0'Touch-screen LCD
Lumic GF 5
[ + 14-42 X
Add a San Disk 16GB SDHC Card for onhr £14
DMC-GF3
* 13.06 Megapixels
► Small & lightweight body
* 1920 x 1030 Full HD Movie
► 3.0“ LCD Screen
► Advanced iA {Intelligent Auto]
Lumix GF3
Body Only
£289
.99
inrT
■r
£253“
DMC
► 16.05 Megapixels
► Up tol 2 fps shooting
► Full HD Video Recording
► Advanced iA mode
► 3.0 ¥ free-angle LCD Screen
Lumix GH2
Body Only
Lumix GH2
L+J 4 140mm
r
I I
.reo 70 cut' A
£139,00
£89.00
£109.99
£189,00
£259.99
DMC-FT4
DJV1C-FT20
DMC-TZ25
DJV1C-FZ48
£886
M
lly £19"
£259.00
£149.99
£215.00
£28900
£269.00
FUJIFILM
XI00
► 12.3 MPAP5-C CMOS sensor
► 23mm prime lens
► f/2 -1716 aperture range
► Revolutionary Hybrid Viewfinder
► One touch RAW shooting
Add a Fujifilm Prem
case for £89.99
■ i
in a
.18 L_j rl
HI
I \ K
v £37
FUJIFILM
Pro 1
► 16M.P APS-C CM0$ sensor
* Fyjifilm X Mount
* Full manual controls
► 2nd generation Hy brid YF
► FXR FroeeSior ftro
£1,195
web for further
money savin
Ada i
i n HI
i ■ i l
i i
jTTer
P*--
£49
aq
NX1000
► 20.3 megapixel APS-C sensor
h Bframes per second
* Instant sharing via W-Fp
► 1 OBOp Full -HD movie mode
► Prem ium Metal Design
NX-1000
+ 20-50mm
See web for further
money savin 1 "
■ 1
sk 16GB SD HC car
n v £17
THE BEGINNING OF THE ItEUJ
om-
OLYMPUS OM-D
Evoking the classic design of the original
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transforming it for the modern age, the
\rt s-bokfr** oA
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arr ***
-D Series is a new and entirely web for
unique Micro Four Thirds camera system.
Battery Holder
HLD-6
. . Only £219*
L ^ . ' wm £ *-39.49
full details
Full Body Jacket
CS-36FBC
Only £94”'
w a s £99.90
Ml
«■
FL-600R
Only £299^
TT/ft t f .- 1
NEW
OLYMPUS
E-PM1
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OLYMPUS
BLS1 batt!
* 12.3 Megapixels
*• Ultra i compact
► HD Movie & HDMI
* 2.7" LCD screen
*■ Accessory Port
I gin
Control
E-PM1
+ 14-42 mm
£239®
Olympus I E-PL3
FREE
Olympus
► 12.3 Megapixels
► Ultra-compact S- portable
with a metal finish
► HD Mov ie with stereo sour
► 3.0" tillino LCD screen
Add 3n Ac me Madf? Lf diod Kit bao
i v
£22
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Add a I
£ 299-00
,-prvro {
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Adda San Disk 16GB SD
HC card for only £14^
IV
r Clh f-.r
£30
«i
OLYMPUS
PM2
► 16.1
► Fast AF & touch rHea$e
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*■ 12 AnFilwfs
i* Olympus Image Share
OLYMPUS
E-PL5
► 16.1 Megapixels
* Re^r in class im^ge quality
f a sr AF & touch r«leas$
► S-OT tilt LCD display
* 112 Art F il ters & Art I f feet s
New & Coming soon! See web for info I Now St Coming soon! See web
Ada un uivmi>Lj<i
r
£56
44
Add Adot*
£79
99
Sigma Lenses
For money saving deals with
filters & hoods, visit our website
4.5mm f/2-8 EX DC HSM
8mm ffiS EX OG (F.eye}
10mm f/2.8 EX DC HSM
15mm f/2,8 EX DG
20mm ii 1.8 EX DG
24mm f/1.8 EX DG
28mm ft 1,8 EX DG
30mm ft 1.4 EX DC HSM
50mm f/1,4 EX DG HSM
50mm f/2.8 EX DG Macro
70mm f/2,8 EX DG Macro
85mm ft 1.4 EX DG HSM
1586-00
1619.W
£489.00
£479.90
£499.99
£449.99
£369.99
£379.00
£379.00
£269.00
£369.00
£669.00
105mm f/2,8 tXOGOS
150mm f/2.8 EXDG0S
8-18mm f/4-5.6 DC HSM
10-20mm f/4-s.s ex oc
10-20mm f/3.5 EX DC HSM
12-24mmf/4,5-5,6 DG II
17-S0mmr/2,8EXOCOS
17- 70mm f/2.8-4 DC OS
18- 50mm \n&4S dc os
18-125 m m F/3.S S.6DCOS
18-200mm f/3.5-6,3 DC
18-200mm f/3.S-6.3 II DC OS
£549.00
£799.00
£549.00
£399.00
£459.00
£679.00
£489.00
£339.99
£ 179.99
£253.99
£ 179.99
£299.00
18-25Omm f/3,5-6,3 DC OS £399.00
24-70m m f/2.8 EX DG £599.00
SO JOOmm f/4-5.6 DC OS £149.99
50-500mm f/5-6.3 DG OS £1,249.00
70- 200 mm f/2.8 £X 06 OS £899.00
70-300mm f/4-5.6 DG Macro £99.99
70-300mm f/4-5.6 APO DG £169.99
70-300mm f/4-5.6 DG OS £299.00
120-300mm f/2.8 EX OS £1,999.00
120-4 00mm f/4.5 5.6 OS £649.00
150-5 00mm APOOG 06 HSM £799-00
1,4x A PO Te lecon ve rte r £ 199.99
EPSON STYLUS
PHOTO R2880
Step into large format
printing with first rate colour
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PENTAX
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Now
£ 529 . 00 *
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£99.9 9
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£109.00
Optio RSI 500 £49.00
Optio RSI 500 DC Comics £79.00
Optio VS20 White £145.00
K-30 Body See web
K-30 + 18-SSmm DAL See web
K-5 Body £693.00
K-5 + 18-55mm DA WR
K-5 II Body NEW
Q + 8,5mm F/1,9 (01)
Q10 + 505mm NEW
K-01 Body
K-01 + 40 mm DA XS
£729.00
See web
£399.99
See web
See web
£479 99
Lowepro Slingshot 302AW Epson Perfection V600 Tamron 24-70mm
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35 FI L U .i . . . ■ , .1 l n11, j, ■
35 F2 .,.£210 40 F2.8..
SO FI.2 L USM,,.
SO FI.4 U.1289 50 FI-8 II
65 F2.SMPE..
70-200 F2B IS U Ul..
70-200 F2.S non ISL USM.
70-200 F4 L IS USM_
70-200F4LUSM ........
70-300F4/5.6U5U...
70-300 F4.5/5.6 IS USM..
85 FI.2 L II.........._
85 FI.8 USM.............
1O0F2.8 ISL U macro....
10GF28 Macro USM,..
100-400 f45/5.6 IS L USM.
135F2LUSM.......
180 B, 5 L USM Macro...
500 F4 I5L1I USM__£8333
600F4IS III USM-,.....£10777
Ext tube 12IL£79 Ext tube 2511. £129
1,4x III or 2x III converter ea. ,£389
FLASH & ACCESSORIES
Angle finder C. £219
EOS DSLRS + KITS
1DX body..ES27S
6D body £1799
GO + 24-105 f4 L £2519
5D MKIII body... .
5DMKIII +24-105 IS.....
7D body,................
7D + 15-85 IS............
7D+ 18-135 IS...........
GOD body_.._.__
GOD + 1S-55 IS.......
£1247
...,£87
£829
£1829
,,£959
,.£897
, .£489
£ 1129
..£419
£1639
£297
. 1689
.1417
£1229
,1889
£1177
, 1599
£5099
£1089
£8499
£1047
£2649
£3289
£1066
£1589
£1447
.£699
■1799
6G-E6 grip [50 MKII)..
BG-E7 grip (70)_......
BG-E8 grip (5500).
BG-E9 grip (600)..,,.
BG-E11 grip (SD MKIII)...
LP-E4.,.. £159 LP-E6..,,
MR HEX Ringlight..
MT-24EX
270EXIL..£159 320£X,„,
430 EX IL.. £199 580 EX II..
6QQEX RT — r .,.,—
CP-E4 compact battery pack
Off camera shoe cord OCT 3
LC5 wireless sec.
STE2 Transmitter ...
GP-E2 GPS receiver.
RS-S0N3.£49 TOWN 3.
650 D body £579 K 39
650D + 18-5S IS II.. .^HHt£61 9
650D +18-135 IS STM £929
6000 body.. £499 6000 + 18-55 IS. £559
1100D body. £299 110QO+18-55 IS f389
COMPACTS NEW G15.£539
1 ^ ■■■■■! IMBei Mlirf 5 3^ G 1 H 1 ■■■■■:««■■■ f 33^
SX40IS. .£319 SX50 1439 5100 .£299
DIGITAL ONLY LENSES
10.5 F2.S DX.. £479
10-24 F3.5/4.5 G AFS DX ., £629
12-24 F4 DX.., £859
16- 85 F3.5/5.6 AFS VR DX , £439
17- 55 F2 8 DX . .,...£1099
IB-105 F/3.5-5.6G EDVR ... £197
18- 300 F3.5/5.6 G ED VR DX £699
35 FlU G DX.£149
40 F2.8AFS 0 DX....... . £189
55-300 F4.5/6.6 G VR DX ., £289
65 F3.5 Q VR DX.. .,. £379
LENSES
14 F2.8AFD.£1047
14-24 F2.8 G ED AF-S_£1297
16 F2.8AF-D Fisheye r , r ., £699
16-35 F4AFS VR. ._£839
20 F2.8AF-D..£459
24 F1.4AFS G..,£1589
24 F2.6AF-D ...... . ., .,, £335
24 F3.5 PCE. . . __., .. £1399
24-70 F2.6 G ED AFS ,, ., £1229
24-85 F3.5/4.5 G ED VR .1419
24-120 F4 G ED VR_
28 FI ,8 AF
28 F2.8 AFD.
28-300 FS.5/5 6 G ED VR
35 FI.4 G. ....
35 F2 AF-D., .
50 FI.4 AF-S G , _
50 F1,8 G.. ..
50 FI.8 AF-D.
60 F2.6 AFS ..
70-200 F2.8 VRII__ .
70-300 F41/5,6 VR . ., .
80-400 F4.5/5.6 VR AFD
85 FI.4 AFS G.
85 FI.8 AFS G ., .._
105 F2,8 VR macro
200 F2G VR II.
200400 F4 VR II.
300 F2.B AFS G VR II .
300 F4 AF-S,..,. .
400 F2.8 AFS VR ..
500 F4 AFS VR ........
600 F4AFS VR
. £249
. £6S9
£1477
. £209
, £297
. £169
, £129
.£397
£1589
£2529W
£1377
£1219
. £377
D7000 +18-105 VR
D5100 body..
D5 TOO + 18-55 VR .
D320Q body
D32O0 + 18-55 VR ..
P510 Compact.
P7700 Compact.,.
£3749
£4608
£4189
£1139
£6333
£5666
£6899
9300 Compact
want your good quality cameras and lenses
EXCHANGE
COMMISSION
PART
contact us at
FILM
7-14mm F4
8mm F*3.51.....................,.i
12-3 5mm DL8 —
14mm F2.5,
14-42mmB. 5/5.6
Power OIS X ...
l4-45rnm F3,5/5.6 015
14-140mm F4/5.8 OIS,
20mm FI .7 ■ lEiiMineimiiiriBn
25mm FI.4 DG.............
X System Cameras & Lenses
X-Pro 1 body,., £1297 X-El body,....
X-El + 18-55 f2,6/4 CIS,...
18-55mm f2,S/4 OI5,,..
1 flmm f2 ...... £ 469 35 m m f I4
60m m f2.4.£ 5 39 X-Pro 1 grip....
X-Pro 1 case.,,.... £ 159 N PW126 bait
XFXR20 flash ,.,,,,£ 189 EF42 flash.,.,,.
X-10G 35mm [equiv) f2 lens compact
X-100 Limited Edition Kit.,,.,.,....
X-10 28-112mm (equiv) fZ/2.8 compact
lX-S 1 24-624mm (equiv) bridge camera.
Micro 4/3rds system
£749
£1399
3 YEAR WARRANTY ALL LENS
8-16 ¥45/56 DC OSM NAF only....... £479 50 F2,B EX DG.
0-16 F4,5/5,6 DC OSM... £549 50-1 SO F2.B DC MKII..
10-20 F3.5 EX DC HSM.... £439 SO-SOD F4/5.6 OS HSM CAF/NAF ,.
10-20 F4/5,6 EX DC CAF/NAF,..... £369 70 F2.8 EX DG macro .
1 2-M F«/5.6 tx L.Kj macro MKII .. £679 70-200 F2.B EX DG OS.
12- 24 F4.5/S.6 EX DG PKAF only. £549 70-300 4.S/5.6 APO DG mac.
17-50 F2.8 EX DC OS HSM..,.,... £499 BS FI 4 EX DG HSM.
17- 70 F2.B/4 5 DC OS..... £299 10S F2.8 EX DG OS..
13- 50 F2.S/4 DC OS... £169 120-300 F2,8 EX DG OS CAF/NAF .,
10-200 F 3.5/6.3 DC OS 11... £ 29 9 12 0^00 F4.S/5 6 A PO OS N A F o nly
18- 200 F3.5/6.3 DC OS CAF only £249 1 SO F2,S EX DG OS.....
18-250 F3.5/6.3 DC OS CAF/NAF. £339 1S0-500 F5/6.3 DG OS CAF/NAF,,.
19 F2,0 EX DN Sony/MFT.... £169 1B0 F2^ EX DGOS....
24-70 F2.S EX IF DG HSM. £S69 300 F2^ EX DG...
30 F1.4 EX DC HSM CAF only. £349 SCO F4.5 EX DG .
30 FL4 EX DC HSM __ £379 1 4k EX DG converter.............
30 F2.8 EX DN Sony/MFT. £169 2s EX DG converter,..............
SO FI.4 EX DG___ £365 EM 140DGmacronnoflash...... ■.
. £269
. £799
£1099
. £369
. £889
£169
. £669
. £S39
£1677
. £629
. £799
. £747
£1499
£2277
£3799
£199
. £229
. £349
GXl body.
GX1 + 14-42mmX
GXl + 14-42mm...
G3 body
G3 + 14-42mm X..
G3 + 14-42mm.
GF3 body white....
Tamron Lenses
1S-2?Pfnm f3.5/6.3 0i II VC P20
60mm f2 Di macro NAF only »*«
OOmni f2.8 Di macro rrriri-PEi pp-iip-
Family Run Pro Dealership with Friendly f Knowledgeable Staff. Open 7 days per week. Prices me
I P&P Extra . E&OE.
We are happy to reserve new & used stock for customers planning to visit. Prices are based on current stock at time of compilation September 28th 2012
are
without notice so please check availability to avoid di
updated daily (Mon-Fri) - latest prices on-line. E&OE
QUALITY USED EQUIPMENT. See website for full list. Call us for condition and to buy secondhand stock. 3 Month warranty on most secondhand.
5x4 USED
Tdwd 54C monOrdil _ __ £249
$chnpidEr $up Ang 90 F8. £299
PckI drcKkl back_._,—....£49
Toyo 6*7 RFH.._._...^£129
Tpyd gyick roll slider £199
Fiikiily double 5 -:Urk bl E ! d i 18
BRONICA RF USED
4Sf4 -I- viewfinder bax_£379
ERONlCA ETRS 645 USED
ETRSi 4 75 F2JE+12D.,.£249
ET0S. + 75 Ell + RFH.£129
ETR5 + 75 + RFH + AE pri \n\
4- SWed grip...£269
■10 F4 P-F _ £l9Q/?4<a
SO F2.K E......£99
SO F2-3 P£™___£ 199
75 F2.0 EII.£129
100 F4 PE™_____ £249
105 F4.5 PE md-L ru £399
135 F4 PE-,.™.. £279
150F35 E... £09
ISO FIS PE M- Ed*_.£179
20QF4.5 PE-..-..—_.£179
500FEEII_ _ f599
2x exiefidfr F IR9
E14 vxl Tube__ L ._.. ^49
120 GFH._™___£49/69
Polaroid fidek__ £29
14 Flfi L MKI bCft—_E949
16-35F2.0L MKflM bo*-£947
10 35 F2.3LMKI_£709
17 40 F4L_ T _-.£409
1 7 85 F4/5.615 U.-.£249
Ifi 55 F3.5/5.6l$EFS.—£99
16 55 F 3.5/56 EfS__£69
15 135F3.5/5.6I5—£249
24 F3f L TSE M
24 70 F2.fl L__.._
24 05 F3.5/4.5 U
24 IDS F4L
25 00 F 3.5/5.611.
2S90 F4/5.6UII.
20 10S F3.5/4.5 LF MKL_£149
20 13S F4.5/5.6 base._£249
35 70 F3.5/4.5.. £69
35 135F4/5.6U5M....._.£99
35 350 F3.5/5.6 L _._£799
55 250 F4/5.6IS-..—.£149
60 F2.8 EFS-__£279
65 F2_S MPE M box.„.£699
70 200 F2.0 L15 WKI.£1199
70 200 F4 IS L-_£799
70 200 F4LM _ ,_.£399
75 300 F4.5/56 Ulll_.._.._£99
75 300 F4.5/5.6_..._£79
SO 200 F4.5/5J6 II__£49
100F2.SU._...-.£349
100* 300 F4.5/S6 ...—....£ 79
100400F45/56LM ba)i_£1099
100 400 F4.5/S.6 L_£999
180 F3_5L box.
200 F2jS1S L —
200 F415 Ul_._
400 F2j0 L IS M
400 F56 L..
500 F4 IS L U_
1 Ax conrv MKlI M box..._ £279
2x«xl MKI......£219
2x extender MKI......_£169
Teleplus 2 k DGconv_£S9
ftenko vxt tit* set DG..1110
N CE 2 Charger „. £ 140
BP 200 grip.._£29
BP 50 grip__—_..£29
PB*E 1_._ —....£69
P& E2__£99
TC0ON3 remote_£S9
Artgle ftnd-er C box... _£119
LtFe size converter...£90
LC-5 kit_._£229
SIGMA CAF USED
10 20 F4/S.6 EX DC._£299
15 20 F3.5/4.5 EX DG„..._£219
17 35 F2.fi/4EX...£199
17 70 F2.8/4 DC OS_£259
10 50 F2.fi EX DC.._£239
18 mi ■■■• H'DC.. il4-i
20F1.S EX DG M _.^£299
24 70 F2.fi EX DG...£240
20 F1.4 EX DC.. _£269
50 1S0F2.3EXDCIL._£299
50 500 F4/6.2 EX DG....._£599
70 200 F4/5.6 APO DG mac_ £99
105 F2J EX DG.. £319
120*300 FIS OS Mi nt.._.£ 1590
120*300 F2S EX DG HSMl.
135 400F4J/Sj6_..
1 SO E2j 0 EX DG imc.
ISO F2.S EX DG b&x.
500F45 EX DG..
800 F5.6 EX M5M_.
1 As. EX DG cortv M
2 k Ex macro con v
OTHER CAF USED
TAM 1D24F2.5/4.5 Dill
TAM 10 250 F2A6.2XR DdL£199
TAM 20 200 F2.56.2 XR DL_£ 170
TAM 55 200 F4/5.6.. £49
TAM 60 F2.SDi M .._£269
TAM 70 300 F4/5.&._£79
TOK 12 24 F4 ATX II._£379
VtV 19 35 F2.5/4.5_£69
Kfifllua Pro 300 1 4x.-.£119
CAN OH FLASH USED
270EX M- bdK_£39
20OEX___ £S9
430EX MKII_..._..._.£169
43GEX box_-_£ 149
50OEX box.___£279
ML 2 ring rtOL digital..—....£S9
STE 2 bOK £119
CPE 2_£69
Sigma E M. 14DG ri no._£ 240
CANON MFFDUSED
T90 Body TO CLEAR,_£49
A1 bodv—.___.179/179
AE1 P Chrom* body.._£69
AVI dir body___£40
30F2j8«xc+4__£249
24 F2.fi..._.-...___..„£79
25 F2_—_ £169
25 70 F2.5/4.5..._ £29
25 105 F 3.5....—..-...—£99
25*105 F3.5/4.5_...—....£79
50 FI.4_£79
50 F 1.fi.._ £20
50 F 2.5 Macro-—._ _£99
50 F2.5 Mac h Tulw.. £149
70 21OF4__£69
100F2.S_—£99
100 F4 Macro + tube.—.£299
100 200 F5.6. _....£99
135 F2.5_._ £29
2X A Extender-___£99
2X B Extender__£69
TOK 60 300 F4/56—__£69
Winder A__..£29
Angle Finder B__£69
Action Emder for FI K
AE motor drive f >N
4 baitery pack—
AE power winder FN
Auto bellows—..—..
CANON FLASH L75EO
199A
wm mm I la ms a a ■ mim a a m a m a ■ ■ ■ » a a ■ a h a a ■ a a h b ■ ■
244T
ilk a II iub ■ a hh a a a a b a a ■ a bbs ■ a a b a a ■ a a at a ■ ■
299T
ifBh ar Jl ■ ■ m-:b ■ ■ ■ mb ■ ■ ■ ■ b ■ ■ ■ ■ — — ■ ■ ■ ■ b ■ ■ ■ ■ ■ an ■ ■
■ a'~ ^bS^Ib^ ( i* ■ ■ ■ bb ■ ■ ■ a b a a ■ a BB-'fl ■ a a b a a ■ ■ ■ B ■ a ■
CONIAX fif USED
G2 Tiianium 4 45 F2.
G2 body Titanium.—.
25 70 F 36/5.6 blk bo
TLA200 Tinanlijm_
TLA 3D fbih.
CONIAX SLR USED
167MT bady—..
1SOf2.8AF..._
200 f 4 MM M bOK_.
FUJI DIGITAL USED
X Pro l arin_
Teleplu&ZViv 2 k coav.
FE4U1 AE priim box_
AE priim 645 Super_
Plain prism (645 Super),
Pdariod Back HP40I _....
PalaroW back__
120 Insert._ T _...
HA401 120RFH&OX—..
120 r ___
Cable Re I Ad RC402
645 Super Conn N.
Angle Finder....___
Winder____
M AMIi A TL R 6x6 USED
C320S Body 4 WLF—.
Min 5200i_ ..!
Mm 5400HS.._ ...£
SIGMA MIN/SONY A F USED
15 F2fi EX DCibflK ._.....£ 3
17 25F2.fi EX_._.£1
18 F2.5 box...._ _...£!
IS 2SF2.5/4.5__........£
18 50 F2.fl/4.5 DC 05_£
18 200 F 36/6.3 DC——f
24 7OF2.0 EX DG 2
28 70 F26 EX..£1
28 135 F 3.S/S6_.—£
28 200 F 3.5/56 LX_..._£
50 FI.4 EX DG M _.£2
5OF20EXDGM_„...£!
55 200 F4/56.......... £
70 3DO F4/S.6 APO.—.f
100 300 F4 EX M £ 4
105 F2.fi EX_£2
50 500 F4/66 EX _ £499
55 200 F4/5.6 DC Mint_£49
70 200 F2.S EX DG OS_£769
105 F2£E EX DG OS_._£449
105 F2j 8 EX DG.._£3t9
100 300 F4 EX scruffy._£399
120 300 F2.&05 Mint._£1599
12D-300 F2j8 EX DG -_£999
150 SOOf 5i6J DG OS M _£649
500F46EXDG_
500 F46 EX_......
1.4x EX DG M ......_....
2* EX DG M ___
TAMRO N N A F USED
10 24 F3.5/4.5 0ill_.
11 1SF4.5/56..._
18 270 F3.5/66 ftli PZD_£339
19 35 F 35/4.5. £79
18 200 F3.5/63 iDilL_£149
28 200 XRDi mint I»k_£129
28 300 f 35/6.3 XRDi_£169
55-200 F4/56 Dill__£49
70 300 F4/56.._£69
90 F2 S £229
TOK 12 24 F4 DX___£549
TOK 28 105F35/4.5_£49
Teleplus Prn 300DG 2x .__..£ 140
PANASONIC DIGITAL USED
LX3 compact M- bax-„.£l
GXl bodyM- boK—£329
Gf 3 body mi n t box 1199
GFl body_179
1-4 F2 iiiiLiiiiiiBiiiu. iinajiin JE ^
14-42 F3.5/S.6.. .£69
14-45 f 3.S/S.6 CJlS— 199
14-50 F3.8/S.6 0IS£299
20FI.7 M*_._.—..._,.£239
45-200 F4/5.6 OI5 199
PENT AX 64 S DIGITAL AF USED
64 SD body M- bon.£449'J
4S 65F46FAM- bDK-.:£749
55 F2.fi Ai M- box.._._£549
KMS0F43 FA __£599
PENTAX DIGITAL A FUSED
_ £699/749
£999/1199
..£140
£649
..._.£79
£1599
fiO F2.&S_.___£ 149
135F45 £99
ISO F45_..-.-£169
Pa ramender_—..£69
MAMIYA 7 RF 6x7 USED
7PI body __£799/399
50F4.5L + VF__£899
65 F4 b&K__£549
fiO F4 N_-__ £599
150 F45 L_— £399
Panoramic kit_£49
MAMIYAR& 6x7 USED
Prn SD + 90 KL + ftFH..„£599
Pro5 + RFH+ 127 F3.S....£349
Pm SD body t WLF._£299
Pm S body___£ 149
Pm S body fit rufLy_..._£99
PD prism M box__£299
Prism early..—._£99
Chimney.._£69
120 645V back_.._...._... £149
120/2 20 6x8 motor_£ 149
120/220 6x7 motor .„_._£149
Pm S Polaroid back__._£49
50F45 C___— £299
90F3.5 KL„_£349
140 F4.5 macro __£299
ISO F45.5 KL...._..._..£249
180 F 4.5 C.___.-£149
250F4.5 KLM box..£299
45mm cube SDM_£99
Ext lube 2...._...._ £69
Teleplus 2x conv___£69
MAMIYA RZ 6x7 USED
R^67 Pro ll + 90 + RFH £699
RZ67 Pro ll * 90 + RFH „„£549
RZ67 Pro ll + 110+ RFH._£549
RZ Pro 1 110 F2.8*RFH....£399
RZ Pro + 90 F3.5 + RFH ...£399
RZ Pro II body.-..-...—£299
FtZ Pro body—__ £ 199
50F4.5WM_—£299
50F4.5ULDM box.—£699
65f4M bos..£349
75F45 shifi M__£599
140F45WM macro—£399
180 F45 M __99
250 F 45 W__— £199
No 1 or 2 exL tube ea_£79
FE701 prism AE—...—£249
AE prism early__£149
Pm ll Polaroid batk..._£69
120 back Pro ll.___£99
120 back Pro 1 __£39
Pro shade___£49
Pm AE hood___....£119
MINOLTA/SONY DIGITAL USED
Sony A900 body box_£999
Sony AMO body—._..£249
Sony A200 body...-..£239
HVL-F42AM flash.—£149
HVL F36AM flash._....£ 129
Nissirn Di066 H__-£129
Sigma EF530DG Super.... £99
1 .4k EX DG conv_£149
2k EX DG conv M box —£169
TAM 17-50 F26 XRDill_£269
TAM 28 75 XR Di box ..._£249
TAM 70 200 F4/5j6_£69
TAM 90 F2.8 Di M £269
TAM 90 L2.B__£229
VIV 19 35 F35/45_£69
VlV 100 400 F45/6.7—£179
leleplus 1 .4 m. conv_—...£69
Teleplos 2k conv_£99
Jesiops ext lubes_£69
NIKON DIGITAL AF USED
D4bodyM box-..-...£4199
D3S body box-.. £2699/2999
D3X body box__J2999
D3 body___Cl 799
K20D body box
KlOD body box
FUJI 35MM USED
SEE WEBSfTE
FUJI MED FORMAT USED
250 f 5.6 GX6B0-__1199
HA5SELBLADXPAN USED
XPan I + 45 F4_____.£999
90 F4 _ £329
HA5SELBLAD 6x6 USED
SWCM f VF...£1299
903SWC + viewfinder _£1999
SOOCM 4 fiOCF
4 A12 blk/ehi,_... £799
PM90 jirism___.1199
WLF early_ £49
Chimney__..... _£ 79
AI 2 latest M-__£299
A12 latest black ...._£199
A12late black__H49
E12 box_£349
50 F2.fi FEM box_£799
250F4FEM box.._£799
SO F4 Cf FlE_£799
50 F4CF___£599
80 F2.fi CFM...£499
120 f 4 CF___3169
150 f4 CFi M __Ifl99
1501F4 CFI_..—..-..£649
150M CF_....._£399
150 F4 blkT*...f 199
160f4.8CBM box_£499
250 f 5.6 M___£399
Vivitar 2x conv.—....£99
LElCA DIGITAL USED
V L UK 2 f 340 1
D Lux 5 blfe—.. ._£449
O lux 2 M box....__.—£299
V Lux 20 M box.....—£249
LElCA M/COMPACT USED
lllg + 5cm F2 4 ere_1999
MP body Mk 0.72 M box £1799
0*£3 Cj i m 1 nE b■ ■ ■ ■ ■■■■■■■■ ■ ■ ■ ■ ■ ■ ■■■■«
AF540FGZ M- Bdk_ \
AF360FOZ —_tt,_„_..J
PENTAX 3SmmAF USED
MZ*S body i
MZ5N body___
MZ5 body_„._..._
12-24 F4--,_.J
164$ F4.. J
lfi-55 F3-S/S-6 WR .
lfi-5S F 3. S/S.6-___
10-135 F35/5 6 ED i
24-90 F3.5/4.5 FA ._ J
28*70 F4 AL____
35 F2 Fi4._..—...—...—...——... j
SO-200 F4/S.6 DA...
55 FI.4 SDM M* bax_ i
80-320 F4.S/S-6_—_
100 f 2-8 f A M-.. T _„.i
200 F2.K SDMM-bax-. i
FLASH /ACCESSORIES USED
DW 20fWLF ror F4jbOK_£99
DW 30 {WLF ror F5J__£139
SB 24____£69
58 25_ £79
SB 26_ £79
SB 27_____ £49
SB 2&_ _.£99
SB 29_ £ 149
SB 600-_ £179
SB 900. _£269
SD 8A.„£99 SD 0 bo*_„£69
MB 10 (F90X)... ..£29
MB 15(F1G£U__ £69
MB 16CFB0J.. £39
MB 40 (F6)_.. £139
NIKON MF USED
F3T body blk M box—.£749
FM3A bodychr..._-.£299
FSHPbody_£299
F3 body__£199
FE 2 body chr M £ 299
FA body chr M _£299
FM2n body chr —...£249/299
FM2n body blk.....—.£169
FM2 body Chr—_....£149
AE III Pri rfirri...__ 179
AEll Pri'iHii........£69
WLF Boxed.._„£S9
Plain Prism E_______t39
Angle viewfi nder E £ 179
WWvLar.....£79
M bracket.—.......£69
Speed Grip E_....£49
Met; SCA £49
BRONICA SQ 6x6 USED
SQAi-MS+WlF+ftfH...—£399
50Ai + 80 + WLF
+ 120 back._,—.,— £399
SOAi bgdy.——,.^_£299
5QA + fid + FtF .. £299
SQA + 10S + 120 RFH,„ £299
170 RFH 4 70
■I'Ll F4 PS..M49
50 F3.5 PS M- box...._.£249
50F3JP5—..-.— £199
6S F4 PS Boxed_, £ 149
1 10 F4 P5 nwero™£279/399
135 F4 PS M _£249
150F3.5 S--- L79
1SOF4P5—.—.£M9
150 F4 PS M- Box___£199
200 F4.5 PS M- box— £199
2x P$ converter M-_,_ £299
Autu be I lews 5 bo* -.. £ 199
Polaroid bac k._........._.. £49
135 N back,. . .£99
1 iDJ 645 ,£69
Waibl level findfir..£69
Plain Prism S Boxed......£99
AE Priam F^rly . £149
M£ Prism Finder .£ 129
Metz SCA 366 £49
Lens Hood
Pro Shade S box..... H9
Motorwindet..—£199
E4999/S209
.._£92S
D2X body box-..-..£499/690
D2HS body.„._£349
D7CID body —..£1299/1499
D300SbodyM box—£899
D30D body_£499
D200 body box....£299/349
D9Q body box-.— £369
D0O body._£249
D70O0 body_-.— £639
D51W body—.— £299
D5000 body___£269
EH 6 mains charger_£59
MBD 10_—...£139/169
W.BD200_ £79
PS 100 compact M box .£129
NIKON AF USED
360FTZ flash..__£149
5D0FTZ Qash....
SIGMA PKAF USED
8 F4 IK M‘ hnv £gQO
12-24 F4.5/S.6 EXM* -...£399
17-35 F2.8/4 EX._...,_£179
24-70 f2.8 tX DG mint ..£299
24-70 2-8 EX.__ £229
70*300 F4/5.& APO DG...£ 119
150*500 f 5/65 DG OS_£ S 79
150-500 F5/6-3 DG box_£499
170*500 F 5/6.3 ___ £3 79
TAM IK 200 XR Dill.^£139
F5 body box..—..£179/299
F4/f 4s body each.....__ £ 179
FI00 body box__£179
F90X body___ ...£49
F30 blk body......._149
F&01 body M_£49
F50/FS5/F60 body each...£29
F65/F801 body each_£29
F601 body.—._£29
1DS F2j 8 AF G M box.£399
12 24 F4 AFS DX M ..£649
14 24F2.&M box......£1149
17 55 F2.8AFS box.1799/849
18 55 F3.5/5.6DX Vfi.£79
18 55 I3.5/5.6DX—..£59
1S7QF3.5/4.5 DX.£139
18 10S F3.S/63 VR._.£169
15 200 F3.S/63 VRH.£449
18 200 F3_5/63 VR box.£299
24-20F2 8AFS M box.11099
£339
FM body chr
2fl F3.5 Shift_
28 F3.5 Al__
35F2.fi Shift early.
35-105 F3.5/4.S Ai$
3672 Senes E..
43 66F3.5 Ai-
50 F1.4AIS—.
SO FI 4 Al
50F11AIS—.....
50 F 2 (F)_
55F2.fi AlSboxM
100 30DFS.6 AlS.
13S F2.fi Al_...
300 F4.5 AlS....—
400 T3.5 AlS...
400 FS.6 E DAIS....
600 F 5.6 AlS....
TCI 413 box.—...._
TC16A_——
TC2G0._
MD 12 winder..
50 IS_
50 16__„
50 16A.___
50 17 (H| F3)_
DR 3 angle finder.
DW 4 (fii F3).—...._
OLYMPUS DIGITAL USED
El + 14-42_.£249
ES10 body_—.£199
ESD0 body—£179
E410 + 14 42.—.£169
1300 body_-.£169
9 Ifi F4/S.6 M box.—.£349
12-60 F2 8/4 SLD box_ £499
14 45 F3.5/S.6._ £169
14 54 F2.S/3.5.._.£229
Ifi 180 F3.5/6.3.—.£299
25 F2.fi___ ...£169
40 150 F3.5/4.5_-....£99
40 I50F4/S.6.....—._....£S9
70 300 F4/S.6 bnx.._.£269
25mm ext tube.—.£89
FL 50 flash box ...—.£ 199
HLD3 grip__£59
Sigma 10 20 F4/5.6 DC..£299
Pen F PL3+14 150M .1699
Pen F PL2 * 14 42..£249
Pen E P3 body M box...£399
14 150 F4/S.6-..—..£379
OLYMPUS MF DM USED
OM4T! blk body_-.£299
OM IN chr body—..-.£129
OM«1 chr body . .£129
QM-10 chr body_,_£49
2fl f 35—_ £49
3570F4-_..—£89
35 105 F35/45 —.£149
50 FI.4. £89
50 F3.5 macro...£129
75-150 F4.......... £69
13S F35_£39
T 32 flash___f49
Man ext tube 7/14/2 5 ea .£24
AuL 6 ext tube 7/14/25 £39
PENTAX 35 mm MF USED
LX + f A2 scruffy._...£
K1OOO body chr
P30T hndy ---
P30N Krwly .
Proufam A bodv....^_
MP body sil 0.72 M box. £1799
M7 hod
M6 blk
M6 black body—
M4P chr body...
M3 chr d/wind + ERC
M3 chr s/wind__
21 f2.0 blk ASP M box._£1999
28 F2.fi M box...._£699
35 F2 blk ASP M box _.£ 1699
SO FI .4 blk M bos_£1699
50 F2 blk M box_£1399
13 S F4 blk M.—.-...£099
CF22 flash_-£69
Cf Fljsh__„£69
SF20 flash......_. „£79
LElCA SLR USED
09 body Anthracite—£649
07 body blk box...__....£399
04 body chr....ii49
60 F2.fi R_ 1449
LIGHTMETERSUSED
Goshen Lunasix III..£79
Gotten Sixtomai__£79
Minolta Flashmeter V_..£ 179
Minolta Autometer 1VF.1139
Mi nolta Au tometer VF ...£ 149
Sekonie L3O0B.._..£99
Sekonic L3S& M ....._£179
Sekonic L5O0 M box-... £249
MAMIYA64S USED
645 Pro TL l 80 + RFH
+ plain prism___£399
645 Pro TL inc &0 F2.8 N i
FE40I Pnim + hoWrider_£499
645 Pro 5V Kit inc 80 F 2.8 N
4 SV Prism + 120 RFH
4 Winder Box......£399
645 Pro i 80 F2.fl N
4 120 RFH i fE401_£479
645E body„..-.._.-..._..£249
645 Super + AE prism
4 RF H + winder _.... £ 239
645 ProTl Body— ..£249
645 Pro Body ..—..£199
45 F2.fi NM Box.—...£249
50 F4 Shift-_£349
55 F2.fi N_£149
55 110F4.S__£299
70 2J3 C leaf.-..-.-...—£99
105 21 Of4.5 ULD C..1269
110f2.8N_. ..£99
110 f 2.8 C.....£79
150 f 3.5 N_._ £99
210F4NM_....£149
300 f 5.6 N OLD C M -...£299
Ext Tube 1.2,3S each._£39
blk 005 M box £1499
TL 0.85....£899/999
£699
20 F3.5- £49
2fl‘S0 F3.3/4.S PK...£69
3S-20E 33/4.5 PK—_£49
40*00 F2.8/4 PK.. ...±69
SD Fl.£49
50 C5 un
™ ■■ I jfe If ■ ■ ■ ■ — ■ ■ ■ — ■ ■ ■ ■ ■ ■ ■ ™ ■ ■ ■ — ■ ■ ■ — ■ ■ ■ KB ■ Am ■
SO-20OF4.S __ £49
400*600 f 8/12,-,_iPOA
Rtfdr converteT PT62_£69
Auto bellow* including
copy drtdchmBnt_£ 139
PENTAX 645AF USED
64 Shill body.___„_,„£599
_£429
_£429
£2499
BRONICA GS 6*7'
150 F4 PG M-—....
GIB Ext Tube box
Poldroid fij<k.
£1699
..£149
£2399
24 05 F3.5/4.5 V0..
24 120 F3.5/5j6 VR.
28 F2.3 AF N..
28 00 F 3.5/S.6 Af G box
28 10OF 3.5/56 G —
23 105 F3.5/4.5 AFD.__
23 300 F3.5/5.6 VR..
35405 F3.5/4.5 AFD_
3S-13SF35/45AFDM- ixa
50 Fl.fi AFS M box..
5OF1.0AFDM bax—
5S 200 F4/5.6 AfS VR._
60F2.fi AFD box_..
70 200 F 2.0 VRIL..
CANON DIGITAL AF USED
1DSMKIII body. 122 99/2699
1DS MKII body
1D MKI V body..... £2699/3199
1D MKII I body-... £ 1299/1499
1D MKI! body £499/799
7D body b[:>x . £01^
SD Mior body box £999/1199
SO MKI body—_-£499
SOD bpdy,_..£449
<1GD body..—....£349
20D body. £179
M'nolu VC7D grip 4
Sony WGC 77 AM..£
MlNOLTA/SONY Af U5ED
Dvnax 9 bodv M box.....£.
120 insert_—__...
4S-fi5 f 4.5 M* box.
5S F2.fi Ai M- box_
80*160 F4.S FA —.
PENTAX 645 Mf USED
5S F2-8 M*
13S F4 Leaf_
150F3.S EX
C4
B B BB I I* ■ ■ BIB ■ ■ BBI BBI B B B IBB BB I
1.4 x converter..
2x converter..
120 Invert M- box
PENTAX 67 USED
67 MU 4 meieied prism
4 105 E2.4 latest-.
6/ MU body..__
4S F4 latent M-__
SS F4
™ » 1 ■ fl !!■■■! | fgP f ■ f P-Tflt—tl im 1
7S F4J latest h «r
?S f 4 j t,hiff _
13 S F4 iTuc edily_
165 f 2-8 ... ...—..
165 F4 ledL. .
£1449
..—...£179
£129/179
_£199
+1 : »1
70 300 F4/56 AFD_.__.£179
70 300 f4/5.6 G..£69
80 2D0 f4.5/5.6 AFD—.169
80 400 f 4.S/5.6 Vfi.£749
85 Ft4 AFS GM box.11049
105 F2DCM, box_£S99
200 400 F4 VR1__13299
200 400F4VRI..12999
300F2.fi VRAM box_..13499
300 F4 AFS box..._
SOOF4 AFS VRbox
500 F4 AFS I_
600 F4 AFS VR —
TC14EIIM __
TC20EIII M .
TC20EIL.—__
35flO t»dy...
11000 body tx]
6G-E1_L™,
8G-E2N-.
&G-E3__
8G-ED3-.
&G-E41 SD MKI)
8G4S_™.
80001 body_£39
50SS» Super b/o_£ 29
17-35 F3^GM*box^ n -£799
24 105 F3.5/4.5_ £149
28-105 F3 5/4 5- —_£99
35-105 F3.S/4.SM .£99
50F1.7_ £79
75 300F4.5/Sj6__£89
100 300 F4/56_.. £129
SONY LENSES USED
16 F2.S fiiheye box .— £449
14899
6G*iE6 box (5D MKJI)_£1S9
6G*€9 M-.. ..£109
G12 Lompdct box..£279
GlOcompaCt box..£229
S95 compact M- box_£179
SX1 IS conipric t M t:KJX _£ 1 79
SXlO IS CCHfripdCt M- boj«_£149
S3 IS compact___
CANON AF USED
EOS 1 ri H5 body
EOS 3 body-,__
EOS S body-
EOS 100 body._
EOS 5DO body.......
EOS SOON body..
EOS SOE body—,._
EOS 30E body —.
0-22 F3.5/4.5 EFS
TC20E
SIGMA NAF USED
10 20 F3.5 EX DC M _
17 35 FJ.fi/4 IX....._
17 SO F2.0 EX DC OS..
17 70 F2-.fi/4_5 DC
18 SO F2.0 EX DC-
18 125 f 3.8/S.6 DC.._
13 200 F3.5/6.3 DC OS.
24 70 F 2.& EX DG HSM
28 70 F21 EX DG box.
28 200 F3.5/5.6....
3DF1.4EXlXbta_
50F2JEXDG_
50 500 F4/63 EX DG....
300 F4 latg .... ... ,„£3
Auto ext tube-i...£'
Vivitar 2xcanv__ £
ROLLEI USED
Holleifirx 2.H GX TLR Jersey
Limited Edrlion_„..._.£ 19'
TAMRO N ADA PTALL USED
SEE WEBSITE
TELESCOPES/BIHOS USED
SEE WEBSPTE
VOIGTLANDER USED
Bs^a III 1667)..—._.£13'
BRAND NOT LISTED?
SEE WEBSITE
18 55 F3.5/5.6 SAM.£49
18 70 box___ £49
50F1.4M box....£219
SDHfiSAMDT...£99
70 400 F4/5j6 G scruffy-£749
85 00 SAM M box_.£129
Kenko 1,4x Pm 300DG-£149
Kenko exL tube set..£99
VC 9 (Dynax 9> M box... £129
VC700 (700.-80059. _.£29
VCfiOD (OOOSi).._..£29
VC 7 iDynax 7^_ £69
Mm 36O0HSD flash..—.£79
.. £ 149
£99/199
.E 49
Canon 300mm F2,B
Canon 400 F2.& IS L
USM
H^selblad 903 SWC
Nikon 200-400
Pentax 64SD body
M - box
i
JTT
Ifi!
[IT
■ 1
[3*1
Mai! order used itoms sold on 10 day approvalL Return in ’as received !
condition for refund if not satisfied (postage not included - mail order only).
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Prices correct when compiled September 28th 2012 -E&OE,
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Canon
55mm
rrp £579.99
SAVE £211
rrp £2299.99
SAVE i9QQ
Price includes o £35 cwback. Cashback s^ns 13 SO I?.
&u mm £329 s'K claim £35 b£C* from Canon. £iid$ 24-12*13
Thee?
y poweishots have
' just been announced at
Photokina I And well have powers hoi gis
fn ,8-2.0 5XIOQM
rh?m in stock soon ! available soon
POWER5HQT S110
AVAILABLE SOON £429
AVAILABLE SOON
D3100
EOS 650 D & 18-55mm IS . M „8S13
EOS 650 & S 13-135m 13.5- 5.6 IS STM..
EOS 650 D & 18- 55mm IS & 5 5-2 50mm IS
EOS C56D BOD'T ....,
am w save £iio £478
WWW
D320G a 13-55mm
tJTMffl & 1S-105mm
?649 C<3 SAVE £130 £479
irp £739 SAVE £240 £499 n\ -C99 Save mo
rrp i I&9? SAVE £671
15-85mm ftf .5 5.6 EF 5 G U5M
17-40m m ft&i EF.....,
17»S5mm M-5.6EF-S iSUSM..
17-55mm f.2.S£F-SlS r ...
24-105mm Mi JtSUS^.
50mm in BE? .
50mm 1.1 1 Ef USM................
£499 70-200mm f.'il Ff.
£609 70-200mm I 7.SL FF IS.
£26 70 300mm ftf-5,6 EF IS U5M
£699 100 mm Oj^EFOSM .
£749 100mm iilM EF IS USM.
£92 430EX II FLASHGUN .
£235 600EX-RTF FLASHGUN .
£419
18-55mm I. 1 ] 5 5.-&GAF s dxvi . £99 40mm L'2 SO AM macro.
l8-200mm 1,1.5 5.6GAF snxvn..f5SS SOmmPiSGAfs ..
l6-300mm r/J.S 5.6GAF S DXVR..I749 50mm F/I 4GAI-S ..
24 70mm ttf.AG Ei>AF-S.......... £1289 55-300mm 1.4 5-560 AF-s vs
24-85mm l.'3 5-450AF-SEDvft.... £42 70-200mm ■ 6GEDA-SYRI
28mm f/l.&G tf-S ED.. . . £529 15mm ft I.8GAF-S...........
35m m ■ 1 3C ATS..... II49 105m m M.SG IF ED vR MACK
£289 5B700
TZZZ FlA^GUH
irp£29in
£359 SAVE HI
£635 £229
£499 rrp £ 1939 SAVE £595
EXPECTED LATE NOVEMBER
*20.2 MEGAPIXEL
• FULL FRAME
• Wi-Fi FILE TRANSFER & REMOTE CONTROL
• FULL-HD VI DEO A
CASH
BACK
CHANCt’*
*+ YOUR EXCELLENT & BOXED D 700 BODY IN PART-EXCHANGE
D600 BODY ... 11350 + YOUR D300S BODY,
D600 BODY .. £1400 + YOUR 0300 BODY,
D600 BODY . 11500 + YOUR DOO BODY.
44d
£80
CASH
BACK
■ ■ ■ ■ ■ ■ ■ I ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■
!(■■■■■ ■ ■ ■ ■ ■ ■
REFURBISHED ff 6 MONTHS WARRANTY
HE TURGlSHm 1S-S5 nim
: f.'S.Vj.eGAf
\ rra £187.99 SAVE £lM
+ + »«'- + V-* + + + » + !t**«
.• ■ m
m
*
*
■r
#1 Aft AF’5 [TX T-i
np £377.99 SAVE £136
REFURBJSHED 18-2DOmm
sa m* f/JiS’S.&O S DX Vft
r ILL r
L, m=n
B. m nfl' B m Ba
J. m m J, m
r SB910
Pi r. ir^ 11 h
^^ r . * rLftjcKjLJpl
np£F6l.DC' SAVE E24« £51€ • irp £449 SAVE El00 £3
: KWiftMirttM
M
irp £539 SAVE £150
fOWtftSHOT G1X
THE MASTER CQMWWL- --
rrp f£99 SAVE £1 50 549
POWERSHOT SX50C IS
lOEOPTiCAL 700 M
JUST ANNOUNCED
crp,!- ■
j K .hi
■S » * S ■
■a ■
B ■ h m •« B d)
- m m m w. mmm -
.■I m 4>
m m y m J im d it. !■
"P
f 419 SAVE £110 £329
.... m ■ .4 m r. ■:
B ■
ait delivery imured courier service, usually ne
(orders before 2pm). All prices include VAT© 20%.
e. n
ELEMENTS
M ! m yHQSV J
SAVE £211 T:j?tCy
JP C it *9 *
F llal f *Ptfc# Iryfcd«£)SOeBli»dtyMJ w £697 and d*Jm
«■* « ESO tuck fr«r PaiKorw;. offer wds 31 \ i?/l ?.
14mm W.5WM..... 079 35-IOOm m tt.GGXVAPiOOI^.fTBC
20mm 11 .PH .... 075 45-1$0mfn ('4-5 6A5PR ............1290
25mrn F/1.4 ASPIUEICA OG. t 45-200mm 4-5.6 AS PH. 1199
12-35 rnm ^GXVAftiO. £913 45-175mrn 4-5.6 GXVARIOK...C318
14-42 mm 1 3.5 G X VAftiO FT.. 09§ 100-JGdmm ’-4-5.6 GVAUO. 1432
PANASONIC
FREE KIT INCLUDES
• SAN DISK 16GB45M&S
• IOWEPR0 COUIER 80
• CAMERAWORLO LFNSPEN
was £549.95 ^0
SAVE £170 k
f 50 taslbac k OHw erds 1 1 , 12 12
14 WELLS ST (just off Oxford St).
LONDON WIT JPB
T: 0207 036 5005
t: soles@camerawiofld.co.uk
Olympic logo engraved on the
back of the camera,
Only 2012 models made!
lunik mac
HIGH CHELMER SHOPPING CTR.
CHELMSFORD CM 11XB
T: 01245 255510
L: chelmer@cameraworld.co.uk
50mm
75 mm ^
in amjlmr
NEW! ORDER NOW! 99
CV&FR5H0T RXt
FULL FRAME c OMPaCL
AVAILABLE SOON £2599
CYBERSHOT RX1O0
APS-C COMPACT ,,
rp f S-19 SAVE £30 £
f/2.8 SSM
rrp £1659
SAVE £330
f/4.5-6-3 APO DGHS
NIKON S CANON FIT
rrp £2499.99
S AVE £600
11-lflmm J 5 5 l 6. £4® 75 100m m 1 4-5.6G.
1fi-50mm ftj.B SSM. £4 2 70 400m m if A SJ£ SSM.
16-BOmrn ft3.54.5 ZA CAUL ZEISS £49 85 mm H2.B SAM. ..
18-250mm fi'3.5-6.3 BT SA.I. £449 100mm ft?.B MAC30..
50mm I a or SAM... £135 A37 S 18-55mm 7l.S-5.fcSAM
- AVAILABLE SOON Lgt+jV
A57 $ 18 S5mm f.J.5-5.6 SAM... £489
A65 8 18-55mm f.'3.5-5,6 £699
*77 HfjfW f^llQ
F W 1^ • i i i ibi i i i min i i i i mu i i iiiari i i ■-■J 1 i J
NEX5R& 18-55mm
f/3.5-S.6 OOS
AVAILABLE SOON £679
AVAILABLE SOON
FINH 3 RXX1M
FINEPIX JttO
RETRO CAMERA
n**i£4Y fcAVfc £1M
INC: LEATHEF
rrp £1299.00
SAVE £506
(M S.6 DG MACRO
1ST FITS AVAILABLE
rrp £173.99
Uk SAVE £74
irp SAVE £364
fine pi x JMi
PR4&RDER FOR NOV
FINEPIX X-F1
RETRO CAMERA
AVAILABLE SOON
£TBC
LENSES FOR X-PRQ1 & XE-1
XF 18mm f fl ft.
XF 35mm 171.4 ft..
XF 60mm if2 A MACRO --.
1O-20mm ft4-S.fi EX DC HSM..
10-20mm ft3.5 EX DC HSM.
17-SOrnm ftZ.B DC CK OS HSM.
17- 70mm ft2.B4 K OS HSM..
18- 125mrn f,'3.5 6.3 DC DS HSM....
18-250mm l;3.5-6.3 DC DS IVACRC
14-70mm ftZ.B EX DG IF HSM ..
30mm in.4 ex dc hsm ...
35mm In.4 EX HSM.....
50-150m m I/2.B €X DG OS HSM.....
50 500mm f'i.5-6.3 DG OS HSM....
70-2DOmni f/2.8 €X DG OS HSM.....
105 mm -il.SEXDG OS HSM.
120-400mm f/45-5.6DG(KHSM..
150500mm f 5 6.3 DG OS HSU ...
£369
£449
£479
£328
£238
£388
£588
£378
£TBC
30X OPTICAL ZOOM
rp E3?9 SAVE £130
p [171X1 SAVE £100
10-24mm ft3 5-4 5 [mi 5 s . £349
17-S0mm ft? B *R D IIYE LD..,.,„.059
17- SOmm ■ e*fl Di wo . ...£29S
18- 20Omm Fn.M.1 ^ 0 i_ £1 /b
24- 70 mm ft? 6 0 VC OSH.. £8®
2«-300mm ft3.5-6.3 XftftVC LD...1549
55-200mm frt-5 6 & II.... £125
60mm f>2 Qi n ID 5 s ......... £1S9
70-300mrnF/4-Sfc & LD MACRO ..£133
90m m f- 2,6 Ch MACftO. .. £349
80mm 02 B D K USD £TBC
fy3.5-6.3Di live PZD
TTp £664.99 A
SAVE £273 ft
rrp £449.99
SAVE £161
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I
i
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1
p
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photographic
Mrcnica ETRS'Si
ETRSi toele t ABI Pin * tjnpEi- E++B* - H99
ETRSi tompifte * AElfr PrisTi * Gra.E+tSffl ■ B49
ETRSi Comptetie - AEH Pram..E+E329
ETRSi Conwete * ftsr..E++S209
ETRSi tomplift ..£*4 7 hfrt-E293 ■ £349
ETRS Craplele + AS I Pram__E+E249
ETRS Ccrctele.........E--£226
F4 Cl .umuiiiifeaiiiiHiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii£Hc£39
i5-*TT F4-5.fi PE i ii ii i ii i ii i ii i ii 111 1 ii 111 1 111 ii mi ii i ii E++E449
53mm F2 ftE E+JEHfiB-E'ft
75MM F£ HE!... _ JE*£-+E69 -C70
I Q0-22ftnfri F4 0 P£.. E++E499
lODiiPii F4 P£ Matro..E++E249
MSttm FlfiE llllllllllllllllllllllllllllllllllllllllllllft to£eer£49
135mmF4PE, .JE#7E*+E113 -E43
1 Wmm FIS E..to Seen Urf,5ed£30 - E‘49
153mm Fi5 PE.. E++H49
2Mmm F4.fi E.to Seen UrLsed£73 ■ £249
mm F4.fi PE E+ J LKradCI H ■ £279
300mm FSl&E.E++EI29
253mm FS.6 E to Sem7£-*E73 - £' 59
253mm FS.&PE .. E*£!46
1 ME Msg As SeenE*+E25 -£49
BOB tag __.E*£3&
ZSD E Wffl IHHIlIHlIIIHIIIIHIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIliE^^E.lS^
223 Ei A....E+EI9
Folate Mag E . .£* 7 E*+E25 ■ £7S
Pc-MDid M« . . ■ _ U'JWiz:
Meter FIsA_£t/£t#£89 EfE
RismFfifefE Bb7Eh£45 ES9
E____Et/E+tOhCtt
wTJjeE-4.E* UrLSKfE-49 - £G&
E-teraan TUs m Eh 7 mm - £79
SCHN Ftah Aftytar . JE*7E-+E25-£56
Br&hiefl GS1
GS” Ctrps&le t AE Prisn.. E*£44&
GSiBffl&toy.Eic E+E129-D96
Sfevn F4.5 PG.to Seen£*+E99 - E4&
1Iflran F4 PG Warn.E*Et+£1 93 ■ £249
150mm F4PG.Ett£"49
293mm F4.S PC.....E++£'96
253mm F5.& RG. E++£24&
GS ”2D Manure___JE*Et+£38 ■ £4S
fraud m G...7 £■ m ■ £66
AEPrsmF.-MtefG JE*7E*+E05-£T2fi
Plain Ptsn Ffdet G..E+£49
Speed GrpG.£t+£3fl-E45
Brwieji RF&45
RF84$+65swnR EtfE*+£$i3^
iSmm F4 flf + Rtfer.E++G46
65mm F 4 flf.E++£l40
135mm F4.fi Rf „ , ..Mffl|-f740
Brcmica SQAAi'E
SGai Compete....
SflJki Vrhi fVi v F+f 8
■/y™ rtVf V M fmimnmanmninininininininininiihi T -i ■¥
SO*M Ccrdefa..E*S2»
SownF 3 . 5 .PS. EtfEntia-El»
S3mm FJ5S.™Ai Swi J E«ttt ‘Elffi
«5mmFJPS.Et/Uh«d£S9-£2tt
flamm F2&P$ As Seen E*E53-M9
1131 m Fe PS Meen_Et iEt+Ei69 - £i 9$
153im Fi5 S_As Sees ’ E-+E-A9 - £»
uom Fi PS... . as Seen 1 6*+ti3- ?;»
Mm F^i5 PS Plll'T-llllTfllU-lillllllllHIIISIIlllllIIlllIB
1 PS-"!!..
2i Te*«tf«ns S.E +) Ifr^CK - £99
SC* IzdJiUad RuAA
■m 0 1 iW iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiims iiiiiiiiiiiini?-hi 1 1
SOAEC Msj___E*JE<*t»-ES
SOA 23CJ llaq....E+C75
Pmanxi Msg S_E«t3S - fej
PnSlTI FfllldSf 5 rvniiimnii’iiiiiniiiiiiiiiiiiiiiiiiiiiiiiilE^n ^9
CSSMFPnteS..E«E®
HEfVuipFimierS. ......E*t»
kuanjwe SO 11 ii ill i in 11 ii in i in ii i in ii i ii i ii i ii i ii Et/E+rfl 19
MOBrwitOer SON.. E+£tJ&
PtSmFnJef S..E+E59 - £79
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Caw EOS IBS Midi frd* toy .fe Seen i E-+Q9S ■ E909
Caw EOS 10 MK IN Boev Orty ... As Se^E419
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150mm F+CBadt..___E+7 E++E15t'£209
lMmmF4C=_Enc/E-wEM-ESS
150mm F4 C"i__E++C700
IBOmm F4Cf .- .£+£460
2MmmF4FE.E++ES99
250mm FSfiCBtel_..£+£199
250mmFSBCCwne ......toSraT E+E99'£190
250mm F&& C Stper totwnmar.E++£2.3$$
25flmm FSB OF._ Unt-S46
Vftri&rfr Cra^ner F+ 7E++E35 ■ £46
Teiravs 2 % MC6 Curler. DtefiedfTfi
7D Chrone Mag ____ to Sratr E+E29-£39
AISBfadhfaE_ E+7 E++E79 ■ £126
Ai2 Chrome Mu As Sen E++£7g - £S46
AIZTOCBlackMag_£+£146
A24 Ban Mac ....___E+ 7’ E+4E39 ■ £129
A24Chnmng. &dE++£39‘E(S
A24 TCC B jc* 11 E+EI39
E12 Back Mac , E+E1S0
E24 Back Mac..E+ Mteh£ltt-£m
Polaroid IfiD M^g ... . E*£36
HfltPfsm.E+M9-2I29
R9ArfrJ3£t!e B«ly Only.. .£+ im t|7B9- £899
R9 Black Body Onk.£++£709 - E8D9
R3 Cucire Bow toy.. ....E-C369
RTCntme Body Only.—,....E-E299
R6 2 Blade ^ Only.Et / Ett£&49 - 0699
R6 Black &id»' Only_ E-E399
PS Black Bo* Oflh.E +1 E++£2» ■ £349
PS Cutme Both 1 Only E-*£J49
IH Bias God. Only.™-E*E19
R4$ nmi 2 & ad Bocy OrtyE-+ LhMdE249 - m
Blade ftxhrCi^r .. £4179
R4 Black Body Only_£+£!»- £159
Ri Cnroma Body toy_,.E-£129
R3 MOT + Wfttr.1+ / E++H99 - C299
PG Black Body Only.__ _E+£<20 - V 59
SL2 A.nnve+sar> Bocy Ckrly ,E**£fi49
SL2 Bkk fetidly- __ E-E349
St MQT BarxBray Qidy _ _E«£S99
SL tom«4 SOfflffi Fli'Dummyi.. E*£lM
SL toOT>e Body Onlv .' E+ E++£146 - m
?4rrtrt mm.. _E++fM
26-7®knm F3.54 5 R yam -
23-Tflim F5.54 5 ROM.E+ / E++E289 - £3^ '■
6Qnr. f23 R Macs +Tube___E++£«S
7D-21'>nm f 4 R 3cam.E+ E*+£279 - £969
SD-2Wmm F4.5 R 3cam.._E+£lfi9 ■ El 99
1BfomF2A R 3cam_E*c;E+£2» ■ E343
IfiOirtriFiBRCM E—£t39
lecmi F4 R Sean. „ ._.__..__._E+E?9 - £299
fiEform m %i n__ e *m
2s AM Eiien«c fl___AM448&
^EiteflfefR_Et 7 Urasrf£S9 - £249
NkfiSyTmF3 5PC&Ht bW
ammn iC-:56>“riF4.5
■ IB
■ ■ ■ ■ •--* ■■■■■!
E-El 73
Ante Fndw R __Et+£5S
Antes Fndw H (14300} Eh/HH£125
b£kIMI H__Ettf 125
Cffabad: DB2 __....£*+£45
Macro AaaplerR.E+ E++EE0-E125
Mdtomnlr R..£+£35
Meion*nde'R4.E+-- E++£» - £ifl
IfelWrtte-nW... ...£-*£299
Hrajfwdr R m .E+ / £++£140 - £199
■ inrni
£kc£ 20 RS'RS Re m 3!c ffirtml
£*+£99
Prisifi.. £+7 E++E146- £190
PM93 Pripr___ Im: E+f 179
PI,IE 5 11 ”?■ Pn&n E+S200
PME90 Mrar Piisn..I+S39S
Large Fermat • Plcaae Call
L«ka Screw • Flense Call
Mamlya 645AFD ■ Fkase Call
Bi'BMF Series
m + ShtnMNMlI.,..,,,£+£ 1,769
6150mm ! 75nirTyl 53mm..£+ • E++EI.E99
6 + 75mm F35* 16&'mt : 4 a 5.E++E 1.369
IMTrafiULpBU^—.E++E346
Mamiya 645 Series
G*5E Graagte,,...... . . E++E246
PDBrayOi^... ,E+EB9
fif DQEIY Cmhf iioibiiioiioiiiiiiiioiiobiiiiiiiiiiiibbioiioiiiiii E+E76
35 mm F3.SN-..£+7fct*£l99 ■ £246
45rm F?i C.to Sem 7 £+#09 £146
AS'TrnFa.flN ..E*t/Mrt-C199-E229
F4 C M_ F * 7 E++£2« ■ £270
55" 1 \ GfUfH F^ 5 Null mm i mu HIIIIIIIIIIIIIIHIHIIIIIIIH |E 59
5Sim F2.fl h. E++H69
7»>rrn F?.fl Leaf Shutleir......E++E69
09nmF2.fi Leal Shutler. E+CI39
03mm F4 Macro &.E+E149
0521 Dmm F4.6CULD to Swi7E+£S9 ■ £149
20mm T4 Maoc A .......IM-E29B
BtenF2:6A. E++E249
50mm 0.5 C...E* 7 E-£49 ■ £115
M-mF3SN E- E--l^ £S9
50mm F3.fi- Leal Shutler E++£t69
50mmF4C. _E+ 7 E++469 * E99
210mm F4 C...to Seen 7 E—£59 ■ £139
3®mm F5.fi C....Ek 7 Etf79 ■ £129
300rnn F5.fi If . E-£89 £129
5XhmFS.ec.„EttE299
Kcmora 2x Gorwenar__E- 7 -++£30 ■ £35
Telepus 2x0™^'.E*4£S9
Viv tar b. Conwor.E+E49
120 hwrt.E+/ UtendES - Elfi
120 Pra Man ..£+£29 ■ £35
120Super Mag.....,.,...E*£3S
136NS5w^....E++£75
220lTsed.Z_. EtMrt-09 ■ E2C
AE Pr sm Fmder, FE-401 k.E* 7 IhCTO ■ £69
AE Phpn Fnfer eFK 4Q2|.Ar.Swfi£49
A£PrsmFndflih_E+7E*+F79C129
FP40 I Fain Prisn findsr..E+£5»
FanPysr.Et 7 Et+£3G-£49
FolsmidMw..E- =,+4023 ■ £29
Prism Fircer 643_A(S6tei7E++£29-£fi9
toroErtrskmliDe 1. E+£2S
to ExteTsiao Tube 2.„E+£25
Alio E*™ Ti*o 3S. „E+£25
Power Dmfl K... Epe E+£45
Pumr DIub WG4£<i.E+ Unused^ ■ £89
ECASfi Flash Adapter.E++£45
Mamiya 7711 Soipcs-
71 Black + 8 &nro H l.E *+£1,299
7 Body toy.-.£++£499
emm F45L + Met, ...KM-E1.W9
S0mmF4.SL. E++£fi99
50mm F4.5 L +Frder..,..„,,™ m ,.E++£B49
65 mm F4L.£*#£489-£469
150mm f 4 5 L...E* i 1 £*+099 - £449
?1QmmfEL +Enter, NW-E746
Cl«eUpKlWK701.liriF£199
F W15C2W FV7W_£#+7 Mrf-C179- £169
F^ioian c Adapter AD7D1 £+ E++E75
PE7D2 External Battpy Case. M ..E++t46
2E7D2 Pclanang ffer..E++ Kite-El 49
M&mira BBS? Senes
Frit SD Craiptele. E+E449
Ff v S ...v m *3 ................................................. U E346
PritS Bah fliy...... .. E+E99
37mm F4 5 Fcneyn C.E++E369
50-i" f 4.5C E-£'S 6
146mm f 4.5 Macro ML-A.E+E269
100 mm F 4 ^. Ay Seen I bm ■ £ 146
180mm f 4.5 C A*Smi7E+£GS£149
10OmfflF4.5KL.-A.E+E166
250mm F4.5 _£*+£169 ■ £169
360mm ffi. 3._ ,.E+£199
PrijSKJMag...JtoS«n£3S
Fri?S2K)^% E* (' I—£29 - E145
FritSD 120 Mag iBocT+mf.£++£59
Pn^ 220 Mag M.5I.E+*£39
to Edrten liiffol.E+E65
to Efleten Tube Hal iPtoSOi.E++E5E
Drahe Cate Pf -ease...E+E25
hAamiys RZG7 Series
Pro II Craig ele. £+£649
Fro Ccmplfle .. £+1 .[593
FriiBo**WLF....E+E299
S&rri F4.5... 7 Et«£»0 E3S0
50mm F4iW.& Danu/IMEISO' £469
65 mm 5=4 L-A E+066
^ 5 j ^ 4 1 1 ................... + l. :' 6
55mm F45.E+E246
75mm F4.fi Shf W.E+ 7 F-*£399 ■ £549
00-anrirF52W.. E-E-93
10 mm F2.fi W. E++E349
40mm F4.fi Macro ML-A„._ E+ 7 F-+E249 ■ £399
40mm F4.fi Macro W. ,....E+ 7 E-d219 ■ £259
00mm F4 Safi VSF Dl.E++E599
00mm F4.5.Mite£299
8 fevnR.fi Sior.,.E++H46
00mm F4.5-W.....1# 7 E-i£l29 - £169
8 fevnR.fi Wi.ExcE-»£ 1 S ■ £269
250mm F4.fi...... ..Exc 7 E-i£l 79 ■ £199
?50-m F4.5W__1S9 ^ E225
350mm F5.6 Ajkh.E+E499
350mm FG. .E#Et+£M ■ £299
1 .it flrwrter__E+ 7 E-+£l59 ■ £249
120 Fra II Mag. Et£49
120 Pf d Mag_Et 7 EttfidS ■ £59
120 ho Mag 1 6x4.5 .Et7Ett£Sfl ■ £145
220 Fra Mag.._,..._..E+t£2C
AEP^sm Fiedfii_E*£U9-£179
PG Prisr Filter.. Et£l29
Ftete m .E+£25
‘M-itLMlFiNHr. _Et£3S
Mail Order
Hotline
we accept
Cash, Cheques
Prices correct when
compiled, E&OE.
VISA
ml)
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.30
Ejt&nscr Tube ho 1./ E++3&
Extensor lute No ?.........E++E59
Ga Bel c«s Lens-bad...E+MH
L Gro heater RZ |5£47ttU...E+£33
iwnfc n....._
E*; E*t£19 ■ £39
Mamiya Twi n Lens Scries
C330S + BAffirn F2.6...E*£249 ■ £299
C33HS + Pain Rrisn.....E+£M
CMS Body Ch y.E+£1:M
C330F Baly Onw.„E+£l29
S3fflTif3.5W.„...E m
I35im r M.a Setter. E++E149 1
Flasf LGnp.E+£lfi
Paaneftier.........E+E4fi
ftstoGnp........
Nikon AF
FEf«3aneryGnp."
FfiBajyftiiy .|-£3i9*„.,
F5 Aiwv?r$^iy Botfy Only .Ef4£7M
F5^(^._L-, . &m'tm
f 4S Oflhr.....i.i.£+£t9t
FtOC E$y- MBloGrip. £WE~£159- CtQ9
FWBo5¥Onh- . .A$$sri/ Sh£J5 ■ £1E9
fwx + mbidgi*. tm m
FtoBodyQ*---- E*£3S - £E9
8lii Ew* ft*..
F W 3l*< - M&lfi _& / E-£®3 -
FNBMlfcty6% &/Ih£3I-M9
F7fi BodyOnhr,,,,. ....„„„™.,E++E4&
FE-5 Clr: - ? So A CH*f Afl SHi I E«£25 - £45
F&0 + Sigiia 2&4QHMH...„E+E39
““ . -.MSm EuftS-m
F55 Chme flodfr 0^ Cv/E—€20-E25
F50 Black « 38-BCmm .. .E++E59
FSflBMckBo^ft*._E#/E#tflM25
F50 CItotic Beth C m .»..£+ E++E19
FBQ1S BOdvOnly ...Mh|-E40
FBfll Bodybnjj^___E*£29- m
FSO-t + 35r?Cmi ■ ' .E+E49
RmBttfeft* JEjk C-JE19 ^E35
m 1 5 QOane Body ftfr .- _-JUmtiSD
ftwsea 0OU ♦ M-3wm .E++E7B
Fronts £ t SHjftrir.E++E38
10SiniFa.flGAF ED DX Ftsh 9f* .IMHE3B9
12- 24mn F4 Q AFS DX ED &U rM519 ■ £589
1T-55iT¥n R?3G AFS DX FED E++E&19
1&nmF2.8 AFD...E^E£9S
l355fF.ni F3S5.fi GAFSVfl.Ett/NiU'EH
13- 55mnP35-5.fi APS... MN-E59
lB-55fmn F3S5.fi AF5 II.E+E5&
13-55mrn F3S5.fi GAF5DXVR E «) MrL-fffl ■ EBB
13'7Gmm FS 5*4.5 G AFS ED DX Ek I EmlTS ■ EtBfl
13-! 35mm F3lS5.fi GAPSDK.E++CI49
StamFUAFD .E**kfet-Effifl ■ £249
»50mn FWStfN._____.E+M9
24- 1 20mm F3.S5.fi ED JfD. Et/EttEIH ■ EISA
24 1 2flnun FaS5.fi G AFS EC' VREt l E—£199 ■ E2-19
23m-nf2.fi AFD. E«£l69
K-lMfnmFaSi.SAFD.. E+ElM
23'2Mfnm F3.S5.fi AFD._...E*+ei29
a5nn F1.& G A=5 DX. E++£lM
.INn-n n AFD....... ......Mhl-^lS
asnjmmFBIAJ 5 .E + E2«
33-7 fimm FI?J8 AFD. E+£2M
3SlKflim FaSi.fi AFN.„E++£79
35*133pm F3LS-i.fi AFN...
4ani F3.fi DPC-E ED lA&c.
50mtFl.4AFD...
swMFi4GAss
55-300mm F4fi.fi AFS DX G_UkwsEt«
Sfi-2Mmm F4-fi.fi AFS DX &VR.MH-ElM
m-n F3.fi AFDwtat i++m
fiOffm F3.fi AFS ED Mtat).Mend £319
7^200mm F2SG AFS E&V1R.E++E1.W9
10*21 Omm F4fi.fi AF...F++ffig
jftZtfiffllMift
70-300mm F4fijfi tfG
?0-3Wmm,F4S-fi.fiOAfSvR.
IS 2 40m m, FtSfi.fi JtfD.____E«£TS
00-200mm F£8 EDAfD. H ..-Et+£499
80-2WmmFiS5.fi AF&..E+Efi9
fltHWftim Ft S5.fi AFDVfl.E«£7W
SSnmFMGJIFS. 6**£i.C48
105mm F2 AF DC. E++E57&
H05mm F2.B AFDMft.—.-E++t449
180Ttnf2,8 ED AF.„„„^..E++E299
SOChm f 4 G A £ S Vft IF CD E^E4.989
Fl.4- AS IF UMC.E+£l50
%ial5^Cn-iR 54 SEX DG.E**E2tS
Soma 17-35rmF2.B-4 EX,.... E++E129
SgPB 175&-n ^ 8 EX DC OS H$M MMFD70
agmaiBmmP35AF.. „E+*E99
ap4iian-iF2JEXDC. t**im
SpA 10-S)r^ F2M&DC HSH OG....6+EI29
Sgma 2umm Pi 3 £X DC.E-+E289
Sgma F3.5-S & D Aspb.E++E59
Sipa2S30Crpi F3J4J DO .E++E89
Spa30mm Fl.4 DC EX HSM.E^E2V9
Spa MWM FZJEXDO WACflO.E+E149
Spa SS-SCO^n F4-6 3 Ape DG.E+ * E+*E689
Spa IMQttriFWG Aw Maw E++E99
Spa?&-S» T TF4-56A|KMacfcSjM r E++E4 09
Spa 7S3CO-I* FI-5 6 DG Itec.E++E73
Spa 1S5mm F23EX Maire.E++E279
S pa 1 awofr-n F4M & Ape CE+ / E+-S299 - m
Taman 17-S^nm F2& XR D II. Et+£21 &
TamfonSSSMcnri FlS€3XROi. EmEtH
Tamron TIMMnm F4-SJG D.E«£79
Taumori90nnF2.9 SP AF Macro.E++E?l9
Mra l?-24mm F4 ATX PRO 5C ■ £349
Mn 242®Tm FlSSe Asph.E ++ £M
’fttu’a 3S3£KhniF4M7_U^seflEM
Wa SOCurm F2.3 ATX FVd.E^+£94&
Wa 40&TA- F5.fi ATX SD.E++E3-49
Viv !ar 1933mm F3S4.5 Sam I.E++E79
Zeis 35mm F2 Dslapi ZF2. Eh££59
Zeis fiOmm Fl.4 Zr.E*£429
Ite^bPnmQmfent .Et+ MiH-£79
£X Cer^flef...„.E++£lOO
Gwwener_
TD30U AFS CcTHenr.n*n-£3$9
TC'EATetei^/wlfif.E+ UnusstfAS- £M
SMawgpWflispil.-.E++E129
£«2 1 B FtaSSkl_ l**} Ihrt4125 * m
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. £+1 E++E79 ■ S9
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Nihon Manual
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F2HP-
F3HP
F3
FG-llFl4DaiatfiA._
F:j Beoy QrJv_
FZAD^ckBc^ '
FZA CI"rome Sodif
F? Phdemic Or™
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F^3A Cton* m * W 1
FW2NSa*~ J
FVZNClMeme
FA&3«
FEKick
FE&njme
FGCImene
F301 Bodvftty
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batnim-sm
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Ekc -E*E13S'£249
89 £239
49 - EI&S
„. »,...,Ek£175
.... Ek£19^
IfiBack .mWM
E+ ‘ M*r E125 £299
.E++£199
.Enffl • £79
__ Ek£&9
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E*.E++fn£99
E + i E++£59
..E*€4tE29 ■ £39
EM Body Onif.Ef'EttWB
R2 Black Bodv OpN'.JE* I E-+E75 ■ £119
FT2 Oirorf Bocy -driy___ Ek£45
FTN ClMtrpi Be^ Only....E++££9
E^L B(XlV —.■ ■■ ■ ■■■ ■■■■■■■ ■ « ■ ■■ ■ mmmmm m m-mmu m m mmmm m m ■ ■ f
1. 5mm F5.6 F sfieye.E++E499
firnm F2S Al Fffaya.E«£l.4»
15mm FIS AIS....:.. E^+CSSfi
Ifimm F2.BAJS .E++G79
SS'B&riTi Fi Al _E+£l£&
29mm F2.6 Set esE .E++£7S
29mm F3.5 PC SnHl_E+CS9
35mm Fl.4 AJ_ „..E+£2$G
35mm F1.4AJS...„..E++£&49
35mm F2 AJS._...._E+ it++m ■ £349
3fimm F2 5 $e-« E____E*S9
35mm F26AJS....._JBe /E-4£fia ■ £I4&
35mm F?.6 Non At. .As Smi |++£59 ■ £75
35mm m PC SPifl..£+ / E++E2M ■ ESS
3S7ftnriF3St.fi AIS.EtC4fi*£56
3S'05fwF3S4SAIS . Ejic E++E39 - £79
43-fi&ririF3fiNofl Al E+£7fi.
tfimm F2 8 ON Ajg___E+^«f1^£l?5
4fimmF2eP..M«:-£249 ■ £266
53mm F 1.2 AJ. E+£2$6
50mm Fl 2 AJS...£+4 i Mrr^tfS * m
50mm Fl.4 AJS.E++£l59
50mm Fl B AJS__X+4C79 ■ £99
50mmFi.BSer«E_£*£39
50mm F2 Hen AJ _ JEf^Eh£39 £49
WOOftrff Fi 5AI..._..._.E+£3W
fifi^m F2SAJS MiCiO .E*£l25 ‘£149
W-2WnwFifiAL
35mm F2 AJS.
IflflMlflUMS.
135mm FJGNorAI
135mm FJSn^iAl_
135mm F^Noi M_
180mm F2 3 Eft MS_
2Wmm FRFEDAIS
300mm F4AJ_
ZCTmm F4 AJS__
2WmmF4NgnAI
?WmmF=.&Rfe*^_
300mm FiSNyiAl_
400mm F5.B PC AJ._
500mm F&ReleK.
Tamron 7Q-21 Qukt F3.5SP
Tamron 200-500n¥Ti F6 9
■AsSttf£59
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..E+E99-EI79
£*E69
0njsrtE£»
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_E+E349
__E^ISS
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^ 354&rm F2I Senei 1___£f£49
SBUSpwdjrfr:.Et+ LnesedETB - E17S
S812 Speedy . E**E29-S39
SSISSp^gh: £•/ £++£29-01
seiesperfqh: ..JE++ES9-£SS
liB17 Spawigh_—...E+£3S
5618 Speed ^. h L^skIEI D ■ £30
S620Sowlp .JE++ES-E43
SBZIBftnrilasF.E* + £119
561 E*£i5
SIHBaSfiryFaa.L^aE35 • i z J:
Stoe G{rt r cter SJi. E+* Vint£35 ■ D9
SR2 Rigl#*l**.E++E49
Olympus OM Sprits
OMjTi Si iQFtj ___ MifT!-£9ffl
CU3 Blade Body Qnhr_ E^£299
OMIBiadctSftw 1 ..............._...._..._........ 149
GM1 Blade B>Ji On^.EirElGS ■ £129
0M2SP i Khwn FIB.E+E1M ■ £119
0M2SP BJKk Body Or*.. As 5 mt E*+E59 ■ El 19
0M2N Blade. Body Oriy_Erc££9
CM2N Chrome * Wmm f 11_.....E+DS9
GM^dCnunnfr BcdyOrdy.EtE75 ■ £79
DM2 Blade Body Only...... E+£69
0H2 Cue™ Body ft*_._Jt-£79
; " .....At Sinn/ FfESS
GM40 Blad; + Sftnm Fl A .E+EfiS ■ £79
Cm Black Body Only.Eio / E+E43 ■ £79
CUSO Chw™ f Brin Fl.fi.__ EtGti
0M30 Com™ Bady ftily.. Ef£39
DM10 Chmme f fit^nri Fl 14 M. A.dap:^r ..Eff49
QM'OChcme + MAsdpie- Un*uvwr!S9
OUllChmBodyT^O Flash_„.„.._...£+£&
QMlO Chmme Body ft*- __.....Ef£39
CUlOi 4 SO™ 4 3S7ftr#ri * TftJlOmm .As Seer£90
lfimmF35Zj*5......Et+WM
2fifTin F2.9 Zukc..„..Et / E+t£4ft ■ EM
3S7Ctai F3HS Ziin_E*£S
3fi-^m F3.fi Ziito.£*tl^
3S7ormF:Zu-jd.E^/E+«29-£i3
MOnfflF U
35-105mm f 3.54 5
50mm FID Zulu. UnussJCES
SCrnm F3 5 Waeno Zuikc E*.'E+*£75-£119
5C-25&rn F5 ZJko E++£i 68 - £319
ES200mn F4 Zuko.E*' E«£» • £159
7S-150fmn f 4 ZUto.Esc .* E+£2S ■ £49
^mm F4 Macro In ta.E 4 f & 4 +E 1 Tfi - £169
lOOovr F2S2 l <a .. E+*£99
l3^T-F35Ztko _ E-£S
ZOOmm F4 Zui®,... E + -*39
F280FNsfL_____.£*£65
T10 fti^lash _ _____Ei05
Til FM r:. F* f1i3
TMFteh.E4;&+4£9-£25
T23 Flash Head_As E«n£49
TOFlaft. . ....
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Pcnla« 645 Serial
64SD-35flwif2.fi FA..........Wrt45,«9
645M!-4545 mm FA___E+4319
S45N14&B5mm F45 FA E-£??9
36&WHSALW Mrt-£1.3SQ
4SmniF28A.E+ * E*+£l58-£2i9
J5Tm F2 3 FA.E+ / E++£i ^9 - C399
45t25th 1 Ffl.5 FA.E+ / E++£4t9 - £549
55-mFZ8A.E»/E++£159-£2Z5
K-1fi0mmF4.SA. . ....E+» E++C3»-£»9
I2ftwr F4 Macro fA..... Ef4^9
l50mrF2S In FA_ ImUH
I5ftwr F35A..UrkrtHin 1
4WmmR.fi ED i|R FA...
1211 Insufl ....Et i'ttnl'£3S
22C-laser E+ E++£»5-£59
RtTiifF Rdi«yPSbi6t5_Ef*£25
UC£1 Fqcls Screen_E+-C35
Penta* 67 Se riea
Girdele
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6711
35mmF45FisJiByeTaifymar E+ E*+£368 -
45mfli Fl Sf-'C.Ef E++£3tJ - £149
75urn Fl 5 SNA __^ E*£249
IlSnwr F4 Macro___E+ CSG
1Fi fcMcro T&mt _ t*Z E-t148
IIS mfU _-JBB/BE199
200mm Fi.E+/ E++CI9* - C24S
200mr Fi fthnnar.E+ En£ I' 9 ■ £1 ?9
WftivrFi.E+/ E++CI9J ■ £348
3Wmm F4 SMC_....._E+-E249
3CCmm F4 T*uma^..._. As Seen r En*f 168 * £349
500nmFU_—.-E+iOBB-
Vwdflr h Convener.
&7 Revffse Adapts. . .-
t i? jyumaiiaRKed Case__ E ■ £19
Tjw Se;.E* E*+t59 - £75
Sea rise Raw Hate Semen
Pen (ax Af
MZ3Body Only_
MZ7 Qumk + 2M0mffl
MZ:« B>df Of.iy.
KZ54 28Jftw.
MZ5 - '
___.._..E4-£S9
_
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MZ30*
MEM 4 35 -eftnrr
MZH
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SFXN
SFS
Body Orty
: E* -S9
_ £♦£'' j
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.Ef-£29
.E+4£35-£39
,AsE4ffi£39
l?-24nniFfl DA EDAL(IFi NVtf€439
I5nui Ft DAEDAL United ....... ..lfrt£4S9
|7-28rfn F3.54 S Fshme F E+-£199
17-7&TH !F4 DA AL (|F) SDH_ mw
lfi-35mF4-56FA. Vrt-VW
I B-»m F3.5-5 & DA AL. m E+ / Eh£39 - £49
1 E-sffli F3 5-56DA At m ... Ef-09
2fi-;CrmF4FAAL.EWE44DU-£?3
2fi-30hm F3-N-& SMC F.- ...~..J£*£3a
m.rm F 3.S-&.6 FA ......_____E+ / E«£4S
21 min Fl 3SMCFAAL___ E«£"i9
3fr80hm f4*56 SMC F.E* Eh09-£25
50mm Fl .4 SMC FL.............Ifiit | £229
5fr20ftrr. F4£S DA ED....„.!*/ IMTSfl ■ £69
EC-aXrm F44JS DA ED WR WE119
z=-Y?rr =- - c =H =n Vn: {'7J-£199
K-2O0rmFI.7-56f_E*-£39
W-?;i:wnF4.7-S6PA E-£S3
fiO-32DmnF4.5-5&R ,E+-£119
300mm Fi DA' ED i^SCM_k%U-£749
Samauig 1M&*r F3.6-fi.fi AL_Wrt-£3I'
Smi I'-.TOmm F2.&*i DC OS ..MWI*£2i9
Siorid 28'70mm FS54.5AF __E*£19
S im SO'Mdmm F+6.3 .Acs DG .Ei l EttMM • £549
S&na TO-SOOnim F4-5 % DG..Ef4Efifi
Sipa IKrmi F2J EX DG V.=cro E* -£269
S^ra iZEFtoarnm 14^6 APO DG HSM.. E+-1SS
SgnaSftTfiiFlfiEXAPODG E^-Q.tlS
T^rvofl 28-ZKirtn flB-H XR E* ■' - £1 IS
In^i 3M0Mm6DL_
Tpiran fiiJlOmmi AF.E*£49
UN ^5*300mm FtMJ..UnusM£99
AF33CR7 Flash___Efi£39
A-4ft^TZfteh.E4/E++£59-£Se
AFSOOFTZFMi.E+/E+4C79-®
AFS40 FCZ Fiji -'1 _._ _E++ / fcit^249
Dab Badt P& _fc«-£45
MDufiLBadiM._-_ w .EhC49
__ „......E+-£29
Penrtax Manual - Please Ca
RollEi * Please Call
Voisllander » Please Call
♦ 36.3MP Fl l-'rame CMOS sensor
100-6400 (expandable to ISO 50-25,600)
♦ 41ps continuous s tooling
♦ 51 -jjoSnl AF system wilF 9, 21 or 51 A : oc ills
♦ 3.2n 921 k-cct LCD saoesi
♦ 100% viewfinder plus cropping for 3 other modes
♦ Quiet shooting mode
Bjii-iu i- ill Sceedlight; GN / guide number approx,
12, 24mm lens ewerage
♦ Duratte Vagnes um alloy body; moisture arc
dust resistant
♦ Dimensons: 146inm 1 . 123mjn x 81,5rrim
♦ 'height: 900 g (body only, no
KM®
24.3MP Full-fr^rnG CM] S sensor
O 100 fi40Q (expandable io ISO 50 25 r 6CK])
Max mum 5.5te conlincoijs shooting
39-point AF system mh 9 crO$S-type AF ponls
3.2in 921 k-dol LCD scieon
1O60p3O til HD viiieo mo(te wilh si^eo sound
Headdlione lack lo itidwIjik audio in movie mode
Uncompressed video recxuding via HDMI
Single axis electronic level si viewfinder cteai axis
(pilch and roll) in live view
P mentions: 141 mm x 113mm x 82mm
body only SPECIAL
16.2MP Nikon DX format CMOS sensor
ISO 100-6400 (expandable to ISO 25,600)
Sfps oonlinuous shooting
39 point AF with 9 cross type AF
3in 921 k-dol LCD screen
100% viewfinder 0.95* magmficaton
Virlual to'izon camera indicator
SHO video I920*i080p al 24 fps
Huili- n mono microprione plus 3.5mm jack accepts
optional antennal stereo microphones
Csmensions: 132mm x 103mm x 77mm
Weight: 690 g (body only, ro
£1207
18-105mm VR
SPECIAL
Email: info@ffordes.com
Fax: 01463 782 072
Check Out Our New Look Website
Buy On
24/7
Shop Open Mon-Fri
till
Canon Professional Dealer
CAMERAS
EOS ID MKIV body only......£5298.99
EOS SD MKU body only..£1498.99
EOS 5D MKII & 24-105mm IS..........£2134.
EOS SD MKIII body only...£2599.00
EOS SD MKIII & 24-105mm IS.£3389.99
EOS SD MKIII & 24-70mm J$ II........£4899.99
•"Pre-Order* EOS 6D body only,..£ 1795.00
EOS 7D body only.........£1039,99
EOS 7D& 18-135mm IS . £1306.99
EOS 7D & 15-8$mm IS. . .£1599.00
EOS 6S0D body only . £549,00
EOS 650D & 18-55mm IS II ... ,,,.£619.00
EOS 650D & 18-135mm IS STM . .£934.00
EOS 60D body only,,., ....£699,00
EOS 60D & 18-55mm IS II.... ......,.£799.00
EOS 60D 8f 18-1 35mm IS.£859.99
EOS 60D &15-S5mm IS...,....£1349.99
EOS 600 D body only...£459.00
EOS GOOD & 18-55mm IS Jl..£498.99
EOS 600D & 18-13Smm IS__ _ £808.99
EOS 60QD & 1 5-85mm IS... £1099,99
EOS 550D body only......... £429.99
EOS S50D &18-55mm IS II..,...£529.99
EOS 5SOD & IS-SSmm IS II + 55-250min IS II.£719
EOS 1100D body only...£289.99
EOS 1100D & 18-55mm IS II.........£349.99
FREE RGB class 10 SD card with all Canon DSLR
cameras ordered by phone.
LENSES
EF 3Smm 1/2 £239 99
EF SOmm f/1.4 L ■ fr 1 fc ■ ^ ^ e Hr rrim ^ mi raaiiH44fiBBiftfitii , irr«ii! 1 + f rl>Era'; i i4 r 8 >bbb 1297.99
EF SSmm 1/1.8 USM PfiRHI * » H i i tPIilBN-HRIIHIB# i,i.|.pBaadi i iiuai £309.99
EF 70 300mm f/4-5.6 IS USM ___ £419.99
EF 100mm f/2.8 USM,. nrr „ B1 ,, , rri]1T 1 , r , r „ imT .„ , T .,„, nB1 ._j_, f^?9.PP
EF 70-200mmf/4L USM — P ^^J#S9,99
EF 17* 40mm f/4L USM.™„. . ...-. + „.™£6M + 99
EF 200mmf/2 8L II ....£639.99
EF 100mm f/2,8L Macro IS USM..^ ™£749199
EF 24 05mm f/4L IS ..
EF 70*200mm f/4L IS USM. ■■
I III I I BiBBiai I I i
■ ■■ I i Hilda I I LL
£749.99*
.£949.99
EF 8-15mm f/4L USM Fisheye,,,,..,....£1029 99
EF 300mm f/4L IS USM.......„£1149.
EF 100*400mm f/4.5-5.6L IS USM.,.....£1298.99
EF 14mm f/2.8 III USM....
EF 70-200mm f/2.8L IS Jl USM...
EF-S !8-5Smm f/3.5-5.6 IS.
..£1699.99
™,.£ 1969,99
£119 , 99 *
EF-S 18 135mm f/3*5-5*6 £249^99 1
EF-S 60rnm f/^>8 USM »■■.> ■ ■ ■.£
EF-S 18-135mm f/3-5-5,6 IS STM,,,.,...,..£389.99
EF-S 10’22mm f/3.5'4.5 USM...... . ..,.......£629.99
EF-S 17-55mm f/2.8 IS USM...,—. .—- -£749,99
’Split from kit
Nikon Premier Dealer
CAMER
D4 body only,...£4699.00
D800E body only...........£2539.00
D800 body only,...£2084,99
D600 body only......,...£ 1729.99
D70Q body only.........1690 00
D3100 body only...........£299.99
D31Q0& 18-55mmVR. ,,,.£358,00
D3100 8t 18-105mm VR...,.....,£499.99
D32G0 body only,.,.,,,......£397.99
D32QO & 18-55mm VR,...........,,£460.00
D5100 body only... ,..£358,99
D5100 & 18-5 5mm VR...,......£429.99
D7000 body only,,,,...£766.99
D7000& 18-105 VR.«....£840,00
D90 body only ...... £449.99
HQfYft 1 flS VR fS74QQ
up y V I Lr I v a/ r P 1 i i i ■■ ■ i ■ ■■ i ■ ■ b n i n ■ iji i t i n ■ 1 ■ ■ ■ b■ ■ ■ ri ■ a i ■ ■ i i ■ uti ii u -v 1 f T a ar ar
FREE 8GB class 10 SD card and Nikon bag with a
Nikon DSLR cameras ordered by phone.
LENSES
50mm f/1.8 AF D B ni i m ■ i rrirri m a BirB-B il ■ inBrn mti BTiil-fl itii £119.99
55-200mm f/4-5.6 G AF-S DX VR IF-ED.£168.99
35mm f/1 .8 G AF-S DX_ .....£169.99
SOmm f/1.8 G AF-5 frfl B M PPM B B*i| I1VHBB ■ H<f B>B PVB i s < ! ■ F + P |*i B £ 1 74.99
SOmm f/1.4 AF D ..... £239.99
40mm f/2,8 G AF-5 DX Micro Macro . £244,49
55-300mm f/4.5-5.6 G AF-S DX VR..._.£259.99
50mm f/1.4G AF-S IBBbBB b + H ■ Bti e + tb rii riifeB BB+fl-i ■■§ B ri H B CHifel-l £327.
85mm f/1.8 G AF-5 ...... £398.99
70-300mm f/4.5-5.6 G AF-5 VR IF-ED... £409.99
24-85mm f/3.5-4.5 G AF-S ED VR.....£468.99
10.5mm f/2.8 G AF DX IF-ED Fisheye....£529.99
28mm f/1.8 G AF-S.
f A1 7 QQ
b r*i m r r« B 4 ti rvrf ri ’ «bti s ri i ■ M a b p s a e pit rTi i ** 4r +
28-300mm f/3.5-5.6 G AF-S VR ED.£699.99
18-300mm f/3.5-5.6 AF-S ED VR.£789.99
24-120mm
GAF-S EDVfi...
.£849.99
80-400mm f/4.5-5.6 AF DVR....£1199,99
14-24mm f/2.8 G AF-S ED.£ 1359.99
24-70mm f/2.8 G AF-S ED.£1359.99
24mm f/1.4 G AF-S ED,...,£
7Q-200mm f/2.8 G AF-S ED VR II..£1629,00
DELIVERY
ON ALL PRODUCTS!
TO MAINLAND UK
*
Canon Nikon SONY FUJIFILM PENTAX SIGMA TAfTlROn
Prices correct at time of going to press. Prices subject to change. Please check our website for latest prices.
SWAROVSKI
0PTIK
Sony Alpha Centre of Excellence
CAMERA S
A77 body only.....,..._„J|799,99
A77 & 18-55mm SAM...
A77 & 75-300mnni.
A77 & 18-135mm
Hi hf + ii-Hi'i
HH4 + -i i tMi si I B B H-kB-f fl-fiiil £849.99
■ ■ i, i ■ fail i<i. a ■ la j
£1189 99
n * m i r i II i ri i r n r ii i r ■ i e ii i i r i e r r u ! 1 r i ■ jr mr
A6S body only....................................i...............£599.99
A65 & 18-55mm 5AM...„..,£649.99
A65 & 18-135 mm SAM..£949.99
..-....£449.99
SAM......................,£519.99
A57& 18-
A57 & 18-S5mm *f 75-300mm.........
A57& 18-135 mm
■ ■ ■ ■ ri i iiri ith itm ei i i ■ i ■ ■ ■ ■■■'■ i iiiti
£779.99
A37 body only. SBFI-B ■ M 1 IPf P + VR-P-f ^ § f 4 S-i I I Bl I M*i t l + »V I H-" f H £349.99
A37 & 18-55mm SAM..£399.99
A37 & IS-SSmm 4- 75-30Gmm„.
++f » +(i ► + an 4 i + ■■ i s -
NEX 7 Black body only........„,£779.99
NEX 7 Black & ?8-55mm...,,£849.00
*Pre-Order" NEX SR Black body only.£579.99
• Pre-Order* NEX 5R Black & 18-55 mm.£649.99
♦Pre-Order* NEX SR Silver body only.£579.99
♦Pre-Order* NEX 5R Silver & 18-55mm....£649.99
*Pre-Order’ NEX SR White body only..£579.99
Pre-Order* NEX 5R
& 18-5 5 mm.,..£649.99
NEX-F3 Black body only-.-......,£349.00
NEX-F3 Black & 18-55mm.-.£429.99
NEX-F3 Silver body only ____.£349.00
NEX-F3 Silver* 18 55mm
■ P a ■ ■ ■ PI S M » + ■
,99
FREE 8GB class 10 SD card with all Sony DSLR and
NEX cameras ordered by phone.
LENSES
50mm f/1 4 AF C too go
J M “ “ ■ 1 ■ I "Jr P a T lT , i [LTrai ra ran 11 aa i ■■ m i 111 mi n mu ri i ■■ i mu ■ i nil mu in ni kiii i n ua. ir ri / /
70-300mm f/4.5-S.6 G SSM.
335mm F/2,8 5TF......
DT 18-55 f/3.5-5.6.„
lllllllllllllll
BfaJ hBHflflUIJ I HII IIUHUilfiq fafad faip
..£719.99
..£889.99
£99.99“
DT 50mm f/1 .8 SAM trra rr-i ■§ l-Bri i-ii rn Ifnii PBT+p+raa fi-fe hrfr fe t h ii i J h 4 r r-t-l-*■44 £129.99
DT 30mm f/2.8 Macro SAM_
■ i---i ? 4 + 444 - 1-19 I 94 ----4 s - - --4 -- H M 4 - 4 t -4 ® i - 44-444 =
inrtiaii m
_ _ B HfM+i Hi | i i £157.99
DT 75-300 f/4 5-5 6 £ 169 99
DT 18-135mm f/3.5-5.6 SAM
DT 1fi-250mm f/3.5-6.3.....
;■ kill
N ■■ 11
£349.99**
...,£399.99
4 l>44-*4 a B+44-94
£479 99**
► 44 1 - 4+4 l-P + P^ PP 44 -* Hi I »-4 f 4 ^ wF
1 529.00
44+ia ia i ps it rtarii’i pi i r4+ H4
DT 16-50mm f/2.8 SSM _
DT 16-50mm f/2.8 SSM... .
Zeiss 24mm f/2 Distagon T* ZA SSM __ _£849.99
Zeiss 16-3Smm f/2.8 Vario - Son narT" ZA SSM.£ 1349.99
Zeiss 24-7Qmm f/2.8VariO-SonnarT" ZA SSM. JL 1447.99
149.99“
.£179,00"*
. £ 189.99
E 18-55mm f/3.5-5.6 OSS_
E 16mm f/2.8 Pancake...
E 30mm f/3.5 Macro.,,...
I rifi HP H44 I 44 tfi+t-44 fcfi i 4 -44 ■ r-4 ^4 PP
iiMipriii H 4 4 p ■ l mill
3 0mm f/1 I un ■■ ■ ■ iiu ■ ■ j ii n■ ■ natii ■ ■■ ■■ ■■ bib lii i iiiiii ■■ ^ 1 ^
E 55-2 10 mm f/4.5-6.3 OSS.-.£208.50“
E 55-210mm f/4.5-6.3 OSS
E 18-200mm f/3.6-6,3 OSS
k ■ J L ■ J I- 1 EI KI J. 11 J l U I k J
IJ.IIJ.IJJJ
+ “4 S-l + ll-4 Mil i P4 • M HIB f 94 P4 »
i609,99
E 18-200ntirj f/3,6-6.3 OSS L .
■ “Split from kit
ci
r I
i
i
’0 JOOinni fM 5,6DC Macro N.c. $
70-300mm f/4-5,6 Di LD Macro (N.CS.PL,.£127.99
18-200mm f/3,5-6,3 Xft Di II LD (N,C»S,P).£155.99 30mm f/2 ,8 EX DN iS, 0 }„„
28-300mm f/3.5-63 Xfi DI LD (IM,tS)...£299.99 19mm f/ 2.8 EX DN ($,0U
70-300mm f/4-5.6 Di VC USD (NX. 5 ).,..£309.99 S0-200mm f/J-5.6 DC OS H$M (N.CS, ft!
28*300mm f/3.5-6.3 Xft Di LD (PI .. .....£319.99
60mm f/2 Di Ii LD Macro (N.C.S)...£336.99
17- 50mm f/2.8 XR Dill VC LD(N,C,S,P).£341.99
10-24mm f/3.5-4.5 Di II LD 5P (NX.S.Pl . .£347.99
18*270mm f/3.5-6.3 Di II VC PZD (N,CS)_£391.00
18- 200mm f/3.5*6.3 Di lit VC NEX Slack (5} . £498.99
18-200mm f/3.5-6.3 Di lit VC NEX Silver {S) . £498,99
200 500mm f/5 6.3 Di LD SP [N.CS).........£809.99
24 70mm f /2 8 Di VC USD SP (N,C,S) ... £906 99
Fit*: N- Nik on, C-Canon, S*Sony, Pfefttntdx
Mote-:' Sdith* Sony fit Ionics dD t\al fpaturP Vibration
Controi WC| a* it is built into the camera itself.
r
SPECIAL!?!
.,£144,99
* m a
70-300mm f/4-5.6 ATO DG Macro (N,C,S,P!
50mm f/ 2 JB EX DG Macro (NX,S,P)_
24-70mm f/2.8 EX DG NSW! (N,C ( S,P)
70 300mm f/4-5.6 DG QS (NX. 5,PI-
30 mm f/ 1 .4 EX DC HSM IN.C.S.P).
_047.99
..£159.99
...£159.99
III.
pr a nmani art rn
iiflr pf^rt'B rifliv 1
£
■ Bi li ■ ■ ■ iu fi £ ■
,.^£299-99
..£3! 9.99
laaMafcfaifaMaiaiiiifcMaiM mmmmm
17- 70mm f/2.8-4 DC OS Macro HSM (N.CS.P)
70mm f/2.8 EX DG Macro(N.C.S.PI
10-20mm f/4 5.6 EX DC HSM (N.CS,PL._
18- 250mm f/3.5-6.3 DC OS (N.CS.P 1 _
10-20mm f/3.S EX DC HSM (NX.S.PJ
S-l6mmf/4.S-5,6 DC HSM (N.CS,P|„
20mm f/1,8 EX DG (N,C,S,PJ..
n
MBBB B BIBiai l
fi L » r ir im "^jinrsmiE!!
j . jp jp
niip pptp luagi
£579,99
hi fa uiaa ■ a jei_ fa lb a a a a bllijjj a a b a l
a ■ff —wtaa— lata ■ a mm atna ra
..I
mu a ww ww-n i n-mim ava*! a a a a m a lam ii la ib i
Lens Case 9x13em .
Lens Case 1 tx26cm._.
an iii
IflOB III iBBBH 1 I I
™..£17,99
£ DO
BfliiJ i i i i i i.faaaa i n iiaia ay mL
..£29.99
Lens Case 13x32cm____...
Cirrus TL2 25........£17.99
Adventura 160.... 9 i rrirrmi i iii rn ii ■* i i irrin ■ i i irriimi nrnin i m r £ 19.99
R&20 140 AW.......... .. .
Nova 190 AW
1 ■ “up ■ i 1- 1 a^ V I s H 1 1 aaia ri iiiimii i raiian i rraianai fTBiaan i vru imiri i mi
...£26.99
.. £49,99
Tbploader Zoom 45 AW......-...£21.99
Top!odder Zoom 50 AW. .....
14 m iir biiii i
Toploader Zoom 55 AW.,........£32,99
Topfoader Pro 75 AW.,„.„........£84,99
r t ^ l I Fi Cj naraa i a raiaaiaai i ■ i ■■■■■ aa aa, a a. ■■■ aa a a r a- ■ ■ <a a a a a aa aaaaa i i eaaa b 3 4— a 9
Event Messenger 1 00...
i i riiiiaaTi
iniirraaa
.99
1 SO 14? Q4
i 1 lb. J J'% I I L .l b P m aP Vjp BBflflflia i ■ miiiaiiri 1.1111111 1 1 naan mm bbih iff* jt
Event Messenger 250... £47.99
Photo Traveler 150.........£47.
Classified 200 AW,„........,,.,£89.99
7111 AW (t),t QQ
aa Pad J J I 4 I L U is -* w h 1 a f lainRaaiflaari iiiiiia rminia i i i rbiiiii ■ i?r aaa i ■ i p i p Ibe bp 1' a kf asP
Versa pack 200 AW. fiiaaav fr r 1 Fre^iairprBrBiF - i aarra^in fi *i fi j ■ H h 4 4 4 4m rn £49.99
Slingshot 302 AW______...£59.99
Flipside 300 AW.,£54.99 SPECIAL!!!
Flipside 400 AW_
MrrviH ia-a + H + fl r
—,£74.99 SPECIAL!!!
flipside 500 AW...,.,..., ...,„ ......-■. T - - £ 128-99
Flipside Sport 10 L AW,.....£ 108,99
Flipside Sport 1 3 L A\V^b...iJii hk.— M juuhkk.. 4 jji kk.. M j. 1 i2 3« j) ^
Fa st pack 200 (Black).,....,.......£46,99 SPECIAL!!!
/81ue1..,«. w ..„ m .„.,.,-„.„„„„.X59,99
99
Fast pack 2SQ,.
i-r<m
urn
i -4 i ri H-MiiH a arrii4iinaar
FastpdCk ISO, kk.^.JU IJJlikka J J JJkkllkl JJ4,LI,kl.J J XJIIXXJikl JJ I Lkk.JJJJJJJJ, £76.99
DSLR Video FarStpack 150 AW,,..£62.99 SPECIAL!!!
DSLR Video Fastpack 250 AW,,., . .„„„£89-99
Pro Runner 300 A' llViadi rrrrebraai !trrrariiTTrrrrr^ni rr#aaan nrrrra £69.99
Pro Runner 450 AW..„„...... 19.99
Vertex 200 AW HiH«4i4t rrkiliiH^4HHB Hi4 kbfBIHH ■ KH**^4444i H^*a4rfii4a £ 1 29.99
Photo Sport Sling 100 AW,......£96.99
Photo Sport Sling 200 AW™™, + „« ^£149,99
Pro Roller Lite 150 AW wrni , w „ tn< „ „ r „ ri1T -. T lt f 70^-90
Pro Roller Lite 250 .. .. £249*99
>2t cioTToi wManfrotto Ve bon
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105mm f/ 2 .B EX DG OS HSM Macro (N.CS)._
24-70 f/ 2.8 IF EX DG HSM (NX,S,F)
150-500mm f/5-6.3 DG OS HSM (NX.S.P)
ujaji fcfa.a ii.Ba aa an ■ a a i
£579.99
617.99
ailflHHIKfllfllB
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„.£719.99
12-24mm f/4.5-5.6 DG HSM (N.CS.Pi
150-500mm f/5-6 3 DGOS HSM {N,C,5,PJ_
70-200mm f/2,8 EX DG 05 HSM (NX.S.P).
50-500mm f/4.5-6.3 DGOS HSM (N.CS.P)_£1149.99
Fits: N-Nikon, C-Crtngn S-Sony. ?-Pcfl!»X, 0-Olympus.
Plejsc Note; Sony and PeniM fit Ihimi do not HSM at the
motors arc built into the camera itirif.
Lens Bllnq Rear Lense Cover (All Sizes!.£8.49
ConnoctR-2 Strap Connector™.—_
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JOEY J-2 Medium
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£24,99
ProtectR Security Sleeve Regular...... . .,,£22.99
ProtectR Security Sleeve Long _ £24.99
SnapR 10 Bag & Sling Strap _ _ _ ..£29.99
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SnapR 35 Bag & Sling Strap,....
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RS-7 Cargo Sling Camera Strap.......
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Canon EOS 5D
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f4 l is mn
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£3169
Pentax K-30
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only £ 5$9!
K-30 +13-55 tTO-200 Lenses J649
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Peutax K-30 fiody 0 n ly„. S529
With 2 Year Warranty
Pentax K-5
+ 18-55mm WR
only £895/
K-5 +18-55 WR + 50-200 WR._£849
K-5 +18-135 WR Lens. __..£959
K-5 body only__....._£649
With 2 Year Warranty
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Nikon D3200
+18-55m VR
only S459!
Nikon D3200 + 18-55 VR +
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Nikon D800
Body Only
only £2125/
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Panasonic Lumix
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only S419!’
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Panasonic Lumix
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Panasonic lumix GH-2
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£585/
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£929/
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Pan
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Lumix FS-40. £79
FS-45....£96
Lumix LZ-20.£145
Lumix FX-90 .. £209
Lumix FZ-48. £259
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Lumix FZ-1 50. £369
Lumix FZ-200. ,.£445"
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CJ 0 II ■ B U. ■ B Rdlftl ■ ■ ■ ifa ■■ B B E .■ Ih ■ ■ ■ Bflilil B hlil 9 ■ II ^
XP-50..
19rrmf2.8EXDN!Pan4.'3,Sorry).
30mmf2.SEXDN[Pan4,'3 1 Son(y).
30mm (1.4 EX DG HSM.
..£149
iirirn- i*-i iriPiirr
c ri IPtTSBM 1 ■ ff M1P PI 1
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£119
£174
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F-660 EXR.£185
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fllPPTBPPBSBPI'llfPlil
F-
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50mm f2.8 EX Macro DG.
70mm f2.8 EX Macro DG...
105mm 12.8 EX DG OS HSM Macro.
10-20mmf4-5.6 EX DC HSM.
10-20mm f3.5 EX DC HSM.
12-24mmf45.'5.6MK2DG HSM—,
£266
#.# * Jr,
Lumix SZ-5.£145
Lumix SZ-7...£153
Lumix TZ-25...£21 S'*
'"(less 1 JO Cashback)
Lumix TZ-30....,£249
(Less US Cashback)
Lumix FTT1 Cj■ >>■■ ■ ■ ■■■ ■ ■■ ■ ■ ■■ ■ ■ ■■ "1
Lumix FT3,,....£263
Lumix LX-7... £369
Canon
txus 125 HS... £145
Ixus 240 H5.... £185
Ixus 510 HS.
PowerShot A13001S....£79
PowerShot SX240HS.£199
PowerShot 5100
PowerShot SI 10. £419
Q-lQQf) c 1 1 p.
vr ■br Sb* i fi n p i i n a p pi ■■ ■ r pa a ■ ava l i p ri i e p I P
S-420G.£135
S-45G0..£159
SL-240. £189
SL-30Q....£215
17-50mmf2,8 EX DC HSM OS....
17- 70mm (2.8-4 DC Macro OS HSM,
18- 50inm f2 8-4.5 DC OS HSM...
18-200mmf3 5-6 3 DC OS Mk2
18-2 5 Omnnf 3.5 - 6.3 D C OS Macro,
50-150mmf2 8EXDC0SHSM
..£549
£369
..£459
,£679
£479
,£139
,£289
, £ 38 9
HS-20 EXR.£2 4 9 50-200mm f 4/5.6 DC OS HSM, £139
HS-30 EXR.£329
X-10 EXR.,..£349
X-100 EXR...£659
X-Sl EXR.£499
5 0- SOOmmAP 0 EX DG (CarVNik).
70-200mnn f2.8 AP0 EX DG OS.,
70-300mm 14-5.6 DG Mac II..
i.mi m m « ■ b k >a ■ a -
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PowerShot SX50HS.£419 and Black & White.
35mm and 120!
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120-400mm f 4.5/5.6AP0 OS.
150-500mm AP0 DG OS HSM.
1,4x AP0 EX DG Corn (EX lenses).
2x AP0 EX DG Cam (EX lenses).
,,£999
,.£899
.,£119
..£159
,£269
,£649
,£769
.£199
..£239
3 YEAR UK WARRANTY
fiflr 4 *jp* 4 r wm Md fignd9s*m tag -on It 1
ew mwi awAwiPti
■ 1 i>tSldl>*>iii 1 uBJ I faiiil
PowerShot GTS,
PowerShot G1X.£549
Please visit our website for the
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LUMIX G Series Lenses
8rnm f3.5 Fisheye ...£545 (Less f 50 Cashback)
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14rnm 12.5...£ 189 (Less SSO Cashback)
20mm (1.7..£279 (Less £50 Cashback)
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12-35mmf2.8.£869 (Less £50 Cashback)
14-42mm (3.5,''5.6 (Un-Box ed from Kit) .£ 119
X PZ 14-42mm f3 5-5.6,£279 (Less £50 Cashback)
X PZ 45-1 75mm f4-5.6,.£309 (Less £50Cashback)
14-140mm '4-5.8 (Un-Box ed from Kit) .£499
4 5-200mm f4-5.6.£269 (Less £50 Cashback)
100-3OOmrn f4-5,6.£439 (Less 150 Cashback)
Lenses For G Series
Summilux 25mm f 1.4 ASP£425 (Less £50 Cashback)
Macro 45mm (2.8
■ ■■■in
UiiU
Dll 00+18-55VR Lens.
....£399
03100+18-5 5VR+Sigma 70-300 APO...£ 559
D5100+18-55VRLens_.._£519
05100+18-55VR+55-200VRLenses.,...£669
05100+18-55 VR+Sigma7O-3Q0APO ...£679
07000+18-105 ED VRLens.£959
07000 Body Only. £799
AF-S28mmfl 8G
AF-S50mmf1.8G
AF-S50mmf1 4G
AF-S85mmf1.8G
AF-S 16-85 G VR
AF-S24-85GVR,
I4KI
£499
£149
£295
£369
£469
£415
AF-S35mmM.8G......
AF-DSOmmf l 8G.
AF-S85mmf1.4G„£
AF-S 18-200G.VRII...
AF-S 18-30OG VR.
AF-S24-120GVR.
£159
£119
1199
£599
£685
£849
Coolpix
530......
SOI..
L610
S9300
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2 Year Warranty on All Coolpix
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M£ot 55-200 AFG ..
N *dti 3GQ.-4 AF Nikkor. wdl
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N3onF5ondy . £400
[ton D®( Body. .. £600
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N -;dh F2§-t2S body... £250
N<nn F80c- body. £65
ttm 0200 + 26/200 Sqm . £480
WconHHDDMbjBAFD ESS
MScon AFS 1&-200G ... £440
N <on AFS-VR 24-120 ... £340
hfeon PCNiNkw 2844...... £385
Warn AFD 70 ffiiO S4/5 B. £100
mn AFO 291Q5 3 £176
17-&5ISU5M..
£265
70-300 IS USM .
£349
1G-200Sigisia 3.515.6 _
£16®
1 4k Mk£ t.s^oncKH" .
£25S
EOS 2CD + 1&5S EXS.
£350
17-35 Stanra.
£279
24-05 M Canon USM .....
£195
2G-135 Cancri ISUSM
£298
55CO Spccpli'c..,.
£225
17-05 Canon IS US^I ...
£25®
EF^OO Sigma DG SI..
£99
Caron 18-200 FFS 15 .
£309
Sigma 1M0 EX. ...
£24®
Crcr 8G68 Grip.
£115
Caw BGEl Grip
£60
^1, _ —, _ _ —
I '■ ,,r " 1 _ L. _ ■ _ ■ ■ ■'•j
L.a. Or oLTlJ L3nCJ
£6®
■
Medium Formal
Mamiya
RBB? Pel Back
£8®
P Adaptor ...
£45
R3 Exln Tube...
£9®
50/45
£399
wW “Har hi i i ■ iri ir ipiririri 1 imbii in
1B0MS...
£39®
RZe? Qollcws Hood G2 .
£7®
Rnsm Endec ....
£150
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£15®
75d50 7 corn
£345
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30015.6 . ..
£290
Ft'snPinde r ............ .
, £75
AE Piism
£145
105-210Zoom ...
£235
120 film oacks
. £9®
3 5.,“ 2 SQ.£45
£249.08
35mm Reflexes
Exak:a RTL'CCO 11.9/50 HI
U I'afda Sensor* 211 .8/53.
C 99.99
KW.di SR in 4.A5 0 . . ........
E120
Nikon 15 Bocfy .
£400
Pfctfax HO 26/80 Ssgma. .
£200
Nikon F Pholo FTT\ 12/50 .
£350
NikonF90 jc 2B-B0 ...
£170
Olympus O’M 1 M m .. .
£155
Pm*M SpoMc 11 0. r 55 ..
£110
Olympus OU25P (18/SO .
£190
Olympus ISICO 38/110 .
£50
Canoi^ EOS 500 23/70 Sig^ia.
era
Nikon F50 29/80. . . ....
£90
Mrd'a TOOSi 35/106 .
EM
CanortEOS-30Eb/®..
£1M
C0J1OP AI 4 ll.Sy'bO.. .
£170
Pen:a« MZ30 36-80 .. . . .
£80
Pemax MZ5n 26-80
£115
Olympus OW1011^50 .. , .
£55
Pertiax ES ti 6-55 ^MC ..
£150
Pen:ar MEF mjlR f2 3 AF.... ......
£190
Sony Fit Lenses etc
•CT0Cn2 5 Mk2 Siijra Macro H&M
£500
18-20/^3.5 S-gnsa ....
£305
5D'2 B Mscm SiQTig
£210
■ b mi wmm ■ ■ ■ 1 &fl hi u ~ . ■ l ■ n ■ . 1 1 ■ »■ -i mi. 1 ■ ■ 1
70/2.6 Macro Sigma.
£255
105.-2.8 Macra Sgma ..
£270
Sany HVL 42 Hash ....
£200
Sony 56 fash.
£300
Sigma. 24-70,5.8 &DG.
£470
M£X h Ifirm 12.A.. . ..
£275
75-3O0fif!m Sony.
£185
Sony A TOD body nc grip 1B11 , .
£550
Paula * Fit Items
S5-200nnSfcWDl7.....
£155
IQ-JOrml&'SGSig^a .
£320
70-30ton Sigma DL Macro.,.
£120
Pen:asK7 1S-55TR.
£55
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Can also be used as body cap
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NIKKORMAT EL BODY b lack .. £1 W
FM2 BODY ...... _£78
F2S BODY ................ BOO
F3T TITANIUM., . . , „ ....„ £463
PENTAX
SPOTMATIC SP &
SSmml/1.8 £ 86 . 0.0
S/MATIC: SIM000 & 55mm i
S/MATIC SP500 BODY..,.*,.
H2 A 55mm ra ...
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12mm f/5.6
HELIAR
ROLLEI 35
GERMANY £200.0.0
SINGAPORE £145 0 0
500CM 25 th ANN1VE
INC HOmm & 320 line
553 ELX & 80mm 1201
EL/M BODY.
A12 BACK . ..
A 24 BACK....,..
135mm 1 56&pi.ANAft .
135mm f 5.6 s planar t
250mm h' 1 1 J.ft ta.xniur .
3 50mm 15 * tii . f-tibssa i
XPAN
Hie HasselbLad XPan 11 camera k the perfect com¬
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We can collect or arrange a
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A
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LEITZ 3,5CM F&.Jwvspecs.,.,
CARL ZEISS BIOGON 35mm f i s... £505
EXTENSION TUBE SET for 5cm .£75
KGOON BALL HEAD.,...,. £65
LEICA MS CHROME BODY. £1650
ROSOL
VIEWFINDER
£47,0.0
mm
LEICA 1C
& 5cm f/3.5
AS NEW' MINT!
£3000,oo
LEICA DIG
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CIRCA 1951
£650.0.0
LEICA Ilf
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SUMMITAR
£358.0.0
LEICA M6 BODY
‘LAST 999’ ED.
AS NEW & BOXED
£16QQ,o.o
WAS Eliui
LEICA MS BODY
MILLENNIUM ED
AS NEW & BOXED
0.0
WAS LHH)
I I & 5C)mm F'MFTi .. r ,.£I55
AEL & SOmmF i.SFD .. ..£76
AEI PROGRAM & 50mm t! 1 .8 £149
EF & 50mm f/i.bsc. .........,....£145
I TB BODY .. ,.,,...£79
20mm f/u fd. £165
23mm f/j.sscfl .... £32
70-2]Omm F.4 fd --- „ £74
85mm f. isfd .. .£122
100-300mm FD „ „,.. £67
135mm fas scfl *« +i *, BJ „.. J ^ +B ,. MtJ .£35
] 35mm f/3.5 fd _ • nmmnmm ■ill'IMIrtll n ■ ■ ■ £42
■*
w
CANONET £33.0.0
CANON 7
& 28mm f/2.8
CIRCA 1901
£499.0.0
CANON IIB
& 50mm f/1.9
SERENAR
£1200.o o mam m cci
CANON P
& 50mm f/1.8
INCLUDES METER
t-
Our team has been buying
and selling classic cameras
for many decades and you'll
find them knowledgeable and
courteous.
■i ■ ■ H
- £ 2 -
W -■
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Cameras For Sale
17, Broad St,
TWll BQZ
.._,.vg El 85
_.vg £159
DIGITAL SIR
Canon EOS 400D body - bosed..
■ u SB body.. —
PtoMSoniq rj? + i442mm - boied.wc+ C25D
Pf-irfK DdD body - boxed..exc+ £799
AUTO FOCUS SLR
Canon EOS-ln body______exc E150
Canon EOS 3 body_____..—...good £95
Canon EOS 30V body....-.....,-WC £95
Canon EOS 30V t Ef 23-iOSmm USM..„.exc+ £ US
Canon EOS 5 body UUliJIllUII ll-IIBII 11 1211 • IIII al IB III III IB I U I ■ 11 ■ I ■ 11
Minolta Dyne* 9 body - boxed_._..mint- £299
Nikon FS5 f 2B-80mni l3.3-!i.6G^._,..enc£59
Nikon FI 00 4 MB-15- sticky grip...good El 99
Pent** MS-50 + JS-SOmm 5MC-F__£55
auto focus lenses I
Canon EF 24mm fl,4L ■ boxed__......exc* £850
Canon EF 7G-2Wmm f2.8L IS USM ■ boxed ..e*c* £1150
Canon EF 70-2Wkmm t2.8L USM...„...esc4 £650
Canon EF 7&-3G0mm 14-5.6 OO IS USM iac C75D
Minolta AF JBc'iimi £2-3 ......£75
Mindly (Monica) AF 264Smn £2.80
Minolta AF 2B-105mm 13.5-4.5,..,.
Minolta AF 5timm fIJ ............
Minolta AF IflO-JKlmm 14.5-5.6___vg £95
Minolta AF 100-300mm 14.5-5.6 APQ ....sac
Nikon M-70mm E.8G ED AF-S—.-.exc*
Nikon S5-2QQmm f4-5.6Ci ED VR AF-S DX... u .exc
Nikon 70-lMmm f4.S-5.6G VR AF-5- boxed.,...esc £350
Nikon 7D-300rnm f4-5.6G AFD .____..._esc £65
Pentix DA SO^OOmm £4-5.5.-.....—..-^.^.^„exc £95
Sigma EX DG 1.4X APO - Sony^Mineilta AF ..„..exc+ £125
Sigma Ex DC 13-S0mm 12 8 - Nikon AFD,..exc £175
Sigma EX DG 20mm fU - Canon EF..esc £399
Sigma EX 0G 24mm fl.3 Rentas KAF ■ boxed.esc E295
Sigma EX DG 24-70mm f?.R- Nikon A#D .esc £250
Sigma flflmm 12.8 - Sony/Mi '•Dili AF IMWItWMMIt „„, IMt ,.yg [125
fcnypT H-200mm fi5-Ei - boxod -_._..exc £199
Tamron SR 2D-40mm - Sony^inoFta Af ... .. ..vg £95
Tamron SP 70-3D0rnm USD VC - Canon Ef ..exc+ £225
Tamrcn SP 700-500™ fS-SJs DilD- Nikon AFD-boned..esc* £550
Tokina AT-X 28-70mm f 2A SonyiMinolta AF .„....esc £95
MANUAL FOCUS SLR
.......exc £250
..............esc £99
__exc £75
Canon Al + SQram f l.SFD.eicc*
Canon TTfl 4 50mm fl.8FO.....vg £39
Canon TM 4 50mm I1.8FD ...._.esc+ £150
Minolta X700 + 50mm fl 7MD..exc £65
Nikon F£2 + 50mm fl.S AiS -.......esc £225
Olympui 0M4 + 50mm f 1 inmi-imninniininniFiiiiiiirii^C El 95 1
Pentai: LX body UlUIUMIUIliiaiBJIBIUIIJIIJUIUIUUII 1IBIUIUIIBIIBI .vg
pop rtkfz i
rv kjMljI
MANUAL FOCUS LENSES
Aiahi WOnm fJ,5Takunwr (preset.! - case 5 hood... good f50
Canon fD 20mm 12.0 - Case & hood „„....vg £150
Canon FD 24mm 128 nil ■i-ii".. ...inin.n...r..9M..nm.Bi.£tt £SS
Canon FD 28mm 12 .. r....r..niint- £225
Canon FD ^5mm 11 9 ....vg £ 120
Canon FD 100mm 12.8 SSC BL,..,..,„-**<+ £115
Canon FD 300mm 14 ..._.£199
Contas MOmin 14 Zeitf T* Tele Troar_. ~jm+ £293
Coma* Mular III 1.4X Converter Zeiw T* ,.erc+ £199
Leioa 50mm flA Summilux-R 3 C in .HR. ..a ..MB. 'JH*|C £900
M no La 2Bmm f3.5 MC Flokkor.P9
Minolta 50mm f1_4 MC Rokkaf....vg £35
Minolta75-200mm f4.5MD...-.. jek £65
Nikkor 28mm F2.8 Ai.......„......vg £100
Nikkof'Q 35mm f2 pre Ai + tase ....exc £249
Nikkor 50mm fl 4 pre ........ nuuiuiuuiliiiiuiu.... ...Md...'vg £65
Nikon TC300 TelKonverter ____.vg £99
Pentax 20mm f4 5MCM.. . ....._exc+ £350
Rentas. 45-125mm f4 5MC-M___ _ _.vg £50
Rentas 50mm 1 4 5 M^-M-..........exc £95
Pantax 50mm 14 Macro M ....£125
Tamron 5P 90mm 12.5 +1;1 exin tube |wjcl.™jnl3 M ..jeK £165
Tamron Adaptall mount? assorted tilting? __from £10
Ibkin* 17mm 13.5 - Canon FD £125
Tokina 500mm $ ■ Minolta MD.K5
Vivttar 300mm 15.6 - Canon FD.. .....jxc £35
OTHER CAMERAS
Canon Pbwwshot Prol_£60
Contas G1 body________exc £199
M inalta P's fRlva Panorama) ........vg £60
Nikon 35T1 + case luiuiiiuiiJiiiuiiiiAiyiyuiyiuiiiuiuiiii naiiJ exc £299
MEDIUM FORMAT
Eror-ta EfBs + TSmm fl.l * wtf * Sp«txnp +120 back ^..used £175
Bronita 5QA-1 1 90mm f2 8PS t inlf 1 120 back . ... exc £399
Fujifjbn GA$45Wi PfO ....r....^exc £350
FuiifilfHl unci £^0
Haiselblad SODCM + 80mm F2 6 T*.....*xc+ £799
Mamiya RI67 Rrg l + 90mm fj.5 + + 120 badk.,..vg £550
Pentax 6X7MU 4 105mm 12.4 + TIL Pri$m ..vg £475
Pentax 6? 75mm 14 shift lens_ _ ___£44$
^ntax 67 45mm 14 ....i.—.....—..—...—e**i. £375
DARKROOM & MlSC
Eljikkor 50mm f2.8N - boxed ....mint- £45
Schneider 50mm 13.5 Comparon - boxed mint- £25
LFL 6700 tokHJf enlarger witn 35cnm uiriers - boxed exc £175
Nwa 8x10" Print Processor______ .jexc £95
Kodak Carousel S AV2650 f ftetmar 7D-120mm_vg £150
Nikon Coolicari V L550ED____■exc* £475
Melz 45 CL-1 NiCad ............................ lUIUIUUIUIUUIIIjVy £49
Gossen LurasinF I II I *J 1*1 !■ I U llll _• I ■! Ifll II I kJ la I III ul la I II III Ui I 81 I II L* I ■ exc £65
i OUR WEBSITE
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wvw.usedctiiswicbmeras.co.uk
0208 995 9114
Hi Buy, P/X or Commission Safe equipment
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FOR CLASSIC LEICA
SALES & REPAIRS SERVICE
Good stock of used Lelca bodies,
leases and accessories available.
Fully equipped workshop on premises for
repair and! service of your classic Leicas,
R/F Nikons and Canons including
accessories and lenses and also vacuum
coacng facilities. Request list and! details.
M8-M9 Bic coding of lense ASK.
Upper Lye Farm,.Aymert rtf , Hm^ni HI6 951,
Tel: 015C8 770542
Complete camera systems &
other items bought for cash.
Top prices paid. Call
01225 466975
for a quote.
SONY ALPHA 100' c/w 18-55 Lens,
batteries, UV tiller, straps and charger.
Mint condition, boxed- Cl 90
Paul Taylor 01 ^23292093
CANON EOS 500 CAMERA BODY,
boxed in mint condition £475.
Tel; 02088457871
camera Fairs
SOUTH LONDON CAMERA fair.
Sunday 28th October 2012. Buy, sell or
exchange film/digital. Komnal
Technology College, Sevenoaks Way,
Sidcup, Kent, DAM 5AA. 10-2 adm £3
early entry 8.30 £10. Free camera check
at camera dinic. For ail enquiries call
Patrick Archer on tel * 01322 224 964
www. mppu se rs.com/came ratair
CAMERA FAIR GUILDFORD.
Sunday 14th October. 10 3Gam-2.30pm.
St Peters Catholic School. Horseshoe
Lane East, Marrow GUI 2TN. 2 miles
east town center, A25 towards Dorking.
Close iunc 10 M25 and A3. Adm.
earlybird 9.15am £4 After 10.30am £2.
Refreshments. Details Peter Levinson
0208 2051518
wanted
Printing
NEW Studio Block
In a choice of black or white vinyl edgings, the Studio Block image
is professionally printed and mounted onto an 18mm deep block
with a matt laminate for a durable surface.
To view our full liingf.* of products And services of so upload
vour ifTinuKs. pktftst vft$i[ out v^thkii !■?.„
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PmX imaging, FREEPOST RLSV-VZJX SUtC, SfwffWd S20 3PP
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Snmi Film veirjwmig Jnv rrminty
24 EKposu^ 6 x4 ...... £4,88
36 Exposure 6x4 .....*_ £3.90
24 Exposure 5x7 in ms i ■ i bm hi in ■ ■ h rn rii mm rn i C6.99
36 Exposure- 5x7..™.,.,. . „...,......E7*9®
24 Exposure 6x9...... .... £11,99
36 Exposure 6x9. .. £13.99
Develop Only n mill m i ■ n ■■■ rsia i n r■ i bbi dbh iiiiiim i £3.49
Develop end Contact 13x6,. £9,99
Tranaf er to CD at time of processing
jj}f^r7*rbrs /3rDr^\rm
4" 25 Exposure ....... £7,99
4" 4Q Exposua> ... ,CUS
Transfer to CD at lime of processing . £2.90
FjPp InHOT 3itO “nfJlJily
5x4” up to 15 Exposure......... .,,..£6.99
5x7“ up to t5 Exposure,.., . . . £11.99
8x6" up to 15 Exposure... __ £16+99
10x6" up to 15 Exposure..................... £19+99
Transfer io CD at time of proceF:Sjng r „ ri .£2-ao
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Specialist Repairers
Newton Ellis & Co
CLASSIC CAMERA REPAIR
SPECIALISTS
Tel: 0151 236 1391
Tifnicc uvaiblilc
KepLiirh to all pholographic equipment
cameras f classic, modern and dim Lai]
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lenses, camcorders^ binoculars* etc
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13 October 2012 www.amateurpbotographer.co.uk
89
The final frame
The aesthetics of cameras transcend mere functionality, says
Roger Hicks, which is why we should care what they look like
A MACHINE can be beautiful. Arguably, the
most beautiful and graceful machines ever built by
man are flying boats. More than 50 years on, I can
rather than ‘more beautiful; it's still a part of
your surroundings: something you have to live with.
This is why I find it so unconvincing when people
recall the sight of two taking off in the Bay of Tripoli, say, 1 1 don't care what camera I use, because a
their wakes crossing like those of two flying fish in
front of a boat.
camera is just a tool.' As far as I am concerned,
they are also saying, 1 am so devoid of aesthetic
T hen the re are stea m locomotives. Not the overly sensi bil ity that I d o not worry a bout su rrou nd i ng
‘If we do not make an
attempt to be aware of
we will probably find it
difficult to photograph
either convincingly*
streamlined sort like the Mallard class, but proper
round-boiler engines with massive visible moving
parts, and occasional gushes of steam. The big
ones are the embodiment of mechanical majesty,
while the small, slightly fussy ones, as found on the
Darjeeling 'Toy Train’, are like endearing pets
Examples can be multiplied, all beautiful in
their different ways. Think of a proper traditional
motorcycle, with its single or twin-cylinder engine,
its elegantly sculpted petrol tank, its spare,
functional controls: I think it was Jay Leno who said
Never trust a motorcycle
you can't see through.' Or
an original Colt revolver: a
terrible beauty, perhaps,
but nevertheless beauty.
Or a good-quality manual beaUtV and Ugliness,
sewing machine, with J or
its gilt transfers and
marquetry woodwork,
0 r a Series Lar d Rover,
preferably a Series II
with the headlights in
beside the radiator grille,
protected by the wings rather than in them.
Now think of cameras. There's the wood-
and-brass elegance of a Gandolfi, the minimalist
versatility of an M-series Leo, the blocky,
almost military bearing of the original Nikon F.
Or there's the 1950s futurism of a C-series
Hasselblad, the chunkiness of a Robot, the
watch-like precision of the Minox B. Alas, I cannot
think of any comparable design with its roots in
the last half century.
To a considerable extent, of course, this is a
matter of personal preference The machines
that I find most beautiful are mostly more than
50 years old. This may merely be because I am
more than 50 years old. You may well find that
you prefer more recent designs: the sinuous
modern Hasselblad, for example, or the
unassuming current Alpa. You may even like the
cheerful kitsch of a Holga. None of this matters.
What does matter is that some things look better
than others. Even if it's a question of 'less ugly 1
myself with ugliness.' By further implication, they
are suggesting that probably, they aren’t very good
photographers. If they are, they are either lying
about 'just a tool 1 , and they do care after all, or they
are able to compartmentalise their lives in a way 1
cannot understand.
Of course, there are times when, in order to get
a job done, you have to use a tool that is short on
aesthetic appeal. Cordless drills, for example, are
extremely useful, and the best you can say of a
company such as Bosch is that its products are rot
actively ugly, in jarring
nursery colours with
uneconomic shapes.
At this point, though, we
run into William Morris's
famous injunction that
we should have nothing
in our houses that we do
not either know to be
useful or believe to be
beautiful The whole point
of the Arts and Crafts
Revival was to ensure that
the things we know to be useful may also be made
beautiful. There is no reason why cameras should
not be both useful and beautiful.
And yet, no matter how useful they are,
surprisingly few cameras are beautiful. Whyf I can
think of at least three possibilities. The most obvious
is simply that I do not. care for modern design, or
at least, that it takes me a bit of a run up before I
do appreciate it. Another is that the less a machine
does for us, the simpler it can afford to be: it is
easier to make a beautiful brace and bit than to
make a beautiful electric drill The third is fashion,
in any era, there is a fashion, an overall look. Why
do so many of today's cars look exactly !»ke today's
DSLRs, simultaneously rounded and lumpy? But
again, the details don't matter. What matters is
that if we do not make an attempt to be aware of
beauty and ugliness, we will probably find it difficult
to photograph either convincingly. And once you've
excluded both beauty and ugliness, you are left
principally with the banal. P
Roger flicks is a much pu
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Editorial
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magnification at the 300 mm focal
length. It's the ideal high performance
ens for portraits, sports photo a rap hv.
and nature photography.
Canon
PowerShot SI 00
The 4-section 190CXPRO4 combines
great compactness and improved
rigidity with maximum height, It's
extremely light weight and includes a
range of professional features.
m only
in
Silver and Black
W
Panasonic lumix LX5
The DMC-LX5 packages an f/2.0 LEICA
DC VARIO-SUMMICRON lens with 24mm
wide-angle and 3,3x optical zoom, High
sensitivity is made possible by the highly
within the 1X5,
£249
.99
Purchase
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FREE 679mon
444 23 70 60 www.ParkCameras.com/AP
, Victoria Business Park, Burgess Hill, West Sussex RH1 5 9TT
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Ain prices include VAT ft- 2QF U Opening times Mon-Sat 9:00dm■ Thursday (hOOam 7:30pm; Sunday J TDflam 43Ujsm. Store 1 address: York feudi. Victoria business Pad, buiqi/ti Hill. West Sussex FEHlS 9TT
We accept Visa, Mastercard A Maestro. All products art? UK stock. E&DE. 1 * Please cnenEion 'Amateur Photographer'* ten this special price
Prices correct at time of going to press; Prices subject to change; check website for latest prices.
‘Offer available from 01.09.12 until 31.10,12. Terms & Conditions apply, for more information visit www.canon.co.uk/eosexperience
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